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Michael Buble
Michael Steven Bublé (born 9 September 1975) is a Canadian big band singer. He won several awards, including a Grammy and multiple Juno Awards. While achieving modest chart success in the United States, his 2003 self-titled album has reached the top ten in Lebanon, the UK and his home country. However, he did find commercial success in the U.S. with his 2005 album It's Time. He has sold over 18 million albums. Michael has also appeared on the TV series Rove four times.
The album Michael Bublé was released by Warner Bros. Records just before Valentine's Day in 2003. The album was actually first released by the Warner company in South Africa, where the album went into the Top 5 and was certified Gold. Soon after that, it entered the Canadian album charts. As success in the USA was marginal at best, Bublé started visiting countries all over the world, with the album being successful in places like the Philippines and Singapore. He then moved on to placed like Italy and eventually had chart success in the UK, U.S., Australia and elsewhere soon followed with the album going Platinum and reaching the top ten of the album charts in the UK and Canada and going all the way to #1 in Australia. The album has reached the top 50 of the Billboard 200 album charts in the U.S. His version of George Michael's "Kissing a Fool" was released as a single from the album and reached the top 30 of the Billboard Hot Adult Contemporary Tracks chart. "How Can You Mend a Broken Heart?" reached the top 30 of the Billboard Adult Contemporary chart as well. His third single "Sway" also reached the top 30 of the Adult Contemporary chart, while a Junkie XL remix of the song reached the top 20 in Australia in May 2004.
Bublé's second studio album, It's Time, debuted as a hugely successful performance. The album reached number 7 on the Billboard 200 album chart and number 2 on the ARIA Album Charts in Australia. It's Time also debuted at number 4 on the UK Album Charts. The album features covers of Beatles and Ray Charles songs, and the hit single "Home".
The album Michael Bublé was released by Warner Bros. Records just before Valentine's Day in 2003. The album was actually first released by the Warner company in South Africa, where the album went into the Top 5 and was certified Gold. Soon after that, it entered the Canadian album charts. As success in the USA was marginal at best, Bublé started visiting countries all over the world, with the album being successful in places like the Philippines and Singapore. He then moved on to placed like Italy and eventually had chart success in the UK, U.S., Australia and elsewhere soon followed with the album going Platinum and reaching the top ten of the album charts in the UK and Canada and going all the way to #1 in Australia. The album has reached the top 50 of the Billboard 200 album charts in the U.S. His version of George Michael's "Kissing a Fool" was released as a single from the album and reached the top 30 of the Billboard Hot Adult Contemporary Tracks chart. "How Can You Mend a Broken Heart?" reached the top 30 of the Billboard Adult Contemporary chart as well. His third single "Sway" also reached the top 30 of the Adult Contemporary chart, while a Junkie XL remix of the song reached the top 20 in Australia in May 2004.
Bublé's second studio album, It's Time, debuted as a hugely successful performance. The album reached number 7 on the Billboard 200 album chart and number 2 on the ARIA Album Charts in Australia. It's Time also debuted at number 4 on the UK Album Charts. The album features covers of Beatles and Ray Charles songs, and the hit single "Home".
Yukie Nishimura
Yukie Nishimura (西村 由紀江 Nishimura Yukie?, born May 8, 1967 in Toyonaka, Osaka) is a prolific Japanese pianist.
Her piano play is popular with polite expressions. Her works are sometimes heard on television. She studied at the Toho Gakuen School of Music.
Her piano play is popular with polite expressions. Her works are sometimes heard on television. She studied at the Toho Gakuen School of Music.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Danko Jones
Danko Jones is a Canadian hard rock trio from Toronto. The band consists of Indo-Canadian Danko Jones (vocals/guitar), John 'JC' Calabrese (bass), and Rich Knox (drums). The band's music includes elements of hard rock and punk and they are known for their energetic live shows. Danko Jones played consistently for two years after formation in and around the northeastern United States and Canada, opening for The New Bomb Turks, Nashville Pussy, Blonde Redhead, The Make-Up, The Dirtbombs, The Chrome Cranks and The Demolition Doll Rods. Originally they did not intend to release an album, preferring to have the band's live reputation spread by word of mouth.
Paula Fernandes
Paula Fernandes de Souza is a Brazilian singer, songwriter and arranger. In a poll organized among readers of VIP magazine in 2011, she was named the 16th "sexiest woman in the world". That same year, she was one of the most searched people on Google Brazil.
Chris Daughtry
Christopher Adam "Chris" Daughtry (born December 26, 1979) is an American musician and the lead vocalist, rhythm guitarist and main-songwriter for his band Daughtry. He was the fourth-place finalist on the fifth season of American Idol, eliminated from the competition on May 10, 2006.
After his fallout from Idol, he was given a record deal by RCA Records. His self-titled debut album sold more than 1 million copies after just 5 weeks of release, becoming the fastest selling debut rock album in history. In its ninth week of release, the album reached number one on the Billboard charts. Chris Daughtry is now the third most successful American Idol contestant in terms of record sales, only behind Kelly Clarkson and Carrie Underwood, who both won their respective seasons. He is the most successful contestant, in terms of record sales, from his season and the most successful non-winner or non-runner up. At the 50th Grammy Awards, he was nominated for Best Rock Song for "It's Not Over".
After his fallout from Idol, he was given a record deal by RCA Records. His self-titled debut album sold more than 1 million copies after just 5 weeks of release, becoming the fastest selling debut rock album in history. In its ninth week of release, the album reached number one on the Billboard charts. Chris Daughtry is now the third most successful American Idol contestant in terms of record sales, only behind Kelly Clarkson and Carrie Underwood, who both won their respective seasons. He is the most successful contestant, in terms of record sales, from his season and the most successful non-winner or non-runner up. At the 50th Grammy Awards, he was nominated for Best Rock Song for "It's Not Over".
Paul Wolfe
Paul Wolfe Musical artist Genre: Folk Songs It Was a Lover and His Lass Elizabethan Songs · 1956 And It Is Night
Elizabethan Songs · 1956 Elizabethan Songs · 1956.
Elizabethan Songs · 1956 Elizabethan Songs · 1956.
Daniël van Goens
Daniël François van Goens (3 September 1858 – Paris, 10 May 1904) was a French cellist and composer of Dutch descent.He was the son of preacher François Corneille Jean van Goens (born in The Hague) and Angela Margaretha Charbon (born in Amsterdam). They would have about ten children, with three passing away from tuberculosis. He married pianist Germaine Polack, who was twenty years younger than him. She remarried Charles Lambert after his death and they had daughter Marie-Anne Lambert, the late mezzo-soprano Deva Dassy.He moved to France in his youth; his parents settled because of the climate in Montpellier, Van Goens was already there on the concert stage. The family later moved to Lausanne and in 1879 returned to Paris. Only one of his brothers remained in France, the late architect Jean Henri van Goens.
Manolo Sanlúcar
Manolo Sanlúcar (born Manuel Muñoz Alcón, 24 November 1943 – 27 August 2022) was a Spanish flamenco composer and guitarist. He was considered one of the most important Spanish composers of recent times, and together with Paco de Lucía, Tomatito, and Vicente Amigo, one of the main figures in the evolution of the flamenco guitar.
Sting
Gordon Matthew Thomas Sumner, CBE (born October 2, 1951), better known by his stage name Sting, is a three time Academy Award-nominated and multiple Grammy-winning English musician from Wallsend in North Tyneside. Prior to starting his solo career, he was the principal songwriter, lead singer and bassist of the rock band The Police. As a solo musician and member of The Police, Sting has sold over 100 million records, and received over sixteen Grammy Awards for his work, receiving his first Grammy for Best Rock Instrumental Performance in 1981, and receiving an Oscar nomination for best song.
Sting has stated that he gained his nickname while with the Phoenix Jazzmen. He once performed wearing a black and yellow sweater with hooped stripes that bandleader Gordon Solomon had noted made him look like a bumblebee; thus Sumner became "Sting". He uses Sting almost exclusively, except on official documents. In a press conference filmed in the movie Bring on the Night, he jokingly stated when referred to by a journalist as Gordon, "My children call me Sting, my mother calls me Sting, who is this Gordon character?"
Sting has stated that he gained his nickname while with the Phoenix Jazzmen. He once performed wearing a black and yellow sweater with hooped stripes that bandleader Gordon Solomon had noted made him look like a bumblebee; thus Sumner became "Sting". He uses Sting almost exclusively, except on official documents. In a press conference filmed in the movie Bring on the Night, he jokingly stated when referred to by a journalist as Gordon, "My children call me Sting, my mother calls me Sting, who is this Gordon character?"
Erroll Garner
Erroll Louis Garner (June 15, 1921 – January 2, 1977) was an American jazz pianist and composer whose distinctive and melodic style brought him both popular acclaim and the admiration of peers. Of note, Garner was never able to read or write sheet music.
What makes Garner's playing easy to recognize is his trademark introductions, which seem to make no sense until breaking dramatically into his exposition of the tune he will play, and the guitar strumming sound of his left hand, playing crotchet accompaniment to his rich sounding right hand. He places his chords and octaves on syncopated beats that swing very hard and can be used to build excellent tension, such as between phrases. The approach also suggests he was influenced by the iconic rhythm guitar work of Count Basie's long time guitarist, Freddie Green. But discerning listeners could find that while his even four left hand was a fixture, it was far from being the only rhythmic approach he took to playing.
What makes Garner's playing easy to recognize is his trademark introductions, which seem to make no sense until breaking dramatically into his exposition of the tune he will play, and the guitar strumming sound of his left hand, playing crotchet accompaniment to his rich sounding right hand. He places his chords and octaves on syncopated beats that swing very hard and can be used to build excellent tension, such as between phrases. The approach also suggests he was influenced by the iconic rhythm guitar work of Count Basie's long time guitarist, Freddie Green. But discerning listeners could find that while his even four left hand was a fixture, it was far from being the only rhythmic approach he took to playing.
Armando Manzanero
Armando Manzanero Canché (7 December 1935 – 28 December 2020) was a Mexican Mayan musician, singer, composer, actor and music producer, widely considered the premier Mexican romantic composer of the postwar era and one of the most successful composers of Latin America. He received a Grammy Lifetime Achievement Award in the United States in 2014. He was the president of the Mexican Society of Authors and Composers (Sociedad de Autores y Compositores de México).
Roland Dyens
Roland Dyens (French: ) (19 October 1955 – 29 October 2016) was a French classical guitarist, composer, and arranger.
John Bennett
John Bennett (c. 1735 – September 1784, in London) was an English organist and composer.Details of Bennett's life are limited, but it is known that he died in September 1784, after serving as organist at St. Dionis Backchuch Fenchurch in London, for over thirty years. He had been a pupil of Johann Christoph Pepusch.As the typical versatile eighteenth-century English musician, he played the organ and the viola, taught the harpsichord, and performed at Drury Lane Theatre as a singer in the chorus and as a dancer. According to Thomas Mortimer's The Universal Director (1763), he lived at Queen-square Bloomsbury, and succeeded Charles Burney as organist at St. Dionis-Backchurch, Fenchurch Street (demolished in 1878), in 1752.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Douglas Campbell
Douglas Campbell is a Jazz Pianist performing jazz standards and modern music with a jazz twist. Douglas's piano style is to provide gentle ...
Elmer Bernstein
Elmer Bernstein (April 4, 1922 – August 18, 2004) was an American composer and conductor known for his film scores. In a career that spanned more than five decades, he composed "some of the most recognizable and memorable themes in Hollywood history", including over 150 original movie scores, as well as scores for nearly 80 television productions. Examples of his widely popular and critically acclaimed works are scores to The Ten Commandments (1956), The Magnificent Seven (1960), To Kill a Mockingbird (1962), The Great Escape (1963), The Rookies (1972–76), Animal House (1978), Airplane! (1980), Heavy Metal (1981), Ghostbusters (1984), The Black Cauldron (1985), Cape Fear (1991), The Age of Innocence (1993), Wild Wild West (1999) and Far from Heaven (2002). Early in his career, he also scored the infamous camp classic Robot Monster.
Frank Graziano
Frank Graziano. Musician Currently. Bronxville, NY, United States.
Jose Belmonte
José Luis Belmonte Composer Songs Selva Devorador de corazones · 1993 A Través De Tus Ojos Rio · 2005 10000 km
10000km · 2003.
10000km · 2003.
Spring Awakening
Spring Awakening is a Tony Award-winning rock musical with music by Duncan Sheik and book and lyrics by Steven Sater. The musical is based on the controversial 1891 German play of the same title by Frank Wedekind. Set in late-nineteenth century Germany, it concerns teenagers who are discovering the inner and outer tumult of sexuality. The original play was banned in Germany due to its portrayal of masturbation, abortion, rape and suicide. In the musical, alt-rock is employed as part of the folk-infused rock score. During the musical, characters sometimes break the fourth wall to express their motivations and desires directly to the audience.
After a number of workshops, concerts and rewrites over a seven-year period, Spring Awakening premiered Off-Broadway at the Atlantic Theatre Company on May 19, 2006 and ran through August 17, 2006. The show then opened on Broadway at the Eugene O'Neill Theatre on December 10, 2006 and received favorable reviews. Spring Awakening received eleven 2007 Tony Award nominations, winning eight, including Tonys for best musical, direction, book, score and featured actor. The show also won four Drama Desk Awards, including Outstanding Musical. The production is directed by Michael Mayer and choreographed by Bill T. Jones.
After a number of workshops, concerts and rewrites over a seven-year period, Spring Awakening premiered Off-Broadway at the Atlantic Theatre Company on May 19, 2006 and ran through August 17, 2006. The show then opened on Broadway at the Eugene O'Neill Theatre on December 10, 2006 and received favorable reviews. Spring Awakening received eleven 2007 Tony Award nominations, winning eight, including Tonys for best musical, direction, book, score and featured actor. The show also won four Drama Desk Awards, including Outstanding Musical. The production is directed by Michael Mayer and choreographed by Bill T. Jones.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Queen
Queen were an English rock band formed in 1970 in London by guitarist Brian May, lead vocalist Freddie Mercury, and drummer Roger Taylor, with bass guitarist John Deacon completing the lineup the following year. While it is uncertain how many albums the band has sold, estimations range from 130 million to over 300 million albums worldwide.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
The band is noted for their musical diversity, multi-layered arrangements, vocal harmonies, and incorporation of audience participation into their live performances. Their 1985 Live Aid performance was voted the best live rock performance of all time in an industry poll.
Queen had moderate success in the early 1970s, with the albums Queen and Queen II, but it was with the release of Sheer Heart Attack in 1974 and A Night at the Opera the following year that the band gained international success. They have released fifteen studio albums, five live albums, and numerous compilation albums. Eighteen of these have reached number one on charts around the world.
Following Mercury's death in 1991 and Deacon's retirement later in the decade, May and Taylor have performed infrequently under the Queen name. Since 2005 they have been collaborating with Paul Rodgers, under the moniker Queen + Paul Rodgers.
Madonna
Madonna Louise Ciccone Ritchie (born August 16, 1958), known as Madonna, is an American recording artist and entertainer. Born in Bay City, Michigan and raised in Rochester Hills, Michigan, Madonna moved to New York City for a career in modern dance. After performing as member of the pop musical groups Breakfast Club and Emmy, she released her self-titled debut album in 1983, and then produced three consecutive number-one studio albums on the Billboard 200 in the 1980s.
Madonna is known for her works that explore religious symbolism and sexual themes which also drew criticism from the Vatican in the late 1980s. In 1992, she founded an entertainment company, Maverick, which published a book of photographs (Sex). She also released a studio album (Erotica) and starred in a film (Body of Evidence) with erotic themes. These works generated negative publicity and coincided with a fall in commercial sales in the 1990s. Madonna's career was revived in 1998, when the release of her album Ray of Light garnered critical acclaim. She subsequently made four consecutive number-one studio albums.
Madonna has acted in 22 films. Although several failed critically and commercially, she earned a Golden Globe Award for her role in the 1996 film Evita. Divorced from actor Sean Penn, Madonna bore a daughter by personal trainer Carlos Leon before marrying film director Guy Ritchie. She and Richie have a son and in 2008 they adopted a second, Malawian David Banda, over media allegations they violated that country's adoption laws.
Madonna is known for her works that explore religious symbolism and sexual themes which also drew criticism from the Vatican in the late 1980s. In 1992, she founded an entertainment company, Maverick, which published a book of photographs (Sex). She also released a studio album (Erotica) and starred in a film (Body of Evidence) with erotic themes. These works generated negative publicity and coincided with a fall in commercial sales in the 1990s. Madonna's career was revived in 1998, when the release of her album Ray of Light garnered critical acclaim. She subsequently made four consecutive number-one studio albums.
Madonna has acted in 22 films. Although several failed critically and commercially, she earned a Golden Globe Award for her role in the 1996 film Evita. Divorced from actor Sean Penn, Madonna bore a daughter by personal trainer Carlos Leon before marrying film director Guy Ritchie. She and Richie have a son and in 2008 they adopted a second, Malawian David Banda, over media allegations they violated that country's adoption laws.
Glenn Miller Orchestra
This article is about the band that Glenn Miller fronted. For the band that performed after his disappearance, see Glenn Miller Orchestra (1956–present).
Glenn Miller and His Orchestra
Glenn Miller Band.jpg
Glenn Miller and His Orchestra, on the set of Sun Valley Serenade, 1941
Background information
Genres Dance band, Swing
Years active April 1938 – September 1942
Labels
Bluebird Victor
Website www.glennmiller.com
Past members see members section
Glenn Miller and His Orchestra was an American swing dance band formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the Swing era and one of the greatest singles charting acts of the 20th century.
Miller began professionally recording in New York City as a sideman in the Hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger.
In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the Glenn Miller sound. Frustrated with his agency over playing inconsistent bookings and lacking broad radio exposure, Miller gave the band notice in December 1937. Less than three months later, he was looking for members and forming a new band.
Miller began a partnership with Eli Oberstein, which led directly to a contract with Victor subsidiary Bluebird Records. Gaining notoriety at such engagements as the Paradise Restaurant and Frank Dailey–owned Meadowbrook and their corresponding nationwide broadcasts, Miller struck enormous popularity playing the Glen Island Casino in the summer of 1939. From late 1939 to mid-1942, Miller was the number-one band in the country, with few true rivals. Only Harry James' band began to equal Miller's in popularity as he wound down his career in the wake of the Second World War. The AFM strike prevented Miller from making any new recordings in the last two months of his band's existence, and they formally disbanded at the end of September 1942.
Miller's short-term chart successes have seldom been duplicated and his group's unprecedented dominance of early Your Hit Parade and Billboard singles charts, resulting in 16 number-one singles and 69 Top Ten hits, foreshadowed future record-breaking chart acts such as Elvis Presley and The Beatles.
Contents
1 Musical success
1.1 Beginnings
1.2 Glen Island Casino and Meadowbrook
1.3 Nationwide popularity
2 Radio success
3 Chart success
4 Past members
5 Discography
5.1 Singles
6 See also
7 References
8 External links
Musical success
Beginnings
By March 1938, Glenn was planning to form a new group. The newly reformed band featured several longtime associates of Miller. From his first orchestra, Miller invited back Hal McIntyre, and hired Paul Tanner, Wilbur Schwartz, Ray Eberle (who was the younger brother of Jimmy Dorsey's vocalist Bob Eberly), and his old friend Chummy MacGregor. Miller's perseverance, business expertise, combined with a penchant for showmanship and musical taste, provided the faith for financiers Mike Nidorf and Cy Shribman. Miller used the 'clarinet-lead' sound as the foundation for his new band, and this caught the attention of students at Northeastern campuses. They opened on April 16, 1938, at Raymor Ballroom in Boston. When the band reached New York, they were billed below Freddie Fisher and His Schnickelfritzers, a dance band comedy routine. From Vincent Lopez's group came Marion Hutton, who added enthusiasm and energy in her performances. On September 7, 1938, the band made their first recordings, "My Reverie", "King Porter Stomp" and "By the Waters of Minnetonka", in two parts. Keeping up radio dates, Miller was only booked for 1 more session the rest of the year.
Glen Island Casino and Meadowbrook
In March 1939, the Glenn Miller Orchestra was given its big break, when they were chosen to play the summer season at the prestigious Glen Island Casino located on the north shore of Long Island Sound in New Rochelle, New York. Frank Dailey, manager of The Meadowbrook Ballroom in Cedar Grove, New Jersey, immediately booked the band for a four-week stay in March and April, before Glen Island. The band was well-received and within days Dailey picked up a three-week extension offer. During this time, Bluebird recording dates became more common and Glenn added drummer Maurice Purtill and trumpeter Dale "Mickey" McMickle to stabilize personnel. Opening at Glen Island on May 17, 1939, the casino's radio broadcast antenna ensured the Miller band was heard around the country. In late August, the end of their summer season, they had nationwide attention.
George T. Simon, writer and one-time drummer for Miller, spoke of the Glen Island broadcasts:
Glen Island was the prestige place for people who listened to bands on radio. The band's first semi hit, "Little Brown Jug", came out just when it opened at Glen Island. That helped. And the clarinet lead in Glenn's arrangements was such a romantic sound! It caught the public fancy during this exposure. Miller began ending his broadcasts from Glen Island with his "Something Old, Something New" medleys. But the most important thing for Glenn's success was that he recorded "In the Mood" while he was at the casino. That made him the Michael Jackson of his day.
Nationwide popularity
Capitalizing on newfound popularity, Miller decided to add a trombone and a trumpet, giving the band a fuller sound. On April 4, 1939, Miller and his orchestra recorded "Moonlight Serenade". Considered one of the top songs of the swing era, and Miller's best composition, it soon became the theme song to start and end all of his radio performances.
Miller's most popular track "In the Mood" was recorded August 1, 1939. Famous for its opening and bass riffs as well as its "dueling" saxophone solos between Tex Beneke and Al Klink, the song hit number one on the Billboard charts, staying for a total of 30 weeks. Joe Garland compiled the song from riffs he'd heard in other songs, and is credited on the label. Elements of "In the Mood" can be found in earlier jazz recordings, such as Jimmy O'Bryant's "Clarinet Getaway", Wingy Manone's "Tar Paper Stomp", and Fletcher Henderson's "Hot and Anxious." Garland put these pieces together and initially offered the song, in a six-minute form, to Artie Shaw. Despite playing it for radio broadcast, Shaw found no success with it in this form. Miller purchased the song in June 1939 and asked Eddie Durham to arrange it for his orchestra, and Miller made final tweaks in Victor studios. In a 2000 interview for npr, trombonist Paul Tanner remembered recording the song and playing it live:
He would say, "You fellas do this, and you fellas do that, and let's hear it once." And then, "We're gonna cut from this spot to this spot in the arrangement, and in here we're gonna put a trumpet solo. And in this spot and this spot we're gonna cut way down here and we're gonna have the two saxophones have a little battle in there," and decided to make cuts. And then at the end, Alice , if you know the arrangement, at the end there are all those false endings that go on, and it kept getting softer and softer until Glenn would give the drummer a clue and he would hit the cowbell and then we would know that the next time we were to come on very loud. And the dancers just loved it. He tried it out on the dances at the Glen Island Casino, and they loved it. They couldn't figure out how we knew when to come in loud. But, you know, I told them, "Well, we have a sixth sense of that sort of thing." But actually, what happened is the drummer hit the cowbell, and we knew the next time was loud. And this was all Glenn's doing.
On February 5, 1940, Miller recorded "Tuxedo Junction", which hit number one and reportedly sold 115,000 copies within the first week of release, and placed 7th overall for the National Hit Parade that year. Bob Eberly said that it "sold 90,000 copies in the first week, at a time when 25,000 was considered a great seller". In April, the band chant track "Pennsylvania 6-5000", referencing the phone number for the Hotel Pennsylvania, which housed the Café Rouge, a common engagement and broadcasting spot for the band, was released and it too became an instant swing standard.
On January 1, 1941, following tensions regarding licensing fees, radio networks banned ASCAP songs from live performance. Miller had to work to reform his radio programs for BMI published tunes, temporarily switching his theme to "Slumber Song". In early 1941, Marion Hutton left the band to go on maternity leave. In the meantime, Miller needed an additional female vocalist, and he offered Dorothy Claire, then with Bobby Byrne's band, twice her salary. Claire went to work for Miller, despite her signature on a three-year contract with Byrne in November 1940, and Miller ignored Byrne's wishes for compensation. Byrne then launched a $25,000 lawsuit against the Miller orchestra's business dealings. Miller met with Byrne in Columbus, Ohio sometime in early March and settled the dispute – Claire went back to working with Byrne's band. Miller soon hired The Modernaires from Paul Whiteman, who was disbanding his orchestra. Still in need of a female vocalist, the wife of Modernaire Hal Dickinson, Paula Kelly, who had sung previously with Al Donahue, stepped up to fill in the role. The signing of the Modernaires significantly benefitted the Miller organization. Hip and popular with young listeners, the Modernaires' vocal range added a new dimension to Miller's recordings.
In late March, Miller and his orchestra began work on their first motion picture, Sun Valley Serenade. Previously, swing films such as Hollywood Hotel with Benny Goodman's orchestra had only featured bands for song performances; Miller reportedly insisted, perhaps even to the extent of contract clauses, that the plot of Sun Valley revolve around the band rather than only feature them. Harry Warren and Mack Gordon were commissioned to write songs for the film. The Miller band filmed and recorded an extended song-and-dance number featuring the Nicholas Brothers for what was soon to be its biggest selling record, surprise hit "Chattanooga Choo Choo". Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome:
Miller comes across as a convincing band leader, and, even more important, a convincing human being in this film. He’s on mostly for music, but most of the film is music and the dozen or so reels are a better showcase for the Glenn Miller band than they are for the Sonja Henie torso and limbs, with and without skates. Never has a movie made more of a popular band and never has a movie featuring such an organization presented its music so tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the honors. Trigger hops around like mad and Maurice looks like the movies’ idea of a swing drummer, all right. They stay within the bounds of good taste, however ... the story is believable, and happily centers around the band, so that the whole thing is a triumph for Glenn Miller and the band.
Billboard top 10 chart for January 24, 1942, where Glenn Miller and His Orchestra hold five of the slots.
In October, ASCAP and the radio networks agreed on a new rate, and the band could finally play "Chattanooga" and their other songs on radio. W. Wallace Early, the manager of record sales for RCA Victor and Bluebird Records, presented the first ever gold record to Miller on February 10, 1942, saying:
It's a pleasure to be here tonight. And speaking of RCA Victor, we're mighty proud of that Chattanooga Choo Choo, and the man that made the record, Glenn Miller. You see it's been a long time – 15 years in fact – since any record has sold a million copies. And Chattanooga Choo Choo certainly put on steam and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn should get a trophy. The best one we could think of is a gold record of Chattanooga. And now Glenn, it's yours – with the best wishes of RCA Victor Bluebird Records.
After the Pearl Harbor attack, Miller began incorporating more patriotic themes into his radio shows and recordings.
In early 1942, the band was upgraded from Bluebird to full-price Victor Records. Following very closely in the footsteps of its predecessor, the Miller band started work on their second film, Orchestra Wives in March. Once again, Gordon and Warren were recalled to compose the songs. The previous year, both had composed "At Last" but couldn't place it into Sun Valley Serenade. They worked over the arrangement, and it was displayed prominently in Orchestra Wives. Years later, it became a standard when recorded by Etta James. Akin to "Chattanooga", "(I've Got a Gal In) Kalamazoo" was filmed as a song and dance number featuring the Nicholas Brothers and also sold a million pressings, with Billboard ranking it among the most popular records of the year.
In mid–July, Miller and the band recorded thirteen sides, as James Petrillo, chief of the musicians' union, embarked on a 28-month recording ban. The strike prevented Miller from making additional records in his career, although Victor slowly released the last set of tracks, with "That Old Black Magic" hitting number one in May 1943, over eight months after his band ceased to exist.
Miller began privately sending letters to the Armed Forces in attempts to lead a modern military band. Accepted into the United States Navy and later transferred to the Army Air Forces, in early September he broke the news to the band and later that month they played their last radio shows. Miller surrendered his Chesterfield radio slot to Harry James.
Radio success
Radio played a pivotal role in the success of Miller and His Orchestra. Featured heavily on the format during their existence, many of their earlier programs from such venues as the Paradise Restaurant, Glen Island and the Meadowbrook Ballroom used remote connections to the National Broadcasting Company, on both NBC–Red and NBC–Blue.
The makers of Chesterfield Cigarettes hosted a half-hour radio show on CBS that featured King of Jazz Paul Whiteman. Whiteman decided to retire and recommended Glenn as a replacement. On December 27, 1939, Miller took over the program as Chesterfield Moonlight Serenade. During the first 13 weeks, The Andrews Sisters were featured as Chesterfield were worried over whether Miller could sustain his popularity. Their fear subsided, and the program, reformatted for 15 minutes, aired Tuesday, Wednesday and Thursday nights at 10:15pm. Miller and his band held the slot until their disbandment in 1942.
In 1940, the band broadcast from the first time from the Café Rouge at the Hotel Pennsylvania, soon to become a regular booking and a host of long-term engagements. By then, the Miller band had several NBC sustaining broadcasts in addition to three CBS programs, reaching American homes 6–7 days a week. In August, Miller's orchestra had an hour-long program on NBC–Blue, Glenn Miller's Sunset Serenade featuring prizes Miller paid for out-of-pocket. A review in Billboard commented, "Unusual length of the program allows Miller to display all the top items in his library."
Chart success
According to Paul Albone, of the 121 singles by Glenn Miller and His Orchestra that made the charts, 69 were Top Ten hits, and 16 reached number-one. In just a 4-year career, Miller and His Orchestra's songs spent a cumulative total of 664 weeks, nearly thirteen years, on the charts, 79 of which were at the number-one position. Miller also has the distinction of three posthumous albums reaching number-one on Billboard charts: Glenn Miller in 1945, its follow-up in 1947, and his original recordings repackaged for the release of The Glenn Miller Story in 1954.
Past members
Ray Anthony, who played trumpet with the band from 1940 to 1941, is the last surviving member as of 2019.
Discography
See also: Glenn Miller discography
Singles
Million-selling singles:
1939: "Little Brown Jug"
1939: "Moonlight Serenade"
1939: "In the Mood"
1940: "Tuxedo Junction"
1940: "Pennsylvania 6-5000"
1941: "Chattanooga Choo Choo"
1941: "A String of Pearls"
1941: "Moonlight Cocktail"
1942: "American Patrol"
1942: "(I've Got a Gal In) Kalamazoo"
See also
Glenn Miller
Swing music
Bandleader
Big band
References
"A Portrait of Glenn Miller" (PDF). www.colorado.edu. Glenn Miller Archive.
Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
"Top Ten Hits 1939-1943" (PDF). colorado.edu. Glenn Miller Archive. September 2017. Retrieved October 12, 2018.
"Captain Swing - Glenn Miller - America in WWII magazine". www.americainwwii.com.
"A Bluebird Reverie – The First RCA Session". 1 April 2014.
Settlemier, Tyrone. "The Online 78 rpm Discographical Project". www.78discography.com.
"POP/JAZZ; GLENN MILLER SOUND OF 1939 AT GLEN ISLAND CASINO".
"Glenn Miller Orchestra – History". glennmillerorchestra.com.
http://ww Archived 2013-07-12 at the Wayback Machine w.glennmiller.com/index.php
"Army Band Hits High Note With Community".
Tsort. "Song title 150 - In the Mood". tsort.info.
""In the Mood"—Glenn Miller (1939)" (PDF). Library of Congress.
Spragg, Dennis. "In the Mood" (PDF). www.colorado.edu. Glenn Miller Archive.
"'In the Mood'". National Public Radio.
Simon, George T. Glenn Miller and His Orchestra. NY: Crowell, 1974.
Spragg, Dennis. "Sun Valley Serenade 75th Anniversary Commemoration" (PDF). Glenn Miller Archive.
Crowther, Bosley. "Sonia Henie in 'Sun Valley Serenade,' a Sparkling and Melodious Outdoor Picture, at the Roxy". The New York Times.
Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 4. ISBN 0-214-20512-6.
"Radio Recordings" (PDF). colorado.edu. Glenn Miller Archive.
Carter, Dick (January 3, 1942). "On the Air: Glenn Miller". Billboard. Retrieved 26 October 2014.
Whitburn, Joel. Pop Memories (1900-1940). Record Research.
Whitburn, Joel (2015). Pop Hits Singles and Albums, 1940-1954. Record Research. ISBN 978-0-89820-198-7.
Popa, Christopher. "Record Sales". Big Band Library.
External links
Wikimedia Commons has media related to Glenn Miller Orchestra.
Website of past vocalist Eileen Burns
YouTube Videos from 1983 GMO US and Japan Tour
vte
Glenn Miller and His Orchestra
Discography Timeline of members, 1938–1942
Number one hits
1939
"Wishing (Will Make It So)" "Stairway to the Stars" "Moon Love" "Over the Rainbow" "The Man With the Mandolin" "Blue Orchids" "In the Mood"
1940
"Tuxedo Junction" "The Woodpecker Song"
1941
"Song of the Volga Boatmen" "Chattanooga Choo Choo" "Elmer's Tune"
1942
"A String of Pearls" "Moonlight Cocktail" "(I've Got a Gal In) Kalamazoo"
1943
"That Old Black Magic"
Albums
Up Swing (1944) Smoke Rings (1944) Glenn Miller (1945) Glenn Miller Masterpieces, Volume II (1947) Glenn Miller Plays Selections From the Film "The Glenn Miller Story" (1954) The Glenn Miller Carnegie Hall Concert (1958) Pure Gold (1975)
Members
Vocalists
Marion Hutton Ray Eberle Tex Beneke Jack Lathrop Ernie Caceres Kay Starr Dorothy Claire Paula Kelly The Modernaires Skip Nelson
Musicians
Al Klink Al Mastren Paul Tanner Toby Tyler Tommy Mack Frank D’Annolfo Howard Gibeling Jimmy Priddy Wilbur Schwartz Stanley Aronson Hal McIntyre Tex Beneke Ernie Caceres Jimmy Abato Gabe Galinas Hal Tennyson Benny Feman Babe Russin Skip Martin Johnny Austin Lou Mucci Bob Price Charlie Hill Legh Knowles Mickey McMickle Clyde Hurley Johnny Best Zeke Zarchy Charles Frankhauser Billy May Ray Anthony Alec Fila Bill Graham Steve Lipkins Allan Reuss Arthur Ens Dick Fisher Jack Lathrop Bobby Hackett Bill Conway Chummy MacGregor Bob Spangler Cody Sandifer Frankie Carlson Maurice Purtill Rollie Bundock Tony Carlson Trigger Alpert Doc Goldberg
Arrangers
Jerry Gray Bill Finegan Glenn Miller Billy May
Composers
Glenn Miller Harry Warren Mack Gordon
Army Air Force
band alumni
The Crew Chiefs Addison Collins Jr. Johnny Desmond Peanuts Hucko Jack Lathrop Norman Leyden Ray McKinley Artie Malvin Ralph Patt Mel Powell George Siravo Charlie Spivak
Media
Films
Sun Valley Serenade (1941) Orchestra Wives (1942) The Glenn Miller Story (1954)
Publications
125 Jazz Breaks for Trombone (1927) Glenn Miller's Method for Orchestral Arranging (1943)
Related
List of songs written by Glenn Miller Dorsey Brothers Orchestra The Glenn Miller Story (Decca) (1954) Glenn Miller Orchestra (1956–present) Glenn Miller Time
Authority control Edit this at Wikidata
ISNI: 0000 0001 1536 8834 MusicBrainz: 9b87c1f6-23ae-469b-b710-ea5da2d3f848
Glenn Miller and His Orchestra
Glenn Miller Band.jpg
Glenn Miller and His Orchestra, on the set of Sun Valley Serenade, 1941
Background information
Genres Dance band, Swing
Years active April 1938 – September 1942
Labels
Bluebird Victor
Website www.glennmiller.com
Past members see members section
Glenn Miller and His Orchestra was an American swing dance band formed by Glenn Miller in 1938. Arranged around a clarinet and tenor saxophone playing melody, and three other saxophones playing harmony, the band became the most popular and commercially successful dance orchestra of the Swing era and one of the greatest singles charting acts of the 20th century.
Miller began professionally recording in New York City as a sideman in the Hot jazz era of the late 1920s. With the arrival of virtuoso trombonists Jack Teagarden and Tommy Dorsey, Miller focused more on developing his arrangement skills. Writing for contemporaries and future stars such as Artie Shaw, and Benny Goodman, Miller gained prowess as an arranger by working in a variety of settings. Later, Miller largely improved his arranging and writing skills by studying under music theorist Joseph Schillinger.
In February 1937, Miller started an orchestra that briefly made records for Decca. With this group, Miller used an arrangement he wrote for British bandleader Ray Noble's American band in an attempt to form a clarinet-reed sound. This style developed over time, and eventually became known as the Glenn Miller sound. Frustrated with his agency over playing inconsistent bookings and lacking broad radio exposure, Miller gave the band notice in December 1937. Less than three months later, he was looking for members and forming a new band.
Miller began a partnership with Eli Oberstein, which led directly to a contract with Victor subsidiary Bluebird Records. Gaining notoriety at such engagements as the Paradise Restaurant and Frank Dailey–owned Meadowbrook and their corresponding nationwide broadcasts, Miller struck enormous popularity playing the Glen Island Casino in the summer of 1939. From late 1939 to mid-1942, Miller was the number-one band in the country, with few true rivals. Only Harry James' band began to equal Miller's in popularity as he wound down his career in the wake of the Second World War. The AFM strike prevented Miller from making any new recordings in the last two months of his band's existence, and they formally disbanded at the end of September 1942.
Miller's short-term chart successes have seldom been duplicated and his group's unprecedented dominance of early Your Hit Parade and Billboard singles charts, resulting in 16 number-one singles and 69 Top Ten hits, foreshadowed future record-breaking chart acts such as Elvis Presley and The Beatles.
Contents
1 Musical success
1.1 Beginnings
1.2 Glen Island Casino and Meadowbrook
1.3 Nationwide popularity
2 Radio success
3 Chart success
4 Past members
5 Discography
5.1 Singles
6 See also
7 References
8 External links
Musical success
Beginnings
By March 1938, Glenn was planning to form a new group. The newly reformed band featured several longtime associates of Miller. From his first orchestra, Miller invited back Hal McIntyre, and hired Paul Tanner, Wilbur Schwartz, Ray Eberle (who was the younger brother of Jimmy Dorsey's vocalist Bob Eberly), and his old friend Chummy MacGregor. Miller's perseverance, business expertise, combined with a penchant for showmanship and musical taste, provided the faith for financiers Mike Nidorf and Cy Shribman. Miller used the 'clarinet-lead' sound as the foundation for his new band, and this caught the attention of students at Northeastern campuses. They opened on April 16, 1938, at Raymor Ballroom in Boston. When the band reached New York, they were billed below Freddie Fisher and His Schnickelfritzers, a dance band comedy routine. From Vincent Lopez's group came Marion Hutton, who added enthusiasm and energy in her performances. On September 7, 1938, the band made their first recordings, "My Reverie", "King Porter Stomp" and "By the Waters of Minnetonka", in two parts. Keeping up radio dates, Miller was only booked for 1 more session the rest of the year.
Glen Island Casino and Meadowbrook
In March 1939, the Glenn Miller Orchestra was given its big break, when they were chosen to play the summer season at the prestigious Glen Island Casino located on the north shore of Long Island Sound in New Rochelle, New York. Frank Dailey, manager of The Meadowbrook Ballroom in Cedar Grove, New Jersey, immediately booked the band for a four-week stay in March and April, before Glen Island. The band was well-received and within days Dailey picked up a three-week extension offer. During this time, Bluebird recording dates became more common and Glenn added drummer Maurice Purtill and trumpeter Dale "Mickey" McMickle to stabilize personnel. Opening at Glen Island on May 17, 1939, the casino's radio broadcast antenna ensured the Miller band was heard around the country. In late August, the end of their summer season, they had nationwide attention.
George T. Simon, writer and one-time drummer for Miller, spoke of the Glen Island broadcasts:
Glen Island was the prestige place for people who listened to bands on radio. The band's first semi hit, "Little Brown Jug", came out just when it opened at Glen Island. That helped. And the clarinet lead in Glenn's arrangements was such a romantic sound! It caught the public fancy during this exposure. Miller began ending his broadcasts from Glen Island with his "Something Old, Something New" medleys. But the most important thing for Glenn's success was that he recorded "In the Mood" while he was at the casino. That made him the Michael Jackson of his day.
Nationwide popularity
Capitalizing on newfound popularity, Miller decided to add a trombone and a trumpet, giving the band a fuller sound. On April 4, 1939, Miller and his orchestra recorded "Moonlight Serenade". Considered one of the top songs of the swing era, and Miller's best composition, it soon became the theme song to start and end all of his radio performances.
Miller's most popular track "In the Mood" was recorded August 1, 1939. Famous for its opening and bass riffs as well as its "dueling" saxophone solos between Tex Beneke and Al Klink, the song hit number one on the Billboard charts, staying for a total of 30 weeks. Joe Garland compiled the song from riffs he'd heard in other songs, and is credited on the label. Elements of "In the Mood" can be found in earlier jazz recordings, such as Jimmy O'Bryant's "Clarinet Getaway", Wingy Manone's "Tar Paper Stomp", and Fletcher Henderson's "Hot and Anxious." Garland put these pieces together and initially offered the song, in a six-minute form, to Artie Shaw. Despite playing it for radio broadcast, Shaw found no success with it in this form. Miller purchased the song in June 1939 and asked Eddie Durham to arrange it for his orchestra, and Miller made final tweaks in Victor studios. In a 2000 interview for npr, trombonist Paul Tanner remembered recording the song and playing it live:
He would say, "You fellas do this, and you fellas do that, and let's hear it once." And then, "We're gonna cut from this spot to this spot in the arrangement, and in here we're gonna put a trumpet solo. And in this spot and this spot we're gonna cut way down here and we're gonna have the two saxophones have a little battle in there," and decided to make cuts. And then at the end, Alice , if you know the arrangement, at the end there are all those false endings that go on, and it kept getting softer and softer until Glenn would give the drummer a clue and he would hit the cowbell and then we would know that the next time we were to come on very loud. And the dancers just loved it. He tried it out on the dances at the Glen Island Casino, and they loved it. They couldn't figure out how we knew when to come in loud. But, you know, I told them, "Well, we have a sixth sense of that sort of thing." But actually, what happened is the drummer hit the cowbell, and we knew the next time was loud. And this was all Glenn's doing.
On February 5, 1940, Miller recorded "Tuxedo Junction", which hit number one and reportedly sold 115,000 copies within the first week of release, and placed 7th overall for the National Hit Parade that year. Bob Eberly said that it "sold 90,000 copies in the first week, at a time when 25,000 was considered a great seller". In April, the band chant track "Pennsylvania 6-5000", referencing the phone number for the Hotel Pennsylvania, which housed the Café Rouge, a common engagement and broadcasting spot for the band, was released and it too became an instant swing standard.
On January 1, 1941, following tensions regarding licensing fees, radio networks banned ASCAP songs from live performance. Miller had to work to reform his radio programs for BMI published tunes, temporarily switching his theme to "Slumber Song". In early 1941, Marion Hutton left the band to go on maternity leave. In the meantime, Miller needed an additional female vocalist, and he offered Dorothy Claire, then with Bobby Byrne's band, twice her salary. Claire went to work for Miller, despite her signature on a three-year contract with Byrne in November 1940, and Miller ignored Byrne's wishes for compensation. Byrne then launched a $25,000 lawsuit against the Miller orchestra's business dealings. Miller met with Byrne in Columbus, Ohio sometime in early March and settled the dispute – Claire went back to working with Byrne's band. Miller soon hired The Modernaires from Paul Whiteman, who was disbanding his orchestra. Still in need of a female vocalist, the wife of Modernaire Hal Dickinson, Paula Kelly, who had sung previously with Al Donahue, stepped up to fill in the role. The signing of the Modernaires significantly benefitted the Miller organization. Hip and popular with young listeners, the Modernaires' vocal range added a new dimension to Miller's recordings.
In late March, Miller and his orchestra began work on their first motion picture, Sun Valley Serenade. Previously, swing films such as Hollywood Hotel with Benny Goodman's orchestra had only featured bands for song performances; Miller reportedly insisted, perhaps even to the extent of contract clauses, that the plot of Sun Valley revolve around the band rather than only feature them. Harry Warren and Mack Gordon were commissioned to write songs for the film. The Miller band filmed and recorded an extended song-and-dance number featuring the Nicholas Brothers for what was soon to be its biggest selling record, surprise hit "Chattanooga Choo Choo". Despite criticism of the plot, Sun Valley Serenade was received with general positivity from critics, and Miller earned praise for his band's role in the film, with Barry Ulanov writing for Metronome:
Miller comes across as a convincing band leader, and, even more important, a convincing human being in this film. He’s on mostly for music, but most of the film is music and the dozen or so reels are a better showcase for the Glenn Miller band than they are for the Sonja Henie torso and limbs, with and without skates. Never has a movie made more of a popular band and never has a movie featuring such an organization presented its music so tastefully... Pictorially, Trigger Alpert and Maurice Purtill take the honors. Trigger hops around like mad and Maurice looks like the movies’ idea of a swing drummer, all right. They stay within the bounds of good taste, however ... the story is believable, and happily centers around the band, so that the whole thing is a triumph for Glenn Miller and the band.
Billboard top 10 chart for January 24, 1942, where Glenn Miller and His Orchestra hold five of the slots.
In October, ASCAP and the radio networks agreed on a new rate, and the band could finally play "Chattanooga" and their other songs on radio. W. Wallace Early, the manager of record sales for RCA Victor and Bluebird Records, presented the first ever gold record to Miller on February 10, 1942, saying:
It's a pleasure to be here tonight. And speaking of RCA Victor, we're mighty proud of that Chattanooga Choo Choo, and the man that made the record, Glenn Miller. You see it's been a long time – 15 years in fact – since any record has sold a million copies. And Chattanooga Choo Choo certainly put on steam and breezed right through that million mark by over 200,000 pressings. And we decided that Glenn should get a trophy. The best one we could think of is a gold record of Chattanooga. And now Glenn, it's yours – with the best wishes of RCA Victor Bluebird Records.
After the Pearl Harbor attack, Miller began incorporating more patriotic themes into his radio shows and recordings.
In early 1942, the band was upgraded from Bluebird to full-price Victor Records. Following very closely in the footsteps of its predecessor, the Miller band started work on their second film, Orchestra Wives in March. Once again, Gordon and Warren were recalled to compose the songs. The previous year, both had composed "At Last" but couldn't place it into Sun Valley Serenade. They worked over the arrangement, and it was displayed prominently in Orchestra Wives. Years later, it became a standard when recorded by Etta James. Akin to "Chattanooga", "(I've Got a Gal In) Kalamazoo" was filmed as a song and dance number featuring the Nicholas Brothers and also sold a million pressings, with Billboard ranking it among the most popular records of the year.
In mid–July, Miller and the band recorded thirteen sides, as James Petrillo, chief of the musicians' union, embarked on a 28-month recording ban. The strike prevented Miller from making additional records in his career, although Victor slowly released the last set of tracks, with "That Old Black Magic" hitting number one in May 1943, over eight months after his band ceased to exist.
Miller began privately sending letters to the Armed Forces in attempts to lead a modern military band. Accepted into the United States Navy and later transferred to the Army Air Forces, in early September he broke the news to the band and later that month they played their last radio shows. Miller surrendered his Chesterfield radio slot to Harry James.
Radio success
Radio played a pivotal role in the success of Miller and His Orchestra. Featured heavily on the format during their existence, many of their earlier programs from such venues as the Paradise Restaurant, Glen Island and the Meadowbrook Ballroom used remote connections to the National Broadcasting Company, on both NBC–Red and NBC–Blue.
The makers of Chesterfield Cigarettes hosted a half-hour radio show on CBS that featured King of Jazz Paul Whiteman. Whiteman decided to retire and recommended Glenn as a replacement. On December 27, 1939, Miller took over the program as Chesterfield Moonlight Serenade. During the first 13 weeks, The Andrews Sisters were featured as Chesterfield were worried over whether Miller could sustain his popularity. Their fear subsided, and the program, reformatted for 15 minutes, aired Tuesday, Wednesday and Thursday nights at 10:15pm. Miller and his band held the slot until their disbandment in 1942.
In 1940, the band broadcast from the first time from the Café Rouge at the Hotel Pennsylvania, soon to become a regular booking and a host of long-term engagements. By then, the Miller band had several NBC sustaining broadcasts in addition to three CBS programs, reaching American homes 6–7 days a week. In August, Miller's orchestra had an hour-long program on NBC–Blue, Glenn Miller's Sunset Serenade featuring prizes Miller paid for out-of-pocket. A review in Billboard commented, "Unusual length of the program allows Miller to display all the top items in his library."
Chart success
According to Paul Albone, of the 121 singles by Glenn Miller and His Orchestra that made the charts, 69 were Top Ten hits, and 16 reached number-one. In just a 4-year career, Miller and His Orchestra's songs spent a cumulative total of 664 weeks, nearly thirteen years, on the charts, 79 of which were at the number-one position. Miller also has the distinction of three posthumous albums reaching number-one on Billboard charts: Glenn Miller in 1945, its follow-up in 1947, and his original recordings repackaged for the release of The Glenn Miller Story in 1954.
Past members
Ray Anthony, who played trumpet with the band from 1940 to 1941, is the last surviving member as of 2019.
Discography
See also: Glenn Miller discography
Singles
Million-selling singles:
1939: "Little Brown Jug"
1939: "Moonlight Serenade"
1939: "In the Mood"
1940: "Tuxedo Junction"
1940: "Pennsylvania 6-5000"
1941: "Chattanooga Choo Choo"
1941: "A String of Pearls"
1941: "Moonlight Cocktail"
1942: "American Patrol"
1942: "(I've Got a Gal In) Kalamazoo"
See also
Glenn Miller
Swing music
Bandleader
Big band
References
"A Portrait of Glenn Miller" (PDF). www.colorado.edu. Glenn Miller Archive.
Gilliland, John (1994). Pop Chronicles the 40s: The Lively Story of Pop Music in the 40s (audiobook). ISBN 978-1-55935-147-8. OCLC 31611854. Tape 2, side A.
"Top Ten Hits 1939-1943" (PDF). colorado.edu. Glenn Miller Archive. September 2017. Retrieved October 12, 2018.
"Captain Swing - Glenn Miller - America in WWII magazine". www.americainwwii.com.
"A Bluebird Reverie – The First RCA Session". 1 April 2014.
Settlemier, Tyrone. "The Online 78 rpm Discographical Project". www.78discography.com.
"POP/JAZZ; GLENN MILLER SOUND OF 1939 AT GLEN ISLAND CASINO".
"Glenn Miller Orchestra – History". glennmillerorchestra.com.
http://ww Archived 2013-07-12 at the Wayback Machine w.glennmiller.com/index.php
"Army Band Hits High Note With Community".
Tsort. "Song title 150 - In the Mood". tsort.info.
""In the Mood"—Glenn Miller (1939)" (PDF). Library of Congress.
Spragg, Dennis. "In the Mood" (PDF). www.colorado.edu. Glenn Miller Archive.
"'In the Mood'". National Public Radio.
Simon, George T. Glenn Miller and His Orchestra. NY: Crowell, 1974.
Spragg, Dennis. "Sun Valley Serenade 75th Anniversary Commemoration" (PDF). Glenn Miller Archive.
Crowther, Bosley. "Sonia Henie in 'Sun Valley Serenade,' a Sparkling and Melodious Outdoor Picture, at the Roxy". The New York Times.
Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 4. ISBN 0-214-20512-6.
"Radio Recordings" (PDF). colorado.edu. Glenn Miller Archive.
Carter, Dick (January 3, 1942). "On the Air: Glenn Miller". Billboard. Retrieved 26 October 2014.
Whitburn, Joel. Pop Memories (1900-1940). Record Research.
Whitburn, Joel (2015). Pop Hits Singles and Albums, 1940-1954. Record Research. ISBN 978-0-89820-198-7.
Popa, Christopher. "Record Sales". Big Band Library.
External links
Wikimedia Commons has media related to Glenn Miller Orchestra.
Website of past vocalist Eileen Burns
YouTube Videos from 1983 GMO US and Japan Tour
vte
Glenn Miller and His Orchestra
Discography Timeline of members, 1938–1942
Number one hits
1939
"Wishing (Will Make It So)" "Stairway to the Stars" "Moon Love" "Over the Rainbow" "The Man With the Mandolin" "Blue Orchids" "In the Mood"
1940
"Tuxedo Junction" "The Woodpecker Song"
1941
"Song of the Volga Boatmen" "Chattanooga Choo Choo" "Elmer's Tune"
1942
"A String of Pearls" "Moonlight Cocktail" "(I've Got a Gal In) Kalamazoo"
1943
"That Old Black Magic"
Albums
Up Swing (1944) Smoke Rings (1944) Glenn Miller (1945) Glenn Miller Masterpieces, Volume II (1947) Glenn Miller Plays Selections From the Film "The Glenn Miller Story" (1954) The Glenn Miller Carnegie Hall Concert (1958) Pure Gold (1975)
Members
Vocalists
Marion Hutton Ray Eberle Tex Beneke Jack Lathrop Ernie Caceres Kay Starr Dorothy Claire Paula Kelly The Modernaires Skip Nelson
Musicians
Al Klink Al Mastren Paul Tanner Toby Tyler Tommy Mack Frank D’Annolfo Howard Gibeling Jimmy Priddy Wilbur Schwartz Stanley Aronson Hal McIntyre Tex Beneke Ernie Caceres Jimmy Abato Gabe Galinas Hal Tennyson Benny Feman Babe Russin Skip Martin Johnny Austin Lou Mucci Bob Price Charlie Hill Legh Knowles Mickey McMickle Clyde Hurley Johnny Best Zeke Zarchy Charles Frankhauser Billy May Ray Anthony Alec Fila Bill Graham Steve Lipkins Allan Reuss Arthur Ens Dick Fisher Jack Lathrop Bobby Hackett Bill Conway Chummy MacGregor Bob Spangler Cody Sandifer Frankie Carlson Maurice Purtill Rollie Bundock Tony Carlson Trigger Alpert Doc Goldberg
Arrangers
Jerry Gray Bill Finegan Glenn Miller Billy May
Composers
Glenn Miller Harry Warren Mack Gordon
Army Air Force
band alumni
The Crew Chiefs Addison Collins Jr. Johnny Desmond Peanuts Hucko Jack Lathrop Norman Leyden Ray McKinley Artie Malvin Ralph Patt Mel Powell George Siravo Charlie Spivak
Media
Films
Sun Valley Serenade (1941) Orchestra Wives (1942) The Glenn Miller Story (1954)
Publications
125 Jazz Breaks for Trombone (1927) Glenn Miller's Method for Orchestral Arranging (1943)
Related
List of songs written by Glenn Miller Dorsey Brothers Orchestra The Glenn Miller Story (Decca) (1954) Glenn Miller Orchestra (1956–present) Glenn Miller Time
Authority control Edit this at Wikidata
ISNI: 0000 0001 1536 8834 MusicBrainz: 9b87c1f6-23ae-469b-b710-ea5da2d3f848
Timon & Michiel Band
Timon & Michiel Band Musical artist Songs De Kleur Van God Tegen Beter Weten In Ons Land.
Henry Krieger
Henry Krieger (born February 9, 1945 in New York City) is an American composer.
Krieger wrote the music for the Broadway shows Dreamgirls (1981, with lyrics and book by Tom Eyen), The Tap Dance Kid (1983), and Side Show (1997), as well as other works of musical theatre.
He was nominated for the Tony Awards for Best Score for both Dreamgirls and Side Show, won a Grammy Award for the cast album of Dreamgirls and received three Academy Award nominations for the songs he wrote for the 2006 film.
Krieger wrote the music for the Broadway shows Dreamgirls (1981, with lyrics and book by Tom Eyen), The Tap Dance Kid (1983), and Side Show (1997), as well as other works of musical theatre.
He was nominated for the Tony Awards for Best Score for both Dreamgirls and Side Show, won a Grammy Award for the cast album of Dreamgirls and received three Academy Award nominations for the songs he wrote for the 2006 film.
Lee Eun-mi
Lee Eun-mi (Korean: 이은미; born May 19, 1966) is a South Korean singer. She is well known for her song "I Have a Lover" which became very popular in South Korea.She debuted in 1989 and became known for the song that launched her career "I Have a Lover" and others, like "In the Middle of Breaking Up," "Into the Memories" and "Nocturn."
She said that she was influenced by The Carpenters and the late South Korean singer Kim Kwang-seok.[3
She said that she was influenced by The Carpenters and the late South Korean singer Kim Kwang-seok.[3
John Legend
John Stephens (born December 28, 1978) better known by his stage name John Legend, is an American soul singer, songwriter, and pianist. His debut studio album, the multiplatinum-selling Get Lifted, was released in late 2004, and features collaborations with rapper and producer Kanye West as well as Snoop Dogg. Get Lifted produced two singles: "Used to Love U" (US top 100, UK top 30) and "Ordinary People" (US and UK top 30). Legend has won five Grammy Awards. Prior to the release of his debut album, Legend's career gained momentum through a series of successful collaborations with multiple established artists. Notably, Legend sang the hooks for hits by Slum Village ("Selfish", also featuring Kanye West), Jay-Z ("Encore"), and Dilated Peoples ("This Way", also featuring Kanye West); played piano on Lauryn Hill's "Everything is Everything"; and sang background vocals on Alicia Keys' "You Don't Know My Name" and Fort Minor's "High Road."
Disney
The Walt Disney Company (NYSE: DIS), often simply known as Disney, is the largest media and entertainment conglomerate in the world, known for its family-friendly products. Founded on October 16, 1923, by brothers Walt Disney and Roy Disney as an animation studio, it has become one of the biggest Hollywood studios, and owner and licensor of eleven theme parks and several television networks, including ABC and ESPN. Disney's corporate headquarters and primary production facilities are located at The Walt Disney Studios in Burbank, California. The company has been a component of the Dow Jones Industrial Average since May 6, 1991. Mickey Mouse serves as the official mascot of The Walt Disney Company.
Depapepe
Depapepe (デパペペ) is a music group originating from Japan. The acoustic guitar duo is composed of Takuya Miura (born 5 April 1983) and Yoshinari Tokuoka (born on 15 July 1977), who formed in 2002.
They made their major debut in 2005 with their album “Let’s Go!!!”, which generated sales figures of about 100,000 and ranked within the top 10 of Oricon’s Instrumental Artist Debut Chart. Before that, they had released three indie albums.
The name itself comes from the combination of both short names of the band members, by combining the Japanese word for overbite, ‘deppa’, and the name of Tokuoka’s previous band ‘DERUPEPE’. Contrary to a popular rumour circulating among their fans, the two guitarists are not brothers. In their 2002 formation the pair joined with the Sony Music. They worked on insert songs for anime television series Honey and Clover.
They made their major debut in 2005 with their album “Let’s Go!!!”, which generated sales figures of about 100,000 and ranked within the top 10 of Oricon’s Instrumental Artist Debut Chart. Before that, they had released three indie albums.
The name itself comes from the combination of both short names of the band members, by combining the Japanese word for overbite, ‘deppa’, and the name of Tokuoka’s previous band ‘DERUPEPE’. Contrary to a popular rumour circulating among their fans, the two guitarists are not brothers. In their 2002 formation the pair joined with the Sony Music. They worked on insert songs for anime television series Honey and Clover.
Conrad Kocher
Conrad Kocher wrote the hymn tune DIX, to which we sing "For the Beauty of the Earth." He was born in Germany in 1786. He studied piano and composition in St. Petersburg, Russia, then went to Rome, Italy for further study. Returning to Germany, he served as organist and choirmaster in the Stiftskirche in Stuttgart.
Willie Nelson
Willie Hugh Nelson (born April 29, 1933) is an American musician, actor, and activist. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed in the late 1960s as a reaction to the conservative restrictions of the Nashville sound.
David Arrivett
David Arivett is the founder/owner of Songs of David Publishing. David is a pianist/composer, vocalist, arranger, and producer. His wife, Michelle sings soprano in the vocal group "SpiritJazz".
Mark O'Toole
Mark William James O'Toole is an English musician. He is the former bassist and founding member of 1980s pop band, Frankie Goes to Hollywood. His elder brother, Gerard, was also a member of FGTH, but soon left the band.
Nicola matteis
Nicola Matteis (Matheis) (fl. c. 1670 – after 1713) was the earliest notable Italian Baroque violinist in London, whom Roger North judged in retrospect "to have been a second to Corelli," and a composer of significant popularity in his time, though he had been utterly forgotten until the later 20th century.
Very little is known of his early life, although Matteis was probably born in Naples, describing himself as 'Napolitano' in several of his works. He came to London in the early 1670s and according to the diarist Roger North, had a city merchant as a sponsor, who schooled him in the ways of currying favor from the gentry (by allowing them to accompany him in parlor recitals and other minor performances)
Very little is known of his early life, although Matteis was probably born in Naples, describing himself as 'Napolitano' in several of his works. He came to London in the early 1670s and according to the diarist Roger North, had a city merchant as a sponsor, who schooled him in the ways of currying favor from the gentry (by allowing them to accompany him in parlor recitals and other minor performances)
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
The Rolling Stones
The Rolling Stones are an English band whose music was initially based on rhythm and blues and rock and roll. Formed in London and having their first success in the UK, they subsequently became popular in the US during the "British Invasion" in the early 1960s.
The band formed in 1962 when original leader Brian Jones and pianist Ian Stewart were joined by singer Mick Jagger as lead vocals and guitarist Keith Richards, whose songwriting partnership later contributed to their taking the leadership role in the group. Bassist Bill Wyman and drummer Charlie Watts completed the early lineup. Ian Stewart was removed from the official lineup in 1963 but continued to work with the band as road manager and keyboardist until his death in 1985.
The band's early recordings were mainly covers of American blues and R&B songs. Their 1965 single "(I Can't Get No) Satisfaction" established The Rolling Stones as a premier rock and roll act. Starting with their 1966 album Aftermath, the songs of Jagger and Richards, aided by the instrumental experimentation of Jones, expanded an always present stylistic flexibility. Jones died in 1969 shortly after being fired from the band and was replaced by Mick Taylor. Taylor recorded five albums with The Rolling Stones before quitting in 1974. Former Faces guitarist Ronnie Wood stepped in and has been with the band ever since. Wyman left the Rolling Stones in 1993; bassist Darryl Jones, who is not an official band member, has worked with the group since 1994.
The Rolling Stones have released 22 studio albums in the UK (24 in the US), eight concert albums (nine in the US) and numerous compilations; they have had 32 UK & US top-10 singles, 43 UK & US top-10 albums from 1964 and 2008 and have sold more than 200 million albums worldwide. 1971's Sticky Fingers began a string of eight consecutive studio albums at number one in the United States. In 1989 The Rolling Stones were inducted into the American Rock and Roll Hall of Fame, and in 2004 they were ranked number 4 in Rolling Stone magazine's 100 Greatest Artists of All Time. They are also ranked as the number 2 artists of all time on Acclaimedmusic.net. Their latest studio album, A Bigger Bang, was released in 2005 and followed by the highest-grossing tour in history, which lasted into late summer 2007. During the 1969 American tour, tour manager Sam Cutler introduced them as "The Greatest Rock and Roll Band in the World". Their image of unkempt and surly youth is one that many musicians still emulate.
The band formed in 1962 when original leader Brian Jones and pianist Ian Stewart were joined by singer Mick Jagger as lead vocals and guitarist Keith Richards, whose songwriting partnership later contributed to their taking the leadership role in the group. Bassist Bill Wyman and drummer Charlie Watts completed the early lineup. Ian Stewart was removed from the official lineup in 1963 but continued to work with the band as road manager and keyboardist until his death in 1985.
The band's early recordings were mainly covers of American blues and R&B songs. Their 1965 single "(I Can't Get No) Satisfaction" established The Rolling Stones as a premier rock and roll act. Starting with their 1966 album Aftermath, the songs of Jagger and Richards, aided by the instrumental experimentation of Jones, expanded an always present stylistic flexibility. Jones died in 1969 shortly after being fired from the band and was replaced by Mick Taylor. Taylor recorded five albums with The Rolling Stones before quitting in 1974. Former Faces guitarist Ronnie Wood stepped in and has been with the band ever since. Wyman left the Rolling Stones in 1993; bassist Darryl Jones, who is not an official band member, has worked with the group since 1994.
The Rolling Stones have released 22 studio albums in the UK (24 in the US), eight concert albums (nine in the US) and numerous compilations; they have had 32 UK & US top-10 singles, 43 UK & US top-10 albums from 1964 and 2008 and have sold more than 200 million albums worldwide. 1971's Sticky Fingers began a string of eight consecutive studio albums at number one in the United States. In 1989 The Rolling Stones were inducted into the American Rock and Roll Hall of Fame, and in 2004 they were ranked number 4 in Rolling Stone magazine's 100 Greatest Artists of All Time. They are also ranked as the number 2 artists of all time on Acclaimedmusic.net. Their latest studio album, A Bigger Bang, was released in 2005 and followed by the highest-grossing tour in history, which lasted into late summer 2007. During the 1969 American tour, tour manager Sam Cutler introduced them as "The Greatest Rock and Roll Band in the World". Their image of unkempt and surly youth is one that many musicians still emulate.
Baden Powell
Baden Powell de Aquino (Brazilian Portuguese: ; 6 August 1937 – 26 September 2000), known professionally as Baden Powell, was a Brazilian guitarist. He combined classical techniques with popular harmony and swing. He performed in many styles, including bossa nova, samba, Brazilian jazz, Latin jazz and MPB. He performed on stage during most of his lifetime.
Thomas Tallis
Thomas Tallis (c. 1505 – 23 November 1585) was an English composer. Tallis flourished as a church musician in 16th century Tudor England. He occupies a primary place in anthologies of English church music, and is considered among the best of England's early composers. He is honoured for his original voice in English musicianship. No contemporary portrait of Tallis survives: the earliest, painted by Gerard van der Gucht, dates from 150 years after Tallis died, and there is no certainty that it is a likeness.
Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948) is an English composer of musical theatre, the elder son of organist William Lloyd Webber and brother of the cellist Julian Lloyd Webber. Lloyd Webber started composing at the age of six, and published his first piece at the age of nine.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Andrew york
Andrew York (born 1958) is an American Grammy Award winning classical guitarist and composer.
Adam Sandler
Adam Richard Sandler (born September 9, 1966) is an American actor, comedian, musician, screenwriter and film producer. He is the founder of Happy Madison Productions, a film production company that also developed the television series Rules of Engagement.
After becoming a Saturday Night Live cast member, he went on to star in several Hollywood feature films that grossed over US$100 million at the box office. He is best known for his comedic roles, such as in the films Billy Madison (1995), Big Daddy (1999), and Mr. Deeds (2002), though he has ventured into more dramatic territory.
After becoming a Saturday Night Live cast member, he went on to star in several Hollywood feature films that grossed over US$100 million at the box office. He is best known for his comedic roles, such as in the films Billy Madison (1995), Big Daddy (1999), and Mr. Deeds (2002), though he has ventured into more dramatic territory.
Amy Potter
Born and raised in Portsmouth, Ohio in 1955, Amy studied piano from age 8 to age 13. After many years of
travel, she returned to her hometown area and received Christ as her Savior. She is married, and her
husband, Woody, helps record her piano instrumental mp3s in a small home studio. She plays for the adult
choir at Calvary Baptist Church in Portsmouth, Ohio. Amy enjoys composing gospel songs and arranging
piano accompaniment for vocalists. She also enjoys playing special arrangements of public domain hymns.
Her style is a combination of Christian/Southern Gospel/Folk/Ragtime. She is a self-taught composer. Amy
gives God the glory for all that she has accomplished
travel, she returned to her hometown area and received Christ as her Savior. She is married, and her
husband, Woody, helps record her piano instrumental mp3s in a small home studio. She plays for the adult
choir at Calvary Baptist Church in Portsmouth, Ohio. Amy enjoys composing gospel songs and arranging
piano accompaniment for vocalists. She also enjoys playing special arrangements of public domain hymns.
Her style is a combination of Christian/Southern Gospel/Folk/Ragtime. She is a self-taught composer. Amy
gives God the glory for all that she has accomplished
Wedding Collection
Piano Solo Songbook Piano solo arrangements of 25 classical favorites for weddings. Includes: Air on the G String * Bridal Chorus * Canon in D * Jesu, Joy of Man's Desiring * Ode to Joy * Rondeau * Sheep May Safely Graze * Trumpet Voluntary * Wedding March * more.
Edith Piaf
Édith Piaf (19 December 1915—10 October 1963) was a French singer and cultural icon who "is almost universally regarded as France's greatest popular singer." Her singing reflected her life, with her specialty being the ballads. Among her famous songs are "La vie en rose" (1946), "Hymne à l'amour" (1949), "Milord" (1959), "Non, je ne regrette rien" (1960), and Padam Padam.
Edith Piaf's signature song "La vie en rose" was written in 1945 and was voted a Grammy Hall of Fame Award in 1998.
The legendary Paris Olympia concert hall is where Piaf achieved lasting fame, giving several series of concerts at the hall, the most famous venue in Paris, between January 1955 and October 1962. Excerpts from five of these concerts (1955, 1956, 1958, 1961, 1962) were issued on record and CD and have never been out of print. The 1961 concerts were promised by Piaf in an effort to save the venue from bankruptcy and where she debuted her song "Non, je ne regrette rien". In April 1963, Piaf recorded her last song, "L'homme de Berlin".
Edith Piaf's signature song "La vie en rose" was written in 1945 and was voted a Grammy Hall of Fame Award in 1998.
The legendary Paris Olympia concert hall is where Piaf achieved lasting fame, giving several series of concerts at the hall, the most famous venue in Paris, between January 1955 and October 1962. Excerpts from five of these concerts (1955, 1956, 1958, 1961, 1962) were issued on record and CD and have never been out of print. The 1961 concerts were promised by Piaf in an effort to save the venue from bankruptcy and where she debuted her song "Non, je ne regrette rien". In April 1963, Piaf recorded her last song, "L'homme de Berlin".
Bernard Herrmann
Bernard Herrmann (June 29, 1911 – December 24, 1975) was an American composer noted for his work in motion pictures.
An Academy Award-winner (for The Devil and Daniel Webster, 1941), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed notable scores for many other movies, including Citizen Kane, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver. He worked extensively in radio drama (most notably for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs including most notably Rod Serling's The Twilight Zone.
An Academy Award-winner (for The Devil and Daniel Webster, 1941), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed notable scores for many other movies, including Citizen Kane, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver. He worked extensively in radio drama (most notably for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs including most notably Rod Serling's The Twilight Zone.
Taylor Swift
Taylor Alison Swift (born December 13, 1989) is an American country-pop singer-songwriter. In 2006, she released her debut single "Tim McGraw", which peaked at number six on the Billboard country charts. Later in October 2006, she released her self-titled debut album, which produced five hit singles on the Billboard Hot Country Songs charts and was certified 3× Multi-Platinum by the RIAA. The New York Times described Swift as "one of pop's finest songwriters, country’s foremost pragmatist and more in touch with her inner life than most adults".
According to Nielsen SoundScan, Swift was the biggest selling artist of 2008 in America with combined sales of more than four million albums. Swift's Fearless and her self-titled album finished 2008 at number three and number six respectively, with sales of 2.1 and 1.5 million. She was the first artist in the history of Nielsen SoundScan to have two different albums in the Top 10 on the year end album chart. Fearless has topped the Billboard 200 in 11 non-consecutive weeks. No album has spent more time at number one since 1999-2000. It also was the first album by a female artist in country music history to log eight weeks at #1 on The Billboard 200. In mid-January 2009, Swift became the first country artist to top the 2 million mark in paid downloads with three different songs. As of the week ending February 8, 2009, Swift's single "Love Story" became the country song with most paid downloads in history and the first country song to top the Mainstream Top 40 chart. According to the 2009 issue of Forbes, Swift is ranked as the 69th most powerful celebrity with over $18 million dollars in earnings this year.
According to Nielsen SoundScan, Swift was the biggest selling artist of 2008 in America with combined sales of more than four million albums. Swift's Fearless and her self-titled album finished 2008 at number three and number six respectively, with sales of 2.1 and 1.5 million. She was the first artist in the history of Nielsen SoundScan to have two different albums in the Top 10 on the year end album chart. Fearless has topped the Billboard 200 in 11 non-consecutive weeks. No album has spent more time at number one since 1999-2000. It also was the first album by a female artist in country music history to log eight weeks at #1 on The Billboard 200. In mid-January 2009, Swift became the first country artist to top the 2 million mark in paid downloads with three different songs. As of the week ending February 8, 2009, Swift's single "Love Story" became the country song with most paid downloads in history and the first country song to top the Mainstream Top 40 chart. According to the 2009 issue of Forbes, Swift is ranked as the 69th most powerful celebrity with over $18 million dollars in earnings this year.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Rodgers and Hammerstein
Richard Rodgers (1902 – 1979) and Oscar Hammerstein II (1895 – 1960) were a well-known American songwriting duo, usually referred to as Rodgers and Hammerstein. They created a string of popular Broadway musicals in the 1940s and 1950s during what is considered the golden age of the medium. With Rodgers composing the music and Hammerstein adding the lyrics, five of their shows, Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, were outstanding successes. In all, among the many accolades that their shows (and their film versions) garnered were thirty-four Tony Awards, fifteen Academy Awards, the Pulitzer Prize, and two Grammys.
Adolphe Adam
Adolphe Charles Adam (French: ; 24 July 1803 – 3 May 1856) was a French composer and music critic. A prolific composer of operas and ballets, he is best known today for his ballets Giselle (1841) and Le corsaire (1856, his last work), his operas Le postillon de Lonjumeau (1836), Le toréador (1849) and Si j'étais roi (1852) and his Christmas carol Minuit, chrétiens! (1844), later set to different English lyrics and widely sung as "O Holy Night" (1847). Adam was a noted teacher, who taught Delibes and other influential composers.
Kyrylo Stetsenko
Kyrylo Hryhorovych Stetsenko was a prolific Ukrainian composer, conductor, critic, and teacher. Late in his life he became a Ukrainian Orthodox Priest and head of the Music section of the Ministry of Education of the short-lived Ukrainian People's Republic.
Ennio Morricone
Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.