Download Sheet Music Net is a site for those who wants to access popular sheet music easily,
letting them download the sheet music for free for trial purposes.
It's completely free to download and try the listed sheet music, but you have to delete the files after 24 hours of trial.
Don't forget, if you like the piece of music you have just learned playing,
treat the artist with respect, and go buy the original sheet music.
Latest Sheet Music
Josh Groban
Joshua Winslow Groban (born February 27, 1981) is a Grammy-nominated American singer-songwriter. He has concentrated his career so far mostly in concert singing and recordings, although he has stated that he wishes to pursue musical theater in the future.
Various music critics have described Groban's voice in different ways, with some referring to him as a tenor and others as a baritone. In performance, Groban's music goes as low as G2 (as in the song "To Where You Are") and extends up to at least B4 flat or the B flat above middle C (as heard in "You Raise Me Up"). He also hits a High B during the Baywatch theme song in his Emmy performance of TV Theme Songs on September 21, 2008.This places his voice lower than the tenor range on the low end, and just short of Tenor C, and therefore above the baritone range, on the high end.
Some of Groban's musical influences have been Radiohead, Paul Simon, Sting, Peter Gabriel, and Björk. He says he is able to look up to anyone, musically, who has pushed the boundaries and stepped outside of the box. As for vocal influences, "anyone who told a story with their songs," including Mandy Patinkin, Klaus Nomi, George Hearn, and Luciano Pavarotti.
Various music critics have described Groban's voice in different ways, with some referring to him as a tenor and others as a baritone. In performance, Groban's music goes as low as G2 (as in the song "To Where You Are") and extends up to at least B4 flat or the B flat above middle C (as heard in "You Raise Me Up"). He also hits a High B during the Baywatch theme song in his Emmy performance of TV Theme Songs on September 21, 2008.This places his voice lower than the tenor range on the low end, and just short of Tenor C, and therefore above the baritone range, on the high end.
Some of Groban's musical influences have been Radiohead, Paul Simon, Sting, Peter Gabriel, and Björk. He says he is able to look up to anyone, musically, who has pushed the boundaries and stepped outside of the box. As for vocal influences, "anyone who told a story with their songs," including Mandy Patinkin, Klaus Nomi, George Hearn, and Luciano Pavarotti.
Tori Amos
Tori Amos (born Myra Ellen Amos on August 22, 1963) is a pianist and singer-songwriter of dual British and American citizenship. She is married to English sound engineer Mark Hawley, with whom she has one child, Natashya "Tash" Lórien Hawley, born on September 5, 2000.
Amos was at the forefront of a number of female singer-songwriters in the early 1990s and was noteworthy early in her career as one of the few alternative rock performers to use a piano as her primary instrument. She is known for emotionally intense songs that cover a wide range of subjects including sexuality, religion and personal tragedy. Some of her charting singles include "Crucify", "Silent All These Years", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark", and "A Sorta Fairytale".
Amos had sold 12 million records worldwide as of 2005 and has also enjoyed a large cult following. Having a history of making eccentric and at times ribald comments during concerts and interviews, she has earned a reputation for being highly idiosyncratic. As a social commentator and sometimes activist, some of the topics she has been most vocal about include feminism, religion, and sexuality.
Amos was at the forefront of a number of female singer-songwriters in the early 1990s and was noteworthy early in her career as one of the few alternative rock performers to use a piano as her primary instrument. She is known for emotionally intense songs that cover a wide range of subjects including sexuality, religion and personal tragedy. Some of her charting singles include "Crucify", "Silent All These Years", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark", and "A Sorta Fairytale".
Amos had sold 12 million records worldwide as of 2005 and has also enjoyed a large cult following. Having a history of making eccentric and at times ribald comments during concerts and interviews, she has earned a reputation for being highly idiosyncratic. As a social commentator and sometimes activist, some of the topics she has been most vocal about include feminism, religion, and sexuality.
Gary Jules
Gary Jules (born March 19, 1969 in Fresno, California as Gary Jules Aguirre) is an American singer-songwriter, best known for his cover of Tears for Fears' third single "Mad World", which he recorded together with friend Michael Andrews for the cult film Donnie Darko. It became the UK Christmas Number One single of 2003. Since then it has been used on popular American TV shows, and most recently in the commercial for the Xbox 360 video game Gears of War.
Some of his early projects / bands were The Ivory Knights, Our Town Pansies, Woodenfish, Kofi, The Origin, "Invisible", "No poetry," and "Heroes and Heroin."
Some of his early projects / bands were The Ivory Knights, Our Town Pansies, Woodenfish, Kofi, The Origin, "Invisible", "No poetry," and "Heroes and Heroin."
Vinicius de Moraes
Marcus Vinicius da Cruz e Mello Moraes, also known as Vinicius de Moraes and nicknamed O Poetinha, was a Brazilian poet, lyricist, essayist, and playwright. He served as a diplomat, composed bossa nova music, and recorded several albums.
Fame
Fame – The Musical (based on the 1980 movie by Alan Parker) conceived and developed by David De Silva is a musical with a book by Jose Fernandez, music by Steve Margoshes and lyrics by Jacques Levy. De Silva was fascinated by New York's High School for Performing Arts (Which became Fiorello H. LaGuardia HS of Music and Art and Performing Arts in 1984) and created first the 1980 film about how the dedicated students there were inspired by the arts. The film was followed by a long-running television series, a reality show, and finally the musical. The musical is significantly rewritten from the previous adaptations, with an almost entirely new score.
First produced in 1988 in Miami, Florida, Fame – the Musical has enjoyed numerous professional and amateur productions. The musical has been seen by nearly 4 million people since its West End premiere in 1995. The West End production was nominated for 2 Laurence Olivier Awards. The show played in New York Off-Broadway at the Little Schubert Theatre in 2003-04, for a total of 304 performances. On April 4, 2008 FAME opened in Paris at the Teatre Comedia to great acclaim. The American debut of the sequel production entitled Fame Forever: Reunion and Rebirth opened September 21 with a gala performance and continued through September 30, 2007 at the Waterville Opera House, Waterville, Maine. It also received a co-debut at The Players of Sarasota in Sarasota, Florida opening around the same time, but running to October 7th. This debut show at The Players, as it is called locally, was directed by legendary performer,choreographer, and actor Thomas DeWyane Barrett.
First produced in 1988 in Miami, Florida, Fame – the Musical has enjoyed numerous professional and amateur productions. The musical has been seen by nearly 4 million people since its West End premiere in 1995. The West End production was nominated for 2 Laurence Olivier Awards. The show played in New York Off-Broadway at the Little Schubert Theatre in 2003-04, for a total of 304 performances. On April 4, 2008 FAME opened in Paris at the Teatre Comedia to great acclaim. The American debut of the sequel production entitled Fame Forever: Reunion and Rebirth opened September 21 with a gala performance and continued through September 30, 2007 at the Waterville Opera House, Waterville, Maine. It also received a co-debut at The Players of Sarasota in Sarasota, Florida opening around the same time, but running to October 7th. This debut show at The Players, as it is called locally, was directed by legendary performer,choreographer, and actor Thomas DeWyane Barrett.
Richard Holler
Richard Louis Holler is an American songwriter, pianist, and performer, best known as the writer of the folk-pop standard "Abraham, Martin and John".
Tommaso Giordani
Tommaso Giordani (c. 1730 to 1733 – before 24 February 1806) was an Italian composer active in England and particularly in Ireland.Giordani was born in Naples between 1730 and 1733 and came from a musical family. His father was Giuseppe Giordani senior, born around 1695 in Naples, died after 1762, probably in London (no relation to the Neapolitan organist Carmine Giordani b. 1685). A possible younger brother was Giuseppe Giordani (1751–1798), called "Giordanello". Tommaso was trained in Naples and moved with his father and siblings (including singer Nicolina) via Graz (1747), Salzburg and Frankfurt (1750), Amsterdam (1752) and Paris (1753) to London, where they performed four burlettas at Covent Garden in the 1753–4 season. Although the family performed in London for the next two years, Tommaso is not mentioned in the newspaper reports of the time.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Scott Fitzgerald
Scott Fitzgerald is a Scottish singer and musical actor, who experienced international music chart success in the 1970s and later represented the UK at the 1988 Eurovision Song Contest.
Jaime Romero
Colombian Guitar player, composer, chemical engineer and educator based in Houston, Texas. Jaime was born in Ibague, Colombia where he began his studies in the Colombian Conservatory of Tolima. Before that, he studied classical guitar with Maestro Gentil Montaña and attended workshops of technique and interpretation for the guitar with Eduardo Fernández, Enrique Madriguera and Manuel López Ramos. From an early age, he showed a strong inclination for the guitar, and began to develop works for guitar solos, duets, trios, quartets, quintets, and for the typical Colombian trio.
Antonin Dvorak
Antonín Leopold Dvořák (English pronunciation: /ˈdvɒrʒɑːk/ DVOR-zhahk or /ˈdvɒrʒæk/ DVOR-zhak; Czech: ( listen); September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his New World Symphony, the Slavonic Dances, "American" String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Sammy Nestico
Samuel "Sammy" Louis Nestico (born February 6, 1924 in Pittsburgh, Pennsylvania) is a prolific and well known composer and arranger of big band music. Nestico is most known for his arrangements for the Count Basie orchestra.
Guiseppe Verdi
Giuseppe Fortunino Francesco Verdi (Italian pronunciation: ; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. Although his work was sometimes criticized for using a generally diatonic rather than a chromatic musical idiom and having a tendency toward melodrama, Verdi’s masterworks dominate the standard repertoire a century and a half after their composition.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Hans Zimmer
Hans Florian Zimmer (born September 12, 1957) is a German film score composer and music producer. He has composed music for over 100 films, including Hollywood blockbusters such as the Pirates of the Caribbean series, Gladiator, The Lion King, The Da Vinci Code and The Dark Knight.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Celine Dion
Céline Marie Claudette Dion (born March 30, 1968 in Charlemagne, Quebec) is a Canadian singer, and occasional songwriter and actress.
Dion had first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest.
Dion's music has been influenced by genres ranging from rock and R&B to gospel and classical, and while her releases have often received mixed critical reception, she is renowned for her technically skilled and powerful vocals.
Dion had first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest.
Dion's music has been influenced by genres ranging from rock and R&B to gospel and classical, and while her releases have often received mixed critical reception, she is renowned for her technically skilled and powerful vocals.
Ottorino Respighi
Ottorino Respighi (July 9, 1879, Bologna - April 18, 1936) was an Italian composer, musicologist and conductor. He is best known for his orchestral Roman trilogy: Fontane di Roma - "Fountains of Rome"; Pini di Roma - "Pines of Rome"; and Feste Romane - "Roman Festivals". His musicological interest in 16th-, 17th- and 18th-century music led him to also compose pieces based on the music of this period.
Born in Bologna, he studied composition with Giuseppe Martucci and Nikolai Rimsky-Korsakov. Many sources indicate that he also studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case. Principally a violinist until 1908, he then turned primarily to composition. He lived in Rome from 1913.
Born in Bologna, he studied composition with Giuseppe Martucci and Nikolai Rimsky-Korsakov. Many sources indicate that he also studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case. Principally a violinist until 1908, he then turned primarily to composition. He lived in Rome from 1913.
Hanson
Hanson is an American pop rock band formed in Tulsa, Oklahoma by brothers Isaac, Taylor, and Zac Hanson. They are best known for the 1997 hit song "MMMBop" from their major label debut album Middle of Nowhere that earned three Grammy nominations. Despite the enormous commercial success of Middle of Nowhere, the band departed from Mercury Records and then eventually from Island Def Jam Music Group after conflict with the label about creative input. The band now records under its own label, 3CG Records.
Matteo Carcassi
Matteo Carcassi
Matteo Carcassi (1792 – 16 January 1853) was a famous Italian guitarist and composer.
Contents
1 Life
2 Music
3 External links
3.1 Sheet music
Life
Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist.
He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.
From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.
Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853.
Matteo Carcassi (1792 – 16 January 1853) was a famous Italian guitarist and composer.
Contents
1 Life
2 Music
3 External links
3.1 Sheet music
Life
Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist.
He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget.
From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli.
Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853.
Julien Clerc
Paul Alain Leclerc (born 4 October 1947), better known by his stage name Julien Clerc (pronounced ), is a French singer-songwriter.Born in Paris, Clerc grew up listening to classical music in his father Paul Leclerc's home, while his mother Évelyne Merlot introduced him to the music of such singers as Georges Brassens and Edith Piaf. He began to learn the piano at six, and by 13, started to play by ear everything he heard on the radio.[1
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Franz Liszt
Franz Liszt (Hungarian: Ferencz Liszt, in modern usage Ferenc Liszt, from 1859 to 1865 officially Franz Ritter von Liszt) (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher. He was also the father-in-law of Richard Wagner. In 1865 he became abbot in the Roman Catholic Church.
Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Walt disney
Walter Elias Disney (/ˈdɪzni/; December 5, 1901 – December 15, 1966) was an American entrepreneur, animator, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, Disney holds the record for most Academy Awards earned by an individual, having won 22 Oscars from 59 nominations. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress.
Abel Carlevaro
Abel Carlevaro (16 December 1916 – 17 July 2001) was a classical guitar composer and teacher born in Montevideo, Uruguay. He established a new school of instrumental technique, incorporating a fresh approach to seating and playing the guitar, based on anatomical principles.
Traditional
Eythor Thorlaksson
Eythor Thorlaksson (Eyþór Þorláksson) (22 March 1930 – 14 December 2018) was an Icelandic guitarist and composerEythor was born at Krosseyrarvegur in Hafnarfjörður. His parents where María Jakobsdóttir, from Aðalvík and Þorlákur Guðlaugsson from Biskupstungur.In the years 1950–1952 he studied guitar in England, Denmark and Sweden and in 1953 in Madrid with Daniel Fortea and Quintin Esquembre. In the years 1954–1957 he studied harmony and counterpoint with Victor Urbancic and in 1958–1961 he completed his guitar studies with Graciano Tarragó in Barcelona.
Elvis Costello
Elvis Costello (born Declan Patrick MacManus, 25 August 1954) is an English singer-songwriter. He came to prominence as an early participant in London's pub rock scene in the mid-1970s and later became associated with the punk/New Wave genre. Steeped in word play, the vocabulary of Costello's lyrics is broader than that of most popular songs. His music has drawn on many diverse genres; one critic described him as a "pop encyclopedia", able to "reinvent the past in his own image".
Costello has won multiple awards in his career, including a Grammy Award, and has twice been nominated for the Brit Award for Best British Male. In 2003, Elvis Costello & the Attractions was inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked Costello number 80 on their list of the 100 Greatest Artists of All Time.
Costello has won multiple awards in his career, including a Grammy Award, and has twice been nominated for the Brit Award for Best British Male. In 2003, Elvis Costello & the Attractions was inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked Costello number 80 on their list of the 100 Greatest Artists of All Time.
Charles Koechlin
Charles-Louis-Eugène Koechlin (French: ; 27 November 1867 – 31 December 1950), commonly known as Charles Koechlin, was a French composer, teacher and writer on music. He was a political radical all his life and a passionate enthusiast for such diverse things as medieval music, The Jungle Book of Rudyard Kipling, Johann Sebastian Bach, film stars (especially Lilian Harvey and Ginger Rogers), traveling, stereoscopic photography and socialism. He once said: "The artist needs an ivory tower, not as an escape from the world, but as a place where he can view the world and be himself. This tower is for the artist like a lighthouse shining out across the world."
Juan José Mosalini
Juan José Mosalini (born November 29, 1943) is an Argentinian bandoneon player. He specializes in tango nuevo and currently resides in France.Juan José was born into a family of artisans who were passionate about music. His father and grandfather, who both played the bandoneon, brought him to Argentina's musical traditions. Eight years old, he started himself to learn this instrument. Mosalini was a largely self-taught musician who learned a lot of music on the street. At the age of 13, he had already started playing in ballrooms as a member of an orchestra consisting of four bandoneons, four violins, one piano, one bass and two singers.
Jim Martin
James Blanco Martin known professionally as Big Jim Martin, is an American guitarist best known for his membership in the rock band Faith No More from 1983 to late 1993. Martin also played guitar with the groups EZ-Street, Vicious Hatred, Agents of Misfortune, Recluse, and Pigs of Death.
Joss Stone
Jocelyn Eve Stoker (born 11 April 1987), better known by her stage name Joss Stone, is a British soul singer-songwriter and actress. Stone rose to fame in late 2003 with her multi-platinum debut album, The Soul Sessions, which made the 2004 Mercury Prize shortlist. Her second album, the equally multiplatinum Mind Body & Soul, topped the UK Albums Chart for one week and spawned the top ten hit "You Had Me", Stone's most successful single on the UK Singles Chart to date. Both album and single each received one nomination at the 2005 Grammy Awards, while Stone herself was nominated for Best New Artist, and in an annual BBC poll of music critics, Sound of 2004 was ranked fifth as a predicted breakthrough act of 2004. She became the youngest British female singer to top the UK Albums Chart in history to have her first album at number one. In early 2009, she joined the eclectic supergroup SuperHeavy.
Stone's third album, Introducing Joss Stone, released in March 2007, achieved gold record status by the RIAA and yielded the second-ever highest debut for a British female solo artist on the Billboard 200, which became Stone's first Top 5 album in the United States and first non-Top 10 album in the United Kingdom. Stone released her fourth album, Colour Me Free!, on 20 October 2009, which reached the Top 10 on Billboard. Stone released her fifth album, LP1, on 22 July 2011, which reached the Top 10 on Billboard. Throughout her career, Stone has sold eleven million albums, establishing herself as one of the best-selling artists of her time, best-selling soul artists of the 2000s and best-selling British artists of her time. Her first three albums have sold over 2,722,000 copies in the United States, while her first two albums have sold over 2,000,000 copies in United Kingdom. Stone has won two BRIT Awards and one Grammy Award. She also made her film acting debut in 2006 with the fantasy adventure film Eragon, and made her television debut portraying Anne of Cleves in the Showtime series The Tudors in 2009. Stone was the youngest woman on the 2006 Sunday Times Rich List—an annual list of the UK's wealthiest people—with £6 million. In 2012, her fortune is estimated to be £10 million, making her the fifth richest British musician under 30. "The Soul Sessions: Volume II," a sequel to her debut album, is due in July 2012.
Stone's third album, Introducing Joss Stone, released in March 2007, achieved gold record status by the RIAA and yielded the second-ever highest debut for a British female solo artist on the Billboard 200, which became Stone's first Top 5 album in the United States and first non-Top 10 album in the United Kingdom. Stone released her fourth album, Colour Me Free!, on 20 October 2009, which reached the Top 10 on Billboard. Stone released her fifth album, LP1, on 22 July 2011, which reached the Top 10 on Billboard. Throughout her career, Stone has sold eleven million albums, establishing herself as one of the best-selling artists of her time, best-selling soul artists of the 2000s and best-selling British artists of her time. Her first three albums have sold over 2,722,000 copies in the United States, while her first two albums have sold over 2,000,000 copies in United Kingdom. Stone has won two BRIT Awards and one Grammy Award. She also made her film acting debut in 2006 with the fantasy adventure film Eragon, and made her television debut portraying Anne of Cleves in the Showtime series The Tudors in 2009. Stone was the youngest woman on the 2006 Sunday Times Rich List—an annual list of the UK's wealthiest people—with £6 million. In 2012, her fortune is estimated to be £10 million, making her the fifth richest British musician under 30. "The Soul Sessions: Volume II," a sequel to her debut album, is due in July 2012.
Backstreet Boys
Backstreet Boys are a Grammy-nominated American pop group. They were the first group launched by fallen boy band mogul Lou Pearlman. They have had 13 Top 40 hits on the Billboard Hot 100 and have sold approximately 100 million albums, making them the best selling boy band of all time; they were number 1 in concert and album sales from 1997-2005 (when they earned $533.1 million). Two of their albums - Millennium (at #36) and Backstreet Boys (at #40) - are among the top 40 most popular albums of all-time.
After returning to the music scene in 2005, their sound changed dramatically, incorporating only live instruments (some of which they play themselves) and a more guitar and piano driven pop rock sound. The four-member group consists of Nick Carter, Howie Dorough, Brian Littrell and A. J. McLean. Original member Kevin Richardson left the group on June 23, 2006 to begin a family, but the four-piece refused to rule out a possible return for the singer.
After returning to the music scene in 2005, their sound changed dramatically, incorporating only live instruments (some of which they play themselves) and a more guitar and piano driven pop rock sound. The four-member group consists of Nick Carter, Howie Dorough, Brian Littrell and A. J. McLean. Original member Kevin Richardson left the group on June 23, 2006 to begin a family, but the four-piece refused to rule out a possible return for the singer.
Gabriel Gonzalez
José Gabriel González (born 31 July 1978) is a Swedish indie folk singer-songwriter and guitarist from Gothenburg. González is also a member of the band Junip, along with Tobias Winterkorn.In 1976, the González family – made up of González's father, a National University of San Luis psychology student, González's mother, a fellow student studying biochemistry, both of whom were politically active, and González's older sister, then an infant – fled Argentina after an ultra-conservative military junta seized power in March 1976, the beginning of the "Dirty War". José was born two years later, in 1978, in a suburb of Gothenburg, Sweden. He has a younger sibling. He commented, "It's a very small town. It has about a half-million people living there. It's a pretty good music city by the ocean. It rains a lot there, but it's beautiful in the summertime.
Jérémie Brenner
A sheet of music paper, a keyboard, a pencil eraser. Range, a chord, arpeggiated an agreement, what tone? A picture, a flower, a landscape, a stream, the song of a bird. Gay, lively, sad, melancholy? What's my mood this morning? This will result in a canvas, a sentence, small, large? A minor key, major? What punctuation? Grand total? Some instruments?
Many moments of doubt, crushed leaves, I start all of a sudden it runs, I still fast, I hear in my head, the sweat, three minutes of music, how many hours? I do not count. So be nice, listeners, stop a moment and give me your assessment.
Many moments of doubt, crushed leaves, I start all of a sudden it runs, I still fast, I hear in my head, the sweat, three minutes of music, how many hours? I do not count. So be nice, listeners, stop a moment and give me your assessment.
Oscar Carmona
Oscar Carmona Musical artist Songs Mechanical Obsessions Mechanical Obsessions · 2021 Nostalgia Nostalgia · 2021
Inasible III - Ausencia Inasible · 2017
Inasible III - Ausencia Inasible · 2017
Park Hyo Shin
Park Hyo-shin is a South Korean ballad singer and musical theatre actor known for his emotional vocals.
The Saint
When a master of disguise is hired to steal the secrets of cold fusion from scientist Emma, he has little idea he might fall in love with his victim - or be double-crossed by his snakelike employer.
Mariah Carey
Mariah Carey (born March 27, 1970) is an American singer, songwriter, record producer, and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and became the first recording artist to have her first five singles top the U.S. Billboard Hot 100 chart. Following her marriage to Mottola in 1993, a series of hit records established her position as Columbia's highest-selling act. According to Billboard magazine, she was the most successful artist of the 1990s in the United States.
Following her separation from Mottola in 1997, Carey introduced elements of hip hop into her album work, to much initial success, but her popularity was in decline when she left Columbia in 2001, and she was dropped by Virgin Records the following year after a highly publicized physical and emotional breakdown, as well as the poor reception given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records, and after a relatively unsuccessful period, she returned to pop music in 2005.
Carey was named the best-selling female pop artist of the millennium at the 2000 World Music Awards. She has had the most number-one singles for a solo artist in the United States (eighteen; second artist overall behind The Beatles), where, according to the Recording Industry Association of America, she is the third best-selling female and sixteenth overall recording artist. In addition to her commercial accomplishments, Carey has earned five Grammy Awards, and is well-known for her vocal range, power, melismatic style, and use of the whistle register.
Following her separation from Mottola in 1997, Carey introduced elements of hip hop into her album work, to much initial success, but her popularity was in decline when she left Columbia in 2001, and she was dropped by Virgin Records the following year after a highly publicized physical and emotional breakdown, as well as the poor reception given to Glitter, her film and soundtrack project. In 2002, Carey signed with Island Records, and after a relatively unsuccessful period, she returned to pop music in 2005.
Carey was named the best-selling female pop artist of the millennium at the 2000 World Music Awards. She has had the most number-one singles for a solo artist in the United States (eighteen; second artist overall behind The Beatles), where, according to the Recording Industry Association of America, she is the third best-selling female and sixteenth overall recording artist. In addition to her commercial accomplishments, Carey has earned five Grammy Awards, and is well-known for her vocal range, power, melismatic style, and use of the whistle register.
Dream Theater
Dream Theater is an American progressive metal band formed in 1985 under the name Majesty by John Petrucci, John Myung, and Mike Portnoy while they attended Berklee College of Music in Massachusetts, before they dropped out to support the band. Though a number of lineup changes followed, the three original members remain today along with James LaBrie and Jordan Rudess.
Dream Theater has become a successful progressive metal band. Although the band has had one successful hit ("Pull Me Under" in 1992, which received extensive MTV rotation), they have remained relatively out of the mainstream.
The band is well known for the technical proficiency of its instrumentalists, who have won many awards from music instruction magazines. Dream Theater's members have collaborated with many other notable musicians. Guitarist John Petrucci has been named as the third player on the G3 tour six times, more than any other invited guitarist, following in the footsteps of Eric Johnson and Robert Fripp. Drummer Mike Portnoy has won 23 awards from Modern Drummer Magazine and is also the second youngest person (at the age of 37) to be inducted into the Rock Drummer Hall of Fame.
The band's highest selling album is the gold selling Images and Words (1992), which reached #61 on the Billboard 200 charts. Both the 1994 release Awake and their 2002 release Six Degrees of Inner Turbulence also entered the charts at #32 and #46 respectively and received mostly positive reviews. Six Degrees of Inner Turbulence also led to Dream Theater becoming the initial band reviewed in the Music Section of Entertainment Weekly during its opening week of release, despite the magazine generally preferring more mainstream music. In 2007, Systematic Chaos entered US Billboard 200 at #19. Dream Theater has sold over two million albums in the U.S., and over 8 million records worldwide. The band's tenth studio album, Black Clouds & Silver Linings, was released on June 23, 2009. It entered the US Billboard 200 at #6 and Eurochart Hot 100 at #1, marking their highest entry on either chart. Currently the musician and writer Jose Aranda is writing a doctoral thesis book about Dream Theater and the meaning of music.
Dream Theater has become a successful progressive metal band. Although the band has had one successful hit ("Pull Me Under" in 1992, which received extensive MTV rotation), they have remained relatively out of the mainstream.
The band is well known for the technical proficiency of its instrumentalists, who have won many awards from music instruction magazines. Dream Theater's members have collaborated with many other notable musicians. Guitarist John Petrucci has been named as the third player on the G3 tour six times, more than any other invited guitarist, following in the footsteps of Eric Johnson and Robert Fripp. Drummer Mike Portnoy has won 23 awards from Modern Drummer Magazine and is also the second youngest person (at the age of 37) to be inducted into the Rock Drummer Hall of Fame.
The band's highest selling album is the gold selling Images and Words (1992), which reached #61 on the Billboard 200 charts. Both the 1994 release Awake and their 2002 release Six Degrees of Inner Turbulence also entered the charts at #32 and #46 respectively and received mostly positive reviews. Six Degrees of Inner Turbulence also led to Dream Theater becoming the initial band reviewed in the Music Section of Entertainment Weekly during its opening week of release, despite the magazine generally preferring more mainstream music. In 2007, Systematic Chaos entered US Billboard 200 at #19. Dream Theater has sold over two million albums in the U.S., and over 8 million records worldwide. The band's tenth studio album, Black Clouds & Silver Linings, was released on June 23, 2009. It entered the US Billboard 200 at #6 and Eurochart Hot 100 at #1, marking their highest entry on either chart. Currently the musician and writer Jose Aranda is writing a doctoral thesis book about Dream Theater and the meaning of music.
Renato Zero
Renato Zero (Italian pronunciation: ) is the stage name of Renato Fiacchini (born 30 September 1950), an Italian singer, songwriter, producer, dancer and actor whose career spans a full six decades, from the 1960s to the 2010s, with 40 million records sold, becoming one of the best-selling Italian music artists.
Kelly Clarkson
Kelly Brianne Clarkson (born April 24, 1982) is an American pop rock singer, songwriter, and occasional actress. Clarkson made her debut under RCA Records after she won the highly-publicized first season of the television series American Idol in 2002. She was originally marketed as a pop musician with her debut album Thankful (2003). With the release of her multi-platinum second album Breakaway (2004), Clarkson moved to a more pop rock-oriented style of music. Clarkson's third album, entitled My December, was released on June 26, 2007. Her fourth album is due in fall 2008. Clarkson has sold over 19 million albums worldwide. Clarkson is the most successful American Idol alumna, with eight of her singles becoming Top 10 hits on the Billboard Hot 100. In 2008, she joined Vh1's list of 10 sexiest women of the new millennium at #8. She also hit #28 on Vh1's Top 30 Hottest Rock Front women.
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina (b. 3 February 1525 – 2 February 1526; d. 2 February 1594) was an Italian Renaissance composer and the most well-known 16th-century representative of the Roman School of musical composition. Palestrina became famous through his output of sacred music. He had an enormous influence on the development of Roman Catholic church music, and his work has often been seen as the culmination of Renaissance polyphony. It is only recently, with the discovery and publication of a great deal of hitherto unknown or forgotten music by various Renaissance composers, that we have had the means to properly assess Palestrina in historical context.
Real Book
The Real Book refers to compilations of lead sheets for jazz standards. It usually refers to the first volume of a series of books transcribed and collated by Berklee College of Music students during the 1970s.The name is derived from "fake books", so called because they contained only rough outlines of music pieces rather than fully notated scores. Early fake books were often used by professional bands who performed mostly standards, often more geared to society and dance bands rather than jazz ensembles, and devoted much space to show tunes, novelty tunes, traditional jazz, etc. The first three Real Book volumes, in contrast, contained many bebop and other jazz standards that were likely to be encountered on jazz gigs at the time. For this reason, the books were quickly adopted among jazz players in the 1970s, particularly on the east coast.
Sister Act
Sister Act is a 1992 American comedy film released by Touchstone Pictures. Directed by Emile Ardolino, it features musical arrangements by Marc Shaiman and stars Whoopi Goldberg as a Reno lounge singer who has been put under protective custody in a San Francisco convent and has to pretend to be a nun when a mob boss puts her on his hit list. Also in the cast are Maggie Smith, Kathy Najimy, Wendy Makkena, Mary Wickes, and Harvey Keitel. The film is #83 on Bravo's The 100 Funniest Movies list.
The film was followed by a 1993 sequel, Sister Act 2: Back in the Habit. It also inspired a musical stage version that premiered at the Pasadena Playhouse in Pasadena, California in 2006.
The film was followed by a 1993 sequel, Sister Act 2: Back in the Habit. It also inspired a musical stage version that premiered at the Pasadena Playhouse in Pasadena, California in 2006.
Quang Loc
Hồ Quang Lộc Singer Genre: Pop Albums: Loi Cuoi Cho Tinh Yeu, Ho Quang Loc Tuyen Chon, MORE Songs
Vi Trong Nghich Canh Ho Quang Loc Tuyen Chon · 2016 Lien Khuc Lai Nho Nguoi Yeu Cat Bui Cuoc Doi · 2019
Loi Cuoi Cho Cuoc Tinh Loi Cuoi Cho Cuoc Tinh · 2019.
Vi Trong Nghich Canh Ho Quang Loc Tuyen Chon · 2016 Lien Khuc Lai Nho Nguoi Yeu Cat Bui Cuoc Doi · 2019
Loi Cuoi Cho Cuoc Tinh Loi Cuoi Cho Cuoc Tinh · 2019.
Leon Huff
Leon Huff was born on 8 April 1942 in Camden, New Jersey, USA. He is a composer, known for Moulin Rouge! (2001), Species (1995) and New Jack City (1991). BornApril 8, 1942. BornApril 8, 1942.
Glenn Miller Orchestra
This article is about the band that Glenn Miller fronted. For the band that performed after his disappearance, see Glenn Miller Orchestra (1956–present).
Glenn Miller and His Orchestra
Glenn Miller Band.jpg
Glenn Miller and His Orchestra, on the set of Sun Valley Serenade, 1941
Background information
Genres Dance band, Swing
Years active April 1938 – September 1942
Labels
Bluebird Victor
Website www.glennmiller.com
Past members see members section
Glenn Miller and His Orchestra was an American swing dance band formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the Swing era and one of the greatest singles charting acts of the 20th century.
Miller began professionally recording in New York City as a sideman in the Hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger.
In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the Glenn Miller sound. Frustrated with his agency over playing inconsistent bookings and lacking broad radio exposure, Miller gave the band notice in December 1937. Less than three months later, he was looking for members and forming a new band.
Miller began a partnership with Eli Oberstein, which led directly to a contract with Victor subsidiary Bluebird Records. Gaining notoriety at such engagements as the Paradise Restaurant and Frank Dailey–owned Meadowbrook and their corresponding nationwide broadcasts, Miller struck enormous popularity playing the Glen Island Casino in the summer of 1939. From late 1939 to mid-1942, Miller was the number-one band in the country, with few true rivals. Only Harry James' band began to equal Miller's in popularity as he wound down his career in the wake of the Second World War. The AFM strike prevented Miller from making any new recordings in the last two months of his band's existence, and they formally disbanded at the end of September 1942.
Miller's short-term chart successes have seldom been duplicated and his group's unprecedented dominance of early Your Hit Parade and Billboard singles charts, resulting in 16 number-one singles and 69 Top Ten hits, foreshadowed future record-breaking chart acts such as Elvis Presley and The Beatles.
Contents
1 Musical success
1.1 Beginnings
1.2 Glen Island Casino and Meadowbrook
1.3 Nationwide popularity
2 Radio success
3 Chart success
4 Past members
5 Discography
5.1 Singles
6 See also
7 References
8 External links
Musical success
Beginnings
By March 1938, Glenn was planning to form a new group. The newly reformed band featured several longtime associates of Miller. From his first orchestra, Miller invited back Hal McIntyre, and hired Paul Tanner, Wilbur Schwartz, Ray Eberle (who was the younger brother of Jimmy Dorsey's vocalist Bob Eberly), and his old friend Chummy MacGregor. Miller's perseverance, business expertise, combined with a penchant for showmanship and musical taste, provided the faith for financiers Mike Nidorf and Cy Shribman. Miller used the 'clarinet-lead' sound as the foundation for his new band, and this caught the attention of students at Northeastern campuses. They opened on April 16, 1938, at Raymor Ballroom in Boston. When the band reached New York, they were billed below Freddie Fisher and His Schnickelfritzers, a dance band comedy routine. From Vincent Lopez's group came Marion Hutton, who added enthusiasm and energy in her performances. On September 7, 1938, the band made their first recordings, "My Reverie", "King Porter Stomp" and "By the Waters of Minnetonka", in two parts. Keeping up radio dates, Miller was only booked for 1 more session the rest of the year.
Glen Island Casino and Meadowbrook
In March 1939, the Glenn Miller Orchestra was given its big break, when they were chosen to play the summer season at the prestigious Glen Island Casino located on the north shore of Long Island Sound in New Rochelle, New York. Frank Dailey, manager of The Meadowbrook Ballroom in Cedar Grove, New Jersey, immediately booked the band for a four-week stay in March and April, before Glen Island. The band was well-received and within days Dailey picked up a three-week extension offer. During this time, Bluebird recording dates became more common and Glenn added drummer Maurice Purtill and trumpeter Dale "Mickey" McMickle to stabilize personnel. Opening at Glen Island on May 17, 1939, the casino's radio broadcast antenna ensured the Miller band was heard around the country. In late August, the end of their summer season, they had nationwide attention.
George T. Simon, writer and one-time drummer for Miller, spoke of the Glen Island broadcasts:
Glen Island was the prestige place for people who listened to bands on radio. The band's first semi hit, "Little Brown Jug", came out just when it opened at Glen Island. That helped. And the clarinet lead in Glenn's arrangements was such a romantic sound! It caught the public fancy during this exposure. Miller began ending his broadcasts from Glen Island with his "Something Old, Something New" medleys. But the most important thing for Glenn's success was that he recorded "In the Mood" while he was at the casino. That made him the Michael Jackson of his day.
Nationwide popularity
Capitalizing on newfound popularity, Miller decided to add a trombone and a trumpet, giving the band a fuller sound. On April 4, 1939, Miller and his orchestra recorded "Moonlight Serenade". Considered one of the top songs of the swing era, and Miller's best composition, it soon became the theme song to start and end all of his radio performances.
Miller's most popular track "In the Mood" was recorded August 1, 1939. Famous for its opening and bass riffs as well as its "dueling" saxophone solos between Tex Beneke and Al Klink, the song hit number one on the Billboard charts, staying for a total of 30 weeks. Joe Garland compiled the song from riffs he'd heard in other songs, and is credited on the label. Elements of "In the Mood" can be found in earlier jazz recordings, such as Jimmy O'Bryant's "Clarinet Getaway", Wingy Manone's "Tar Paper Stomp", and Fletcher Henderson's "Hot and Anxious." Garland put these pieces together and initially offered the song, in a six-minute form, to Artie Shaw. Despite playing it for radio broadcast, Shaw found no success with it in this form. Miller purchased the song in June 1939 and asked Eddie Durham to arrange it for his orchestra, and Miller made final tweaks in Victor studios. In a 2000 interview for npr, trombonist Paul Tanner remembered recording the song and playing it live:
He would say, "You fellas do this, and you fellas do that, and let's hear it once." And then, "We're gonna cut from this spot to this spot in the arrangement, and in here we're gonna put a trumpet solo. And in this spot and this spot we're gonna cut way down here and we're gonna have the two saxophones have a little battle in there," and decided to make cuts. And then at the end, Alice , if you know the arrangement, at the end there are all those false endings that go on, and it kept getting softer and softer until Glenn would give the drummer a clue and he would hit the cowbell and then we would know that the next time we were to come on very loud. And the dancers just loved it. He tried it out on the dances at the Glen Island Casino, and they loved it. They couldn't figure out how we knew when to come in loud. But, you know, I told them, "Well, we have a sixth sense of that sort of thing." But actually, what happened is the drummer hit the cowbell, and we knew the next time was loud. And this was all Glenn's doing.
On February 5, 1940, Miller recorded "Tuxedo Junction", which hit number one and reportedly sold 115,000 copies within the first week of release, and placed 7th overall for the National Hit Parade that year. Bob Eberly said that it "sold 90,000 copies in the first week, at a time when 25,000 was considered a great seller". In April, the band chant track "Pennsylvania 6-5000", referencing the phone number for the Hotel Pennsylvania, which housed the Café Rouge, a common engagement and broadcasting spot for the band, was released and it too became an instant swing standard.
On January 1, 1941, following tensions regarding licensing fees, radio networks banned ASCAP songs from live performance. Miller had to work to reform his radio programs for BMI published tunes, temporarily switching his theme to "Slumber Song". In early 1941, Marion Hutton left the band to go on maternity leave. In the meantime, Miller needed an additional female vocalist, and he offered Dorothy Claire, then with Bobby Byrne's band, twice her salary. Claire went to work for Miller, despite her signature on a three-year contract with Byrne in November 1940, and Miller ignored Byrne's wishes for compensation. Byrne then launched a $25,000 lawsuit against the Miller orchestra's business dealings. Miller met with Byrne in Columbus, Ohio sometime in early March and settled the dispute – Claire went back to working with Byrne's band. Miller soon hired The Modernaires from Paul Whiteman, who was disbanding his orchestra. Still in need of a female vocalist, the wife of Modernaire Hal Dickinson, Paula Kelly, who had sung previously with Al Donahue, stepped up to fill in the role. The signing of the Modernaires significantly benefitted the Miller organization. Hip and popular with young listeners, the Modernaires' vocal range added a new dimension to Miller's recordings.
In late March, Miller and his orchestra began work on their first motion picture, Sun Valley Serenade. Previously, swing films such as Hollywood Hotel with Benny Goodman's orchestra had only featured bands for song performances; Miller reportedly insisted, perhaps even to the extent of contract clauses, that the plot of Sun Valley revolve around the band rather than only feature them. Harry Warren and Mack Gordon were commissioned to write songs for the film. The Miller band filmed and recorded an extended song-and-dance number featuring the Nicholas Brothers for what was soon to be its biggest selling record, surprise hit "Chattanooga Choo Choo". Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome:
Miller comes across as a convincing band leader, and, even more important, a convincing human being in this film. He’s on mostly for music, but most of the film is music and the dozen or so reels are a better showcase for the Glenn Miller band than they are for the Sonja Henie torso and limbs, with and without skates. Never has a movie made more of a popular band and never has a movie featuring such an organization presented its music so tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the honors. Trigger hops around like mad and Maurice looks like the movies’ idea of a swing drummer, all right. They stay within the bounds of good taste, however ... the story is believable, and happily centers around the band, so that the whole thing is a triumph for Glenn Miller and the band.
Billboard top 10 chart for January 24, 1942, where Glenn Miller and His Orchestra hold five of the slots.
In October, ASCAP and the radio networks agreed on a new rate, and the band could finally play "Chattanooga" and their other songs on radio. W. Wallace Early, the manager of record sales for RCA Victor and Bluebird Records, presented the first ever gold record to Miller on February 10, 1942, saying:
It's a pleasure to be here tonight. And speaking of RCA Victor, we're mighty proud of that Chattanooga Choo Choo, and the man that made the record, Glenn Miller. You see it's been a long time – 15 years in fact – since any record has sold a million copies. And Chattanooga Choo Choo certainly put on steam and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn should get a trophy. The best one we could think of is a gold record of Chattanooga. And now Glenn, it's yours – with the best wishes of RCA Victor Bluebird Records.
After the Pearl Harbor attack, Miller began incorporating more patriotic themes into his radio shows and recordings.
In early 1942, the band was upgraded from Bluebird to full-price Victor Records. Following very closely in the footsteps of its predecessor, the Miller band started work on their second film, Orchestra Wives in March. Once again, Gordon and Warren were recalled to compose the songs. The previous year, both had composed "At Last" but couldn't place it into Sun Valley Serenade. They worked over the arrangement, and it was displayed prominently in Orchestra Wives. Years later, it became a standard when recorded by Etta James. Akin to "Chattanooga", "(I've Got a Gal In) Kalamazoo" was filmed as a song and dance number featuring the Nicholas Brothers and also sold a million pressings, with Billboard ranking it among the most popular records of the year.
In mid–July, Miller and the band recorded thirteen sides, as James Petrillo, chief of the musicians' union, embarked on a 28-month recording ban. The strike prevented Miller from making additional records in his career, although Victor slowly released the last set of tracks, with "That Old Black Magic" hitting number one in May 1943, over eight months after his band ceased to exist.
Miller began privately sending letters to the Armed Forces in attempts to lead a modern military band. Accepted into the United States Navy and later transferred to the Army Air Forces, in early September he broke the news to the band and later that month they played their last radio shows. Miller surrendered his Chesterfield radio slot to Harry James.
Radio success
Radio played a pivotal role in the success of Miller and His Orchestra. Featured heavily on the format during their existence, many of their earlier programs from such venues as the Paradise Restaurant, Glen Island and the Meadowbrook Ballroom used remote connections to the National Broadcasting Company, on both NBC–Red and NBC–Blue.
The makers of Chesterfield Cigarettes hosted a half-hour radio show on CBS that featured King of Jazz Paul Whiteman. Whiteman decided to retire and recommended Glenn as a replacement. On December 27, 1939, Miller took over the program as Chesterfield Moonlight Serenade. During the first 13 weeks, The Andrews Sisters were featured as Chesterfield were worried over whether Miller could sustain his popularity. Their fear subsided, and the program, reformatted for 15 minutes, aired Tuesday, Wednesday and Thursday nights at 10:15pm. Miller and his band held the slot until their disbandment in 1942.
In 1940, the band broadcast from the first time from the Café Rouge at the Hotel Pennsylvania, soon to become a regular booking and a host of long-term engagements. By then, the Miller band had several NBC sustaining broadcasts in addition to three CBS programs, reaching American homes 6–7 days a week. In August, Miller's orchestra had an hour-long program on NBC–Blue, Glenn Miller's Sunset Serenade featuring prizes Miller paid for out-of-pocket. A review in Billboard commented, "Unusual length of the program allows Miller to display all the top items in his library."
Chart success
According to Paul Albone, of the 121 singles by Glenn Miller and His Orchestra that made the charts, 69 were Top Ten hits, and 16 reached number-one. In just a 4-year career, Miller and His Orchestra's songs spent a cumulative total of 664 weeks, nearly thirteen years, on the charts, 79 of which were at the number-one position. Miller also has the distinction of three posthumous albums reaching number-one on Billboard charts: Glenn Miller in 1945, its follow-up in 1947, and his original recordings repackaged for the release of The Glenn Miller Story in 1954.
Past members
Ray Anthony, who played trumpet with the band from 1940 to 1941, is the last surviving member as of 2019.
Discography
See also: Glenn Miller discography
Singles
Million-selling singles:
1939: "Little Brown Jug"
1939: "Moonlight Serenade"
1939: "In the Mood"
1940: "Tuxedo Junction"
1940: "Pennsylvania 6-5000"
1941: "Chattanooga Choo Choo"
1941: "A String of Pearls"
1941: "Moonlight Cocktail"
1942: "American Patrol"
1942: "(I've Got a Gal In) Kalamazoo"
See also
Glenn Miller
Swing music
Bandleader
Big band
References
"A Portrait of Glenn Miller" (PDF). www.colorado.edu. Glenn Miller Archive.
Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
"Top Ten Hits 1939-1943" (PDF). colorado.edu. Glenn Miller Archive. September 2017. Retrieved October 12, 2018.
"Captain Swing - Glenn Miller - America in WWII magazine". www.americainwwii.com.
"A Bluebird Reverie – The First RCA Session". 1 April 2014.
Settlemier, Tyrone. "The Online 78 rpm Discographical Project". www.78discography.com.
"POP/JAZZ; GLENN MILLER SOUND OF 1939 AT GLEN ISLAND CASINO".
"Glenn Miller Orchestra – History". glennmillerorchestra.com.
http://ww Archived 2013-07-12 at the Wayback Machine w.glennmiller.com/index.php
"Army Band Hits High Note With Community".
Tsort. "Song title 150 - In the Mood". tsort.info.
""In the Mood"—Glenn Miller (1939)" (PDF). Library of Congress.
Spragg, Dennis. "In the Mood" (PDF). www.colorado.edu. Glenn Miller Archive.
"'In the Mood'". National Public Radio.
Simon, George T. Glenn Miller and His Orchestra. NY: Crowell, 1974.
Spragg, Dennis. "Sun Valley Serenade 75th Anniversary Commemoration" (PDF). Glenn Miller Archive.
Crowther, Bosley. "Sonia Henie in 'Sun Valley Serenade,' a Sparkling and Melodious Outdoor Picture, at the Roxy". The New York Times.
Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 4. ISBN 0-214-20512-6.
"Radio Recordings" (PDF). colorado.edu. Glenn Miller Archive.
Carter, Dick (January 3, 1942). "On the Air: Glenn Miller". Billboard. Retrieved 26 October 2014.
Whitburn, Joel. Pop Memories (1900-1940). Record Research.
Whitburn, Joel (2015). Pop Hits Singles and Albums, 1940-1954. Record Research. ISBN 978-0-89820-198-7.
Popa, Christopher. "Record Sales". Big Band Library.
External links
Wikimedia Commons has media related to Glenn Miller Orchestra.
Website of past vocalist Eileen Burns
YouTube Videos from 1983 GMO US and Japan Tour
vte
Glenn Miller and His Orchestra
Discography Timeline of members, 1938–1942
Number one hits
1939
"Wishing (Will Make It So)" "Stairway to the Stars" "Moon Love" "Over the Rainbow" "The Man With the Mandolin" "Blue Orchids" "In the Mood"
1940
"Tuxedo Junction" "The Woodpecker Song"
1941
"Song of the Volga Boatmen" "Chattanooga Choo Choo" "Elmer's Tune"
1942
"A String of Pearls" "Moonlight Cocktail" "(I've Got a Gal In) Kalamazoo"
1943
"That Old Black Magic"
Albums
Up Swing (1944) Smoke Rings (1944) Glenn Miller (1945) Glenn Miller Masterpieces, Volume II (1947) Glenn Miller Plays Selections From the Film "The Glenn Miller Story" (1954) The Glenn Miller Carnegie Hall Concert (1958) Pure Gold (1975)
Members
Vocalists
Marion Hutton Ray Eberle Tex Beneke Jack Lathrop Ernie Caceres Kay Starr Dorothy Claire Paula Kelly The Modernaires Skip Nelson
Musicians
Al Klink Al Mastren Paul Tanner Toby Tyler Tommy Mack Frank D’Annolfo Howard Gibeling Jimmy Priddy Wilbur Schwartz Stanley Aronson Hal McIntyre Tex Beneke Ernie Caceres Jimmy Abato Gabe Galinas Hal Tennyson Benny Feman Babe Russin Skip Martin Johnny Austin Lou Mucci Bob Price Charlie Hill Legh Knowles Mickey McMickle Clyde Hurley Johnny Best Zeke Zarchy Charles Frankhauser Billy May Ray Anthony Alec Fila Bill Graham Steve Lipkins Allan Reuss Arthur Ens Dick Fisher Jack Lathrop Bobby Hackett Bill Conway Chummy MacGregor Bob Spangler Cody Sandifer Frankie Carlson Maurice Purtill Rollie Bundock Tony Carlson Trigger Alpert Doc Goldberg
Arrangers
Jerry Gray Bill Finegan Glenn Miller Billy May
Composers
Glenn Miller Harry Warren Mack Gordon
Army Air Force
band alumni
The Crew Chiefs Addison Collins Jr. Johnny Desmond Peanuts Hucko Jack Lathrop Norman Leyden Ray McKinley Artie Malvin Ralph Patt Mel Powell George Siravo Charlie Spivak
Media
Films
Sun Valley Serenade (1941) Orchestra Wives (1942) The Glenn Miller Story (1954)
Publications
125 Jazz Breaks for Trombone (1927) Glenn Miller's Method for Orchestral Arranging (1943)
Related
List of songs written by Glenn Miller Dorsey Brothers Orchestra The Glenn Miller Story (Decca) (1954) Glenn Miller Orchestra (1956–present) Glenn Miller Time
Authority control Edit this at Wikidata
ISNI: 0000 0001 1536 8834 MusicBrainz: 9b87c1f6-23ae-469b-b710-ea5da2d3f848
Glenn Miller and His Orchestra
Glenn Miller Band.jpg
Glenn Miller and His Orchestra, on the set of Sun Valley Serenade, 1941
Background information
Genres Dance band, Swing
Years active April 1938 – September 1942
Labels
Bluebird Victor
Website www.glennmiller.com
Past members see members section
Glenn Miller and His Orchestra was an American swing dance band formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the Swing era and one of the greatest singles charting acts of the 20th century.
Miller began professionally recording in New York City as a sideman in the Hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger.
In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the Glenn Miller sound. Frustrated with his agency over playing inconsistent bookings and lacking broad radio exposure, Miller gave the band notice in December 1937. Less than three months later, he was looking for members and forming a new band.
Miller began a partnership with Eli Oberstein, which led directly to a contract with Victor subsidiary Bluebird Records. Gaining notoriety at such engagements as the Paradise Restaurant and Frank Dailey–owned Meadowbrook and their corresponding nationwide broadcasts, Miller struck enormous popularity playing the Glen Island Casino in the summer of 1939. From late 1939 to mid-1942, Miller was the number-one band in the country, with few true rivals. Only Harry James' band began to equal Miller's in popularity as he wound down his career in the wake of the Second World War. The AFM strike prevented Miller from making any new recordings in the last two months of his band's existence, and they formally disbanded at the end of September 1942.
Miller's short-term chart successes have seldom been duplicated and his group's unprecedented dominance of early Your Hit Parade and Billboard singles charts, resulting in 16 number-one singles and 69 Top Ten hits, foreshadowed future record-breaking chart acts such as Elvis Presley and The Beatles.
Contents
1 Musical success
1.1 Beginnings
1.2 Glen Island Casino and Meadowbrook
1.3 Nationwide popularity
2 Radio success
3 Chart success
4 Past members
5 Discography
5.1 Singles
6 See also
7 References
8 External links
Musical success
Beginnings
By March 1938, Glenn was planning to form a new group. The newly reformed band featured several longtime associates of Miller. From his first orchestra, Miller invited back Hal McIntyre, and hired Paul Tanner, Wilbur Schwartz, Ray Eberle (who was the younger brother of Jimmy Dorsey's vocalist Bob Eberly), and his old friend Chummy MacGregor. Miller's perseverance, business expertise, combined with a penchant for showmanship and musical taste, provided the faith for financiers Mike Nidorf and Cy Shribman. Miller used the 'clarinet-lead' sound as the foundation for his new band, and this caught the attention of students at Northeastern campuses. They opened on April 16, 1938, at Raymor Ballroom in Boston. When the band reached New York, they were billed below Freddie Fisher and His Schnickelfritzers, a dance band comedy routine. From Vincent Lopez's group came Marion Hutton, who added enthusiasm and energy in her performances. On September 7, 1938, the band made their first recordings, "My Reverie", "King Porter Stomp" and "By the Waters of Minnetonka", in two parts. Keeping up radio dates, Miller was only booked for 1 more session the rest of the year.
Glen Island Casino and Meadowbrook
In March 1939, the Glenn Miller Orchestra was given its big break, when they were chosen to play the summer season at the prestigious Glen Island Casino located on the north shore of Long Island Sound in New Rochelle, New York. Frank Dailey, manager of The Meadowbrook Ballroom in Cedar Grove, New Jersey, immediately booked the band for a four-week stay in March and April, before Glen Island. The band was well-received and within days Dailey picked up a three-week extension offer. During this time, Bluebird recording dates became more common and Glenn added drummer Maurice Purtill and trumpeter Dale "Mickey" McMickle to stabilize personnel. Opening at Glen Island on May 17, 1939, the casino's radio broadcast antenna ensured the Miller band was heard around the country. In late August, the end of their summer season, they had nationwide attention.
George T. Simon, writer and one-time drummer for Miller, spoke of the Glen Island broadcasts:
Glen Island was the prestige place for people who listened to bands on radio. The band's first semi hit, "Little Brown Jug", came out just when it opened at Glen Island. That helped. And the clarinet lead in Glenn's arrangements was such a romantic sound! It caught the public fancy during this exposure. Miller began ending his broadcasts from Glen Island with his "Something Old, Something New" medleys. But the most important thing for Glenn's success was that he recorded "In the Mood" while he was at the casino. That made him the Michael Jackson of his day.
Nationwide popularity
Capitalizing on newfound popularity, Miller decided to add a trombone and a trumpet, giving the band a fuller sound. On April 4, 1939, Miller and his orchestra recorded "Moonlight Serenade". Considered one of the top songs of the swing era, and Miller's best composition, it soon became the theme song to start and end all of his radio performances.
Miller's most popular track "In the Mood" was recorded August 1, 1939. Famous for its opening and bass riffs as well as its "dueling" saxophone solos between Tex Beneke and Al Klink, the song hit number one on the Billboard charts, staying for a total of 30 weeks. Joe Garland compiled the song from riffs he'd heard in other songs, and is credited on the label. Elements of "In the Mood" can be found in earlier jazz recordings, such as Jimmy O'Bryant's "Clarinet Getaway", Wingy Manone's "Tar Paper Stomp", and Fletcher Henderson's "Hot and Anxious." Garland put these pieces together and initially offered the song, in a six-minute form, to Artie Shaw. Despite playing it for radio broadcast, Shaw found no success with it in this form. Miller purchased the song in June 1939 and asked Eddie Durham to arrange it for his orchestra, and Miller made final tweaks in Victor studios. In a 2000 interview for npr, trombonist Paul Tanner remembered recording the song and playing it live:
He would say, "You fellas do this, and you fellas do that, and let's hear it once." And then, "We're gonna cut from this spot to this spot in the arrangement, and in here we're gonna put a trumpet solo. And in this spot and this spot we're gonna cut way down here and we're gonna have the two saxophones have a little battle in there," and decided to make cuts. And then at the end, Alice , if you know the arrangement, at the end there are all those false endings that go on, and it kept getting softer and softer until Glenn would give the drummer a clue and he would hit the cowbell and then we would know that the next time we were to come on very loud. And the dancers just loved it. He tried it out on the dances at the Glen Island Casino, and they loved it. They couldn't figure out how we knew when to come in loud. But, you know, I told them, "Well, we have a sixth sense of that sort of thing." But actually, what happened is the drummer hit the cowbell, and we knew the next time was loud. And this was all Glenn's doing.
On February 5, 1940, Miller recorded "Tuxedo Junction", which hit number one and reportedly sold 115,000 copies within the first week of release, and placed 7th overall for the National Hit Parade that year. Bob Eberly said that it "sold 90,000 copies in the first week, at a time when 25,000 was considered a great seller". In April, the band chant track "Pennsylvania 6-5000", referencing the phone number for the Hotel Pennsylvania, which housed the Café Rouge, a common engagement and broadcasting spot for the band, was released and it too became an instant swing standard.
On January 1, 1941, following tensions regarding licensing fees, radio networks banned ASCAP songs from live performance. Miller had to work to reform his radio programs for BMI published tunes, temporarily switching his theme to "Slumber Song". In early 1941, Marion Hutton left the band to go on maternity leave. In the meantime, Miller needed an additional female vocalist, and he offered Dorothy Claire, then with Bobby Byrne's band, twice her salary. Claire went to work for Miller, despite her signature on a three-year contract with Byrne in November 1940, and Miller ignored Byrne's wishes for compensation. Byrne then launched a $25,000 lawsuit against the Miller orchestra's business dealings. Miller met with Byrne in Columbus, Ohio sometime in early March and settled the dispute – Claire went back to working with Byrne's band. Miller soon hired The Modernaires from Paul Whiteman, who was disbanding his orchestra. Still in need of a female vocalist, the wife of Modernaire Hal Dickinson, Paula Kelly, who had sung previously with Al Donahue, stepped up to fill in the role. The signing of the Modernaires significantly benefitted the Miller organization. Hip and popular with young listeners, the Modernaires' vocal range added a new dimension to Miller's recordings.
In late March, Miller and his orchestra began work on their first motion picture, Sun Valley Serenade. Previously, swing films such as Hollywood Hotel with Benny Goodman's orchestra had only featured bands for song performances; Miller reportedly insisted, perhaps even to the extent of contract clauses, that the plot of Sun Valley revolve around the band rather than only feature them. Harry Warren and Mack Gordon were commissioned to write songs for the film. The Miller band filmed and recorded an extended song-and-dance number featuring the Nicholas Brothers for what was soon to be its biggest selling record, surprise hit "Chattanooga Choo Choo". Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome:
Miller comes across as a convincing band leader, and, even more important, a convincing human being in this film. He’s on mostly for music, but most of the film is music and the dozen or so reels are a better showcase for the Glenn Miller band than they are for the Sonja Henie torso and limbs, with and without skates. Never has a movie made more of a popular band and never has a movie featuring such an organization presented its music so tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the honors. Trigger hops around like mad and Maurice looks like the movies’ idea of a swing drummer, all right. They stay within the bounds of good taste, however ... the story is believable, and happily centers around the band, so that the whole thing is a triumph for Glenn Miller and the band.
Billboard top 10 chart for January 24, 1942, where Glenn Miller and His Orchestra hold five of the slots.
In October, ASCAP and the radio networks agreed on a new rate, and the band could finally play "Chattanooga" and their other songs on radio. W. Wallace Early, the manager of record sales for RCA Victor and Bluebird Records, presented the first ever gold record to Miller on February 10, 1942, saying:
It's a pleasure to be here tonight. And speaking of RCA Victor, we're mighty proud of that Chattanooga Choo Choo, and the man that made the record, Glenn Miller. You see it's been a long time – 15 years in fact – since any record has sold a million copies. And Chattanooga Choo Choo certainly put on steam and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn should get a trophy. The best one we could think of is a gold record of Chattanooga. And now Glenn, it's yours – with the best wishes of RCA Victor Bluebird Records.
After the Pearl Harbor attack, Miller began incorporating more patriotic themes into his radio shows and recordings.
In early 1942, the band was upgraded from Bluebird to full-price Victor Records. Following very closely in the footsteps of its predecessor, the Miller band started work on their second film, Orchestra Wives in March. Once again, Gordon and Warren were recalled to compose the songs. The previous year, both had composed "At Last" but couldn't place it into Sun Valley Serenade. They worked over the arrangement, and it was displayed prominently in Orchestra Wives. Years later, it became a standard when recorded by Etta James. Akin to "Chattanooga", "(I've Got a Gal In) Kalamazoo" was filmed as a song and dance number featuring the Nicholas Brothers and also sold a million pressings, with Billboard ranking it among the most popular records of the year.
In mid–July, Miller and the band recorded thirteen sides, as James Petrillo, chief of the musicians' union, embarked on a 28-month recording ban. The strike prevented Miller from making additional records in his career, although Victor slowly released the last set of tracks, with "That Old Black Magic" hitting number one in May 1943, over eight months after his band ceased to exist.
Miller began privately sending letters to the Armed Forces in attempts to lead a modern military band. Accepted into the United States Navy and later transferred to the Army Air Forces, in early September he broke the news to the band and later that month they played their last radio shows. Miller surrendered his Chesterfield radio slot to Harry James.
Radio success
Radio played a pivotal role in the success of Miller and His Orchestra. Featured heavily on the format during their existence, many of their earlier programs from such venues as the Paradise Restaurant, Glen Island and the Meadowbrook Ballroom used remote connections to the National Broadcasting Company, on both NBC–Red and NBC–Blue.
The makers of Chesterfield Cigarettes hosted a half-hour radio show on CBS that featured King of Jazz Paul Whiteman. Whiteman decided to retire and recommended Glenn as a replacement. On December 27, 1939, Miller took over the program as Chesterfield Moonlight Serenade. During the first 13 weeks, The Andrews Sisters were featured as Chesterfield were worried over whether Miller could sustain his popularity. Their fear subsided, and the program, reformatted for 15 minutes, aired Tuesday, Wednesday and Thursday nights at 10:15pm. Miller and his band held the slot until their disbandment in 1942.
In 1940, the band broadcast from the first time from the Café Rouge at the Hotel Pennsylvania, soon to become a regular booking and a host of long-term engagements. By then, the Miller band had several NBC sustaining broadcasts in addition to three CBS programs, reaching American homes 6–7 days a week. In August, Miller's orchestra had an hour-long program on NBC–Blue, Glenn Miller's Sunset Serenade featuring prizes Miller paid for out-of-pocket. A review in Billboard commented, "Unusual length of the program allows Miller to display all the top items in his library."
Chart success
According to Paul Albone, of the 121 singles by Glenn Miller and His Orchestra that made the charts, 69 were Top Ten hits, and 16 reached number-one. In just a 4-year career, Miller and His Orchestra's songs spent a cumulative total of 664 weeks, nearly thirteen years, on the charts, 79 of which were at the number-one position. Miller also has the distinction of three posthumous albums reaching number-one on Billboard charts: Glenn Miller in 1945, its follow-up in 1947, and his original recordings repackaged for the release of The Glenn Miller Story in 1954.
Past members
Ray Anthony, who played trumpet with the band from 1940 to 1941, is the last surviving member as of 2019.
Discography
See also: Glenn Miller discography
Singles
Million-selling singles:
1939: "Little Brown Jug"
1939: "Moonlight Serenade"
1939: "In the Mood"
1940: "Tuxedo Junction"
1940: "Pennsylvania 6-5000"
1941: "Chattanooga Choo Choo"
1941: "A String of Pearls"
1941: "Moonlight Cocktail"
1942: "American Patrol"
1942: "(I've Got a Gal In) Kalamazoo"
See also
Glenn Miller
Swing music
Bandleader
Big band
References
"A Portrait of Glenn Miller" (PDF). www.colorado.edu. Glenn Miller Archive.
Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
"Top Ten Hits 1939-1943" (PDF). colorado.edu. Glenn Miller Archive. September 2017. Retrieved October 12, 2018.
"Captain Swing - Glenn Miller - America in WWII magazine". www.americainwwii.com.
"A Bluebird Reverie – The First RCA Session". 1 April 2014.
Settlemier, Tyrone. "The Online 78 rpm Discographical Project". www.78discography.com.
"POP/JAZZ; GLENN MILLER SOUND OF 1939 AT GLEN ISLAND CASINO".
"Glenn Miller Orchestra – History". glennmillerorchestra.com.
http://ww Archived 2013-07-12 at the Wayback Machine w.glennmiller.com/index.php
"Army Band Hits High Note With Community".
Tsort. "Song title 150 - In the Mood". tsort.info.
""In the Mood"—Glenn Miller (1939)" (PDF). Library of Congress.
Spragg, Dennis. "In the Mood" (PDF). www.colorado.edu. Glenn Miller Archive.
"'In the Mood'". National Public Radio.
Simon, George T. Glenn Miller and His Orchestra. NY: Crowell, 1974.
Spragg, Dennis. "Sun Valley Serenade 75th Anniversary Commemoration" (PDF). Glenn Miller Archive.
Crowther, Bosley. "Sonia Henie in 'Sun Valley Serenade,' a Sparkling and Melodious Outdoor Picture, at the Roxy". The New York Times.
Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 4. ISBN 0-214-20512-6.
"Radio Recordings" (PDF). colorado.edu. Glenn Miller Archive.
Carter, Dick (January 3, 1942). "On the Air: Glenn Miller". Billboard. Retrieved 26 October 2014.
Whitburn, Joel. Pop Memories (1900-1940). Record Research.
Whitburn, Joel (2015). Pop Hits Singles and Albums, 1940-1954. Record Research. ISBN 978-0-89820-198-7.
Popa, Christopher. "Record Sales". Big Band Library.
External links
Wikimedia Commons has media related to Glenn Miller Orchestra.
Website of past vocalist Eileen Burns
YouTube Videos from 1983 GMO US and Japan Tour
vte
Glenn Miller and His Orchestra
Discography Timeline of members, 1938–1942
Number one hits
1939
"Wishing (Will Make It So)" "Stairway to the Stars" "Moon Love" "Over the Rainbow" "The Man With the Mandolin" "Blue Orchids" "In the Mood"
1940
"Tuxedo Junction" "The Woodpecker Song"
1941
"Song of the Volga Boatmen" "Chattanooga Choo Choo" "Elmer's Tune"
1942
"A String of Pearls" "Moonlight Cocktail" "(I've Got a Gal In) Kalamazoo"
1943
"That Old Black Magic"
Albums
Up Swing (1944) Smoke Rings (1944) Glenn Miller (1945) Glenn Miller Masterpieces, Volume II (1947) Glenn Miller Plays Selections From the Film "The Glenn Miller Story" (1954) The Glenn Miller Carnegie Hall Concert (1958) Pure Gold (1975)
Members
Vocalists
Marion Hutton Ray Eberle Tex Beneke Jack Lathrop Ernie Caceres Kay Starr Dorothy Claire Paula Kelly The Modernaires Skip Nelson
Musicians
Al Klink Al Mastren Paul Tanner Toby Tyler Tommy Mack Frank D’Annolfo Howard Gibeling Jimmy Priddy Wilbur Schwartz Stanley Aronson Hal McIntyre Tex Beneke Ernie Caceres Jimmy Abato Gabe Galinas Hal Tennyson Benny Feman Babe Russin Skip Martin Johnny Austin Lou Mucci Bob Price Charlie Hill Legh Knowles Mickey McMickle Clyde Hurley Johnny Best Zeke Zarchy Charles Frankhauser Billy May Ray Anthony Alec Fila Bill Graham Steve Lipkins Allan Reuss Arthur Ens Dick Fisher Jack Lathrop Bobby Hackett Bill Conway Chummy MacGregor Bob Spangler Cody Sandifer Frankie Carlson Maurice Purtill Rollie Bundock Tony Carlson Trigger Alpert Doc Goldberg
Arrangers
Jerry Gray Bill Finegan Glenn Miller Billy May
Composers
Glenn Miller Harry Warren Mack Gordon
Army Air Force
band alumni
The Crew Chiefs Addison Collins Jr. Johnny Desmond Peanuts Hucko Jack Lathrop Norman Leyden Ray McKinley Artie Malvin Ralph Patt Mel Powell George Siravo Charlie Spivak
Media
Films
Sun Valley Serenade (1941) Orchestra Wives (1942) The Glenn Miller Story (1954)
Publications
125 Jazz Breaks for Trombone (1927) Glenn Miller's Method for Orchestral Arranging (1943)
Related
List of songs written by Glenn Miller Dorsey Brothers Orchestra The Glenn Miller Story (Decca) (1954) Glenn Miller Orchestra (1956–present) Glenn Miller Time
Authority control Edit this at Wikidata
ISNI: 0000 0001 1536 8834 MusicBrainz: 9b87c1f6-23ae-469b-b710-ea5da2d3f848
James Brown
James Joseph Brown, Jr. (May 3, 1933 – December 25, 2006), commonly referred to as "The Godfather of Soul", "King of Funk", and "The Hardest Working Man in Show Business", was an American entertainer. He is recognized as one of the most influential figures in 20th century popular music and was renowned for his vocals, and feverish dancing.
As a prolific singer, songwriter, bandleader, Brown was a pivotal force in the music industry. He left his mark on numerous artists. Brown's music also left its mark on the rhythms of African popular music, such as afrobeat, jùjú and mbalax, and provided a template for go-go music.
Brown began his professional music career in 1953, and rose to fame during the late 1950s and early 1960s on the strength of his thrilling live performances and string of smash hits. In spite of various personal problems and setbacks he continued to score hits in every decade through the 1980s. In addition to his acclaim in music, Brown was a presence in American political affairs during the 1960s and 1970s, noted especially for his activism on behalf of fellow African Americans and the poor. During the early 1980s, Brown's music helped to shape the rhythms of early hip-hop music, with numerous groups looping or sampling his funk grooves and turning them into what became hip hop classics and the foundations of the music genre.
Brown was recognized by numerous titles, including Soul Brother Number One, Sex Machine, Mr. Dynamite, The Hardest Working Man in Show Business, Minister of The New New Super Heavy Funk, Mr. Please Please Please, The Boss, and the best-known, the Godfather of Soul.
As a prolific singer, songwriter, bandleader, Brown was a pivotal force in the music industry. He left his mark on numerous artists. Brown's music also left its mark on the rhythms of African popular music, such as afrobeat, jùjú and mbalax, and provided a template for go-go music.
Brown began his professional music career in 1953, and rose to fame during the late 1950s and early 1960s on the strength of his thrilling live performances and string of smash hits. In spite of various personal problems and setbacks he continued to score hits in every decade through the 1980s. In addition to his acclaim in music, Brown was a presence in American political affairs during the 1960s and 1970s, noted especially for his activism on behalf of fellow African Americans and the poor. During the early 1980s, Brown's music helped to shape the rhythms of early hip-hop music, with numerous groups looping or sampling his funk grooves and turning them into what became hip hop classics and the foundations of the music genre.
Brown was recognized by numerous titles, including Soul Brother Number One, Sex Machine, Mr. Dynamite, The Hardest Working Man in Show Business, Minister of The New New Super Heavy Funk, Mr. Please Please Please, The Boss, and the best-known, the Godfather of Soul.
William Byrd
William Byrd (/bɜːrd/; birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life.
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
Queen
Queen were an English rock band formed in 1970 in London by guitarist Brian May, lead vocalist Freddie Mercury, and drummer Roger Taylor, with bass guitarist John Deacon completing the lineup the following year. While it is uncertain how many albums the band has sold, estimations range from 130 million to over 300 million albums worldwide.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
Frank Loesser
Frank Henry Loesser (/ˈlɛsər/; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway musicals Guys and Dolls, How to Succeed in Business Without Really Trying, and others. He won separate Tony Awards for the music and lyrics in both shows as well as shared the Pulitzer Prize for Drama for the latter. He also wrote songs for over 60 Hollywood films and for Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once for "Baby, It's Cold Outside".
Vince Clarke
Vincent John Martin, known professionally as Vince Clarke, is an English synth-pop musician and songwriter. Clarke has been the main composer and musician of the band Erasure since its inception in 1985, and was previously the main songwriter of several groups, including Depeche Mode, Yazoo, and the Assembly.
Patrícia Marx
Patricia Marx Singer Born: June 28, 1974 (age 47 years), São Paulo, State of São Paulo, Brazil Songs Uni-Duni-Tê
Trem da Alegria do Clube da Criança · 1985 Mamãe Me Faz Um Cafuné Trem da Alegria · 1987 Quando Chove Ficar com Você · 1994
Trem da Alegria do Clube da Criança · 1985 Mamãe Me Faz Um Cafuné Trem da Alegria · 1987 Quando Chove Ficar com Você · 1994
