Cello Sheet Music
Traditional
Edward Elgar
Sir Edward William Elgar, 1st Baronet OM, GCVO (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Sarah Hopkins
Sarah Hopkins is a unique Australian composer-performer, highly acclaimed for her visionary music and inspiring performances for cello, harmonic overtone singing, handbells, choir and the celestial Harmonic Whirlies of her own creation.
Camille Saint-Saëns
Charles-Camille Saint-Saëns (French pronunciation: ; 9 October 1835 – 16 December 1921) was a French composer, organist, conductor, and pianist of the Romantic era. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah (Opera) , Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony No. 3 (Organ Symphony).
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Tom Kitt
Thomas Robert "Tom" Kitt (born 1974) is an American composer, conductor, orchestrator and musician. For his score for the musical Next to Normal, he shared the 2010 Pulitzer Prize for Drama with Brian Yorkey. He also won the Tony Award and 2008 Outer Critics Circle Award, and was nominated for a Drama Desk Award for American Idiot and Everyday Rapture.
Apocalyptica
Apocalyptica is a Finnish cello metal band, composed of classically trained cellists and, since 2005, a drummer. Three of the cellists are graduates of the Sibelius Academy in Helsinki, Finland. Their music features elements from classical music, neo-classical metal, thrash metal, and symphonic metal.
apocaliptica
Apocalyptica is a Finnish symphonic metal band from Helsinki, Finland, formed in 1993. The band is composed of classically trained cellists Eicca Toppinen, Paavo Lötjönen, and Perttu Kivilaakso (all three of whom are graduates of the Sibelius Academy in Helsinki), drummer Mikko Sirén, and vocalist Franky Perez. Originally a Metallica classical tribute band, the band eventually adopted a neoclassical metal style without the use of conventional guitars. They have sold over four million albums to date.
César Franck
César-Auguste-Jean-Guillaume-Hubert Franck was a composer, pianist, organist, and music teacher who worked in Paris during his adult life. He was born at Liège, in what is now Belgium. He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha.
Max Richter
Max Richter (/ˈrɪktər/, /ˈrɪxtər/; German: ; born 22 March 1966) is a German-born British composer and pianist. He works within postminimalism and in the meeting of contemporary classical and alternative popular musical styles. Richter is classically trained, having graduated in composition from the Royal Academy of Music in London, and studied with Luciano Berio in Italy.
Albinoni
Tomaso Giovanni Albinoni (8 June 1671, Venice, Republic of Venice – 17 January 1751, Venice, Republic of Venice) was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded.
Offenbach
Jacques Offenbach (20 June 1819 – 5 October 1880) was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffman remains part of the standard opera repertory.
Henry Mancini
Henry Mancini (April 16, 1924 – June 14, 1994) was an American composer, conductor and arranger. He is remembered particularly for being a composer of film and television scores. Mancini also won a record number of Grammy awards, including a Grammy Lifetime Achievement Award in 1995. His best-known works are the jazz-idiom theme to The Pink Panther film series ("The Pink Panther Theme"), the Peter Gunn Theme (from the so-named series) and "Moon River".
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
Mancini was nominated for an unprecedented 72 Grammys, winning 20. Additionally he was nominated for 18 Academy Awards, winning four. He also won a Golden Globe Award and was nominated for two Emmys.
Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.
Santana
Santana is a flexible number of musicians accompanying Carlos Santana since the late 1960s. Just like Santana himself, the band is known for helping make Latin rock famous in the rest of the world.
The band was formed in 1966 in San Francisco. The first members were Carlos Santana (lead guitar), Tom Frazier (guitar), Mike Carabello (percussion), Rod Harper (drums), Gus Rodriguez (bass) and Gregg Rolie (keyboard, vocal). In the following years the members of the group changed frequently for a number of reasons, and from 1971 to 1972 there was a brief separation between the group and Santana.
Santana himself rarely sings in his songs despite being the leader of the band and recent hits have been frequently accompanied by a guest singer, rather than the members of the band.
In 1998, the group was inducted into the Rock & Roll Hall of Fame, with Carlos Santana, Jose Chepito Areas, David Brown, Mike Carabello, Gregg Rolie and Michael Shrieve being honored.
The band was formed in 1966 in San Francisco. The first members were Carlos Santana (lead guitar), Tom Frazier (guitar), Mike Carabello (percussion), Rod Harper (drums), Gus Rodriguez (bass) and Gregg Rolie (keyboard, vocal). In the following years the members of the group changed frequently for a number of reasons, and from 1971 to 1972 there was a brief separation between the group and Santana.
Santana himself rarely sings in his songs despite being the leader of the band and recent hits have been frequently accompanied by a guest singer, rather than the members of the band.
In 1998, the group was inducted into the Rock & Roll Hall of Fame, with Carlos Santana, Jose Chepito Areas, David Brown, Mike Carabello, Gregg Rolie and Michael Shrieve being honored.
Rajko Maksimovic
Rajko Maksimović (Serbian Cyrillic: Рајкo Максимовић; 27 July 1935, Belgrade) is a composer, writer, and music pedagogue. One of the most significant Serbian composers of our time, Maksimović has been and remains active in creating works for different ensembles.
Joseph Perkins
Joseph Perkins is a London based jazz/session guitarist, multi-instrumentalist, composer, educator and postgraduate from City University of London, BMus(Hons), M.A. with performance tuition from the Guildhall School of Music and Drama. He has studied guitar with Scott Henderson, Wayne Krantz and Stuart Hall.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Castlevania
Castlevania: Lords of Shadow 2 is an action-adventure game, the sequel to the 2010 game Castlevania: Lords of Shadow, and part of the Castlevania franchise. The game was developed by MercurySteam and published by Konami. It was released late February 2014 in both North America and Europe and in March 2014 in Australia. Lords of Shadow 2 was released on September 4, 2014 in Japan. A downloadable chapter has also been released in March from the same year.
Henry Purcell
Henry Purcell (pronounced /ˈpɜrsəl/; 10 September 1659 (?) – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music.
Mussorgsky
Modest Petrovich Mussorgsky (March 21, 1839 – March 28, 1881), one of the Russian composers known as the Five, was an innovator of Russian music. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Like his literary contemporary Fyodor Dostoyevsky, Mussorgsky depicts in his music "the insulted and the injured" with all their passion and pain. He raises these characters to tragic heights until the grotesque and majestic coexist. Mussorgsky could accomplish this not simply out of compassion or guilt towards them, but because in his works he almost becomes them. Mussorgsky's music is vivid, confused, feverish and ultimately hypnotizing —again, like Dostoyevsky at his best.
Many of his major works were inspired by Russian history, Russian folklore, and other nationalist themes, including the opera Boris Godunov, the orchestral tone poem Night on Bald Mountain, and the piano suite Pictures at an Exhibition. However, while Mussorgsky's music can be vivid and nationalistic, it does not glorify the powerful and is at times (such as in The Field-Marshal) antimilitaristic. For this reason, it was perceived as being directed against the state and its composer "under suspicion." He, like the others in The Russian Five, were considered dangerous extremists by the emperor and his court. This may have been the reason Tsar Alexander III personally crossed off Boris Godounov from the list of proposed pieces for the imperial opera in 1888.
For many years Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have recently come into their own in their original forms, and some of the original scores are now also available.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Richard Strauss
Richard Georg Strauss (German pronunciation: ; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism after Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
Super Smash Bros
Super Smash Bros. is a crossover fighting game series published by Nintendo, and primarily features characters from various Nintendo franchises. The series was created by Masahiro Sakurai, who has directed every game in the series.
Schumann
Robert Schumann, sometimes given as Robert Alexander Schumann, (June 8, 1810 – July 29, 1856) was a German composer, aesthete and influential music critic. He is one of the most famous Romantic composers of the 19th century.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
He had hoped to pursue a career as a virtuoso pianist, having been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe after only a few years of study with him. However, a hand injury prevented those hopes from being realized, and he decided to focus his musical energies on composition. Schumann's published compositions were, until 1840, all for the piano; he later composed works for piano and orchestra, many lieder (songs for voice and piano), four symphonies, an opera, and other orchestral, choral and chamber works. His writings about music appeared mostly in the Neue Zeitschrift für Musik ("The New Journal for Music"), a Leipzig-based publication that he jointly founded.
In 1840, after a long and acrimonious legal battle with his piano instructor Friedrich Wieck, Schumann married Wieck's daughter, pianist Clara Wieck, a considerable figure of the Romantic period in her own right. Clara Wieck showcased many works by her husband as well. For the last two years of his life, after an attempted suicide, Schumann was confined to a mental institution.
Giulio Caccini
Giulio Romolo Caccini (also Giulio Romano) (Rome, 8 October 1551 – Florence, buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini.
David Popper
Popper was a prolific composer of music for his instrument, writing four concertos, a Requiem for three cellos and orchestra (1891) and a number of smaller pieces which are still played today, including the ever-popular cello solo piece Tarantella. His shorter showpieces were written to highlight the unique sound and style native to the cello extending the instrument's range to heights with pieces such as Spinnlied (Spinning Song), Elfentanz (Dance of the Elves), or the Ungarische Rhapsodie (Hungarian Rhapsody). He also wrote instructional pieces. Popper is also famous for his High School of Cello Playing (Op. 73), a book of cello études that is used almost universally by advanced cello students.
Joseph Haydn
Franz Joseph Haydn (31 March 1732 – 31 May 1809), known as Joseph Haydn (German pronunciation: ; English: /ˈdʒoʊzəf ˈhaɪdən/), was an Austrian composer, one of the most prolific and prominent composers of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these genres. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
A life-long resident of Austria, Haydn spent much of his career as a court musician for the wealthy Hungarian aristocratic Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original". At the time of his death, he was one of the most celebrated composers in Europe.
Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
A life-long resident of Austria, Haydn spent much of his career as a court musician for the wealthy Hungarian aristocratic Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original". At the time of his death, he was one of the most celebrated composers in Europe.
Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
Carlo Tessarini
Carlo Tessarini, was an Italian composer and violinist in the late Baroque era. Tessarini was born 1690 in Rimini and died in Amsterdam, Netherlands aged 76.
Charles Gounod
Charles-François Gounod (/ɡuːˈnoʊ/; French: ; 17 June 1818 – 17 or 18 October 1893) was a French composer, best known for his Ave Maria, based on a work by Bach, as well as his opera Faust. Another opera by Gounod that is still performed today is Roméo et Juliette.
Gounod died at Saint-Cloud in 1893, after a final revision of his twelve operas. His funeral took place ten days later at the Church of the Madeleine, with Camille Saint-Saëns playing the organ and Gabriel Fauré conducting. He was buried at the Cimetière d'Auteuil in Paris.
Gounod died at Saint-Cloud in 1893, after a final revision of his twelve operas. His funeral took place ten days later at the Church of the Madeleine, with Camille Saint-Saëns playing the organ and Gabriel Fauré conducting. He was buried at the Cimetière d'Auteuil in Paris.
Olafur Arnalds
Ólafur Arnalds (Icelandic pronunciation: ; born 3 November 1986) is an Icelandic multi-instrumentalist and producer from Mosfellsbær, Iceland. He mixes strings and piano with loops and beats, a sound ranging from ambient/electronic to atmospheric pop. He is also the former drummer for hardcore / metal bands Fighting Shit, Celestine, and others.
In 2009, Ólafur also formed an experimental techno project, entitled Kiasmos, with Janus Rasmussen from the Icelandic electro-pop band Bloodgroup, announcing his electronic debut album in 2014.
In 2009, Ólafur also formed an experimental techno project, entitled Kiasmos, with Janus Rasmussen from the Icelandic electro-pop band Bloodgroup, announcing his electronic debut album in 2014.
Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and Broadway producer.
A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy De Sylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, apparently influenced by Jerome Kern, he turned to longer musical sentences and more free-flowing melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage.
A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy De Sylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, apparently influenced by Jerome Kern, he turned to longer musical sentences and more free-flowing melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage.
Daniël van Goens
Daniël François van Goens (3 September 1858 – Paris, 10 May 1904) was a French cellist and composer of Dutch descent.He was the son of preacher François Corneille Jean van Goens (born in The Hague) and Angela Margaretha Charbon (born in Amsterdam). They would have about ten children, with three passing away from tuberculosis. He married pianist Germaine Polack, who was twenty years younger than him. She remarried Charles Lambert after his death and they had daughter Marie-Anne Lambert, the late mezzo-soprano Deva Dassy.He moved to France in his youth; his parents settled because of the climate in Montpellier, Van Goens was already there on the concert stage. The family later moved to Lausanne and in 1879 returned to Paris. Only one of his brothers remained in France, the late architect Jean Henri van Goens.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Antonio Caldara
Antonio Caldara (1670 – 28 December 1736) was an Italian Baroque composer.Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi. In 1699 he relocated to Mantua, where he became maestro di cappella to the inept Charles IV, Duke of Mantua, a pensionary of France with a French wife, who took the French side in the War of the Spanish Succession.
W.A. Mozart
Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Henri Betti
Henri Betti, born Ange Betti (24 July 1917 – 7 July 2005), was a French composer and a pianist.Pianist and composer of Maurice Chevalier from 1940 to 1945, Henri Betti is best known for composing the music of the songs C'est si bon (lyrics by André Hornez), What Can I Do ? (lyrics by Édith Piaf) and The Windmill Song (lyrics by Jacques Plante) that were performed by Yves Montand.
Luigi Boccherini
Ridolfo Luigi Boccherini (/ˌbɒkəˈriːni/, also US: /ˌboʊk-/, Italian: (About this soundlisten); 19 February 1743 – 28 May 1805) was an Italian, later Spanish, composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version.
Adam Morgan
Author, composer, lyricist, public speaker, and licensed attorney. His Juris Doctor is from the University of South Carolina School of Law. Several years ago he agreed to temporarily set aside a career as a full-time attorney to help his in-laws, Ron and Shelly Hamilton, with their family business, Majesty Music (Majesty Music, home of Patch the Pirate, is a Christian publishing company in Greenville that creates and provides trade books, church music, character-building children’s adventures, hymnals, music seminars, and children’s club materials; as well as a recent addition, Majesty Music Academy).
Girolamo Frescobaldi
Girolamo Alessandro Frescobaldi (Italian: ; also Gerolamo, Girolimo, and Geronimo Alissandro; September 1583 – 1 March 1643) was a musician from the Duchy of Ferrara, in what is now northern Italy. He was one of the most important composers of keyboard music in the late Renaissance and early Baroque periods. A child prodigy,
Friedrich Dotzauer
Justus Johann Friedrich Dotzauer was a German cellist and composer