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Accordion Sheet Music
"After silence, that which comes nearest to expressing the inexpressible is music. " Aldous Huxley, Music at Night and Other Essays
Sebastián Iradier
Sebastián Iradier Salaverri (Salaberri) (20 January 1809 – 6 December 1865), or Sebastián Yradier, was a Spanish Basque composer.Iradier was born in Lanciego, in the province of Álava. His publisher in Paris urged him to "universalize" his name, from Iradier to Yradier.He is known primarily for his habaneras, especially the one titled "La Paloma", written around 1860 after a visit to Cuba. "La Paloma" was extremely popular in both Spain and the Americas (especially Mexico), where it was responsible for the great popularity achieved by the habanera. Radio Universidad Nacional Autónoma de México (UNAM) has estimated that there are more than one thousand versions of "La Paloma", and said that, together with "Yesterday" by The Beatles, it is one of the most recorded songs in the history of music
Traditional
Gus Viseur
Gus Viseur, born Gustave-Joseph Viseur (15 May 1915 – 25 August 1974) was a Belgian/French button accordionist.
Gus Viseur was a virtuoso in the musette genre, during the swing era in the 1930s. He is the only jazz accordionist who is a member of the famous Hot Club de France, conducted by Charles Delaunay.
Gus Viseur was a virtuoso in the musette genre, during the swing era in the 1930s. He is the only jazz accordionist who is a member of the famous Hot Club de France, conducted by Charles Delaunay.
Pietro Frosini
Pietro Frosini (9 August 1885 – 2 September 1951) was one of the first famous "stars of the accordion." He was born in Catania, Sicily, in 1885 and began to play the chromatic button accordion at the age of six. In 1905 he emigrated to San Francisco and was discovered by a talent scout for the Orpheum Vaudeville Circuit.Frosini made one of the first accordion recordings on a cylinder record for Edison in 1907 and made his first Victor recording in 1908. He traveled extensively on the vaudeville circuit in America and abroad and even performed for the King of England.
Tony Murena
Tony Muréna (1917 – 1970) was an Italian-born Musette accordionist and jazz composer who lived and worked in FranceAntonio Muréna was born in Borgo Val di Taro, Italy. His family emigrated to France in 1923 and settled in Nogent-sur-Marne. His uncle gave him his first accordion and he began a performing career assisted by his cousin Louis Ferrari. Muréna played in cabarets and music halls from an early age.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Yann Tiersen
Guillaume Yann Tiersen (born 23 June 1970) is a French musician and composer known internationally for composing the score to the Jean-Pierre Jeunet movie Amélie. His music is recognized by its use of a large variety of instruments in relatively minimalist compositions, often with a touch of either European classical music or French folk music, using primarily the piano, accordion or violin together with instruments like the melodica, xylophone, toy piano, ondes martenot, harpsichord and typewriter. His musical style is reminiscent of Frédéric Chopin, Erik Satie, Philip Glass and Michael Nyman.
Franz Lehar
Franz Lehár (30 April 1870 – 24 October 1948) was an Austrian composer. He is mainly known for his operettas of which the most successful and best known is The Merry Widow (Die lustige Witwe).
B.o.B.
Bobby Ray Simmons Jr. (born November 15, 1988), known professionally as B.o.B, is an American rapper, singer, songwriter, record producer, and conspiracy theorist from Decatur, Georgia. In 2006, B.o.B was discovered by Brian Richardson, who then introduced him to TJ Chapman, who subsequently brought him to American record producer Jim Jonsin. After hearing his music, Jonsin signed B.o.B to his Rebel Rock Entertainment imprint. Two years later, Jonsin and B.o.B signed a joint venture deal, with Atlantic Records and American rapper T.I.'s Grand Hustle Records.
Anatoli Kusjakow
He finished his studies of composition at the Music Pedagogical Institute of Rostov in 1971, class of L. P. Klinitchev, and reached the grade of "Aspirantura" at the consevatory of Moscow in 1974, at the class of S. A. Balasanyan. Since 1974 he was teaching composition and instrumentation at the Music Pedagogical Institute of Rostov-on-Don. In 1981 he became Rector of that institute, which he stayed till 1988. One year later, in 1989 he was professor at the same institute. (Now this institute is called "Rachmaninoff Conservatory".
John Denver
John Denver (December 31, 1943 – October 12, 1997), born Henry John Deutschendorf, Jr., was an American Country Music/folk singer-songwriter and folk rock musician. One of the most popular artists of the 1970s, he recorded and released some 300 songs, about half composed by himself. He was named Poet Laureate of Colorado in 1977. Songs such as "Leaving on a Jet Plane" (1967), "Take Me Home, Country Roads" (1971), "Rocky Mountain High" (1973), "Thank God I'm a Country Boy" (1974), "Annie's Song" (1974), "Sunshine on My Shoulders" (1974), and "Calypso" (1975) are popular worldwide. Denver has been referred to as "The Poet for the Planet", "Mother Nature's Son" (based on The Beatles song he covered) and "A Song's Best Friend".
Ray Parker Jr
Ray Erskine Parker, Jr. (born May 1, 1954) is an American guitarist, songwriter, producer and recording artist. Parker is known for writing and performing the theme song to the motion picture Ghostbusters.
Georges Auric
Georges Auric (French: ; 15 February 1899 – 23 July 1983) was a French composer, born in Lodève, Hérault. He was considered one of Les Six, a group of artists informally associated with Jean Cocteau and Erik Satie. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer.
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Hubert Giraud
Hubert Yves Adrian Giraud (3 March 1920 – 16 January 2016) was a French composer and lyricist.Giraud began his career playing the harmonica with Django Reinhardt's jazz group, the Quintette du Hot Club de France. In 1941, he was recruited by Ray Ventura to play the guitar during Ventura's big-band tour of South America. Six years later, he joined Jacques Hélian's orchestra in scoring a series of post-war romantic comedy films, including Georges Combert's 1951 feature, Musique en tête.
Jo Privat
Jo Privat was a French accordionist and composer. Privat was born at Ménilmontant, Paris. He played for many years at Balajo, a musette club in Paris where he worked with Django Reinhardt, the Ferret Brothers, Didier Roussin and Patrick Saussois.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Relient K
Relient K is an American rock band formed in Canton, Ohio in 1998 by Matthew Thiessen on guitar and piano, Brian Pittman on bass, and Matt Hoopes on guitar between the band's junior year in high school and their time at Malone College in Canton, Ohio. The band is named after guitarist Matt Hoopes' Plymouth Reliant K car, with the spelling intentionally altered to avoid trademark infringement over the Reliant name.
The group is associated with the Contemporary Christian Music culture, most notably the Christian rock and Christian punk scene. Despite being a Christian band the group has performed alongside secular artists, and has had critical success with mainstream pop punk. The band's sound incorporates piano rock and acoustic elements; and the lyrical content often refers to God, Jesus, and the terms "you" and "Him" are used in reference to The Divine. Since its formation, Relient K has released a discography consisting of five studio albums, seven EPs, two Christmas albums, and one collection of rarities. The band has received numerous awards including a Grammy Award nomination in 2003 for Best Rock Gospel Album and two Dove Awards.
Relient K is best known commercially for their two studio albums which peaked in the top 15 of the US Billboard 200 chart. After signing with Capitol Records, they broke into the mainstream in 2004 with the release of Mmhmm, which debuted at #15 on the Billboard 200. In 2007, their fifth album brought the most success for Relient K, Five Score and Seven Years Ago debuted at #6 on the US Billboard 200 and sold 60,000 records in its debut week. The band has sold over 2 million records, with three albums being given Gold certification by the RIAA. The band is also highly successful throughout the Christian Albums and Contemporary Christian Music charts.
The group is associated with the Contemporary Christian Music culture, most notably the Christian rock and Christian punk scene. Despite being a Christian band the group has performed alongside secular artists, and has had critical success with mainstream pop punk. The band's sound incorporates piano rock and acoustic elements; and the lyrical content often refers to God, Jesus, and the terms "you" and "Him" are used in reference to The Divine. Since its formation, Relient K has released a discography consisting of five studio albums, seven EPs, two Christmas albums, and one collection of rarities. The band has received numerous awards including a Grammy Award nomination in 2003 for Best Rock Gospel Album and two Dove Awards.
Relient K is best known commercially for their two studio albums which peaked in the top 15 of the US Billboard 200 chart. After signing with Capitol Records, they broke into the mainstream in 2004 with the release of Mmhmm, which debuted at #15 on the Billboard 200. In 2007, their fifth album brought the most success for Relient K, Five Score and Seven Years Ago debuted at #6 on the US Billboard 200 and sold 60,000 records in its debut week. The band has sold over 2 million records, with three albums being given Gold certification by the RIAA. The band is also highly successful throughout the Christian Albums and Contemporary Christian Music charts.
Carlos Gardel
Carlos Gardel (11 December 1890 – 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The unerring musicality of Gardel's baritone voice and the dramatic phrasing of his lyrics made miniature masterpieces of his hundreds of three-minute tango recordings. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos, most notably "Mi Buenos Aires querido", "Por una cabeza" and "El día que me quieras".
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Richard Galliano
Richard Galliano is a French accordionist of Italian heritage. Date of birth: December 12, 1950 (68 years old), Cannes, France Movies: Richard Galliano: Tangaria Quartet, MORE Awards: NAACP Image Award for Best Jazz Album
Loreena McKennitt
Loreena Isabel Irene McKennitt, CM, OM, (born February 17, 1957) is a Canadian singer, composer, harpist, accordionist and pianist who writes, records and performs world music with Celtic and Middle Eastern themes. McKennitt is known for her refined, warbling soprano vocals. She has sold more than 14 million records worldwide.
TONY MURENA
Antonio Muréna was born in Borgo Val di Taro, Italy. His family emigrated to France in 1923 and settled in Nogent-sur-Marne. His uncle gave him his first accordion and he began a performing career assisted by his cousin Louis Ferrari. Muréna played in cabarets and music halls from an early age.
In 1932 Muréna began to play the bandoneón in tango orchestras, including that of Rafael and Eduardo Bianco Canaro, at French clubs including La Boule Noire, Java, The Silhouette, Balajo (rue de Lappe), Pré Catelan and Ciro's. He also toured in South America, Germany, Italy and Switzerland. In 1949 he bought the Le Mirliton cabaret where he often played with Stephane Grappelli and Django Reinhardt. He also played with Matelo Ferret, Henri Crolla, Didi Duprat, Jo Privat and Gus Viseur. In 1958 he established the Radio Luxembourg Orchestra and also hosted the 36 Candles television show. He died in France
In 1932 Muréna began to play the bandoneón in tango orchestras, including that of Rafael and Eduardo Bianco Canaro, at French clubs including La Boule Noire, Java, The Silhouette, Balajo (rue de Lappe), Pré Catelan and Ciro's. He also toured in South America, Germany, Italy and Switzerland. In 1949 he bought the Le Mirliton cabaret where he often played with Stephane Grappelli and Django Reinhardt. He also played with Matelo Ferret, Henri Crolla, Didi Duprat, Jo Privat and Gus Viseur. In 1958 he established the Radio Luxembourg Orchestra and also hosted the 36 Candles television show. He died in France
Edith Piaf
Édith Piaf (19 December 1915—10 October 1963) was a French singer and cultural icon who "is almost universally regarded as France's greatest popular singer." Her singing reflected her life, with her specialty being the ballads. Among her famous songs are "La vie en rose" (1946), "Hymne à l'amour" (1949), "Milord" (1959), "Non, je ne regrette rien" (1960), and Padam Padam.
Edith Piaf's signature song "La vie en rose" was written in 1945 and was voted a Grammy Hall of Fame Award in 1998.
The legendary Paris Olympia concert hall is where Piaf achieved lasting fame, giving several series of concerts at the hall, the most famous venue in Paris, between January 1955 and October 1962. Excerpts from five of these concerts (1955, 1956, 1958, 1961, 1962) were issued on record and CD and have never been out of print. The 1961 concerts were promised by Piaf in an effort to save the venue from bankruptcy and where she debuted her song "Non, je ne regrette rien". In April 1963, Piaf recorded her last song, "L'homme de Berlin".
Edith Piaf's signature song "La vie en rose" was written in 1945 and was voted a Grammy Hall of Fame Award in 1998.
The legendary Paris Olympia concert hall is where Piaf achieved lasting fame, giving several series of concerts at the hall, the most famous venue in Paris, between January 1955 and October 1962. Excerpts from five of these concerts (1955, 1956, 1958, 1961, 1962) were issued on record and CD and have never been out of print. The 1961 concerts were promised by Piaf in an effort to save the venue from bankruptcy and where she debuted her song "Non, je ne regrette rien". In April 1963, Piaf recorded her last song, "L'homme de Berlin".
Francisco Tarrega
Francisco de Asís Tárrega y Eixea (21 November 1852 – 15 December 1909) was an influential Spanish composer and guitarist of the Romantic period.
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Gotye
Wouter "Wally" De Backer (born 21 May 1980), better known as Gotye (pronounced /ˈɡɔːti.eɪ/, or goh-tee-YAY), is a Belgian-Australian multi-instrumental musician and singer-songwriter. The name "Gotye" is a pronunciation respelling of "Gauthier", the French equivalent of the Flemish given name "Wouter".
Gotye has released three studio albums independently and one album featuring remixes of tracks from his first two albums. He is a member of the Melbourne indie-pop trio The Basics, who have independently released three studio albums and numerous other titles since 2002. His voice has been compared to those of Peter Gabriel and Sting. Gotye's 2011 single "Somebody That I Used to Know" reached number one on the Billboard Hot 100, making him the fifth Australian-based artist to do so and the second Belgian (after The Singing Nun in 1963). He has won five ARIA Awards and received a nomination for an MTV EMA for Best Asia and Pacific Act. On 10 February 2013, he won three Grammy Awards at the 55th Annual Grammy Awards Show: Record of the Year and Best Pop Duo/Group Performance for "Somebody That I Used to Know" and Best Alternative Music Album for Making Mirrors. Gotye has said he sometimes feels "less of a musician, more of a tinkerer."
Gotye is bilingual, speaking both Dutch and English, and also speaks some Japanese, which he studied at University.
Gotye has released three studio albums independently and one album featuring remixes of tracks from his first two albums. He is a member of the Melbourne indie-pop trio The Basics, who have independently released three studio albums and numerous other titles since 2002. His voice has been compared to those of Peter Gabriel and Sting. Gotye's 2011 single "Somebody That I Used to Know" reached number one on the Billboard Hot 100, making him the fifth Australian-based artist to do so and the second Belgian (after The Singing Nun in 1963). He has won five ARIA Awards and received a nomination for an MTV EMA for Best Asia and Pacific Act. On 10 February 2013, he won three Grammy Awards at the 55th Annual Grammy Awards Show: Record of the Year and Best Pop Duo/Group Performance for "Somebody That I Used to Know" and Best Alternative Music Album for Making Mirrors. Gotye has said he sometimes feels "less of a musician, more of a tinkerer."
Gotye is bilingual, speaking both Dutch and English, and also speaks some Japanese, which he studied at University.
Bart Howard
Bart Howard (born Howard Joseph Gustafson; June 1, 1915 — February 21, 2004) was the composer and writer of the famous jazz standard "Fly Me To The Moon", which has been performed by singers (among others) Frank Sinatra, Ella Fitzgerald, Nancy Wilson, Della Reese, Diana Krall, June Christy and Astrud Gilberto. It is also played frequently by jazz and popular musicians around the world.
Howard was born in Burlington, Iowa. He began his career as an accompanist at the age of 16 and played for Mabel Mercer, Johnny Mathis and Eartha Kitt, among others.
"Fly Me To the Moon" was first sung in 1954 by Felicia Sanders at the "Blue Angel" club in Manhattan where the composer became M.C. and accompanist in 1951. The song received wide exposure when Peggy Lee sang it on The Ed Sullivan Show several years later. Bart Howard "lived off" this song for the rest of his life, although he had 49 other songs to his credit.
He died, aged 88, in Carmel, New York. He was survived by a sister Dorothy Lind of Burlington, Iowa and by his companion of 58 years, Thomas Fowler.
Howard was born in Burlington, Iowa. He began his career as an accompanist at the age of 16 and played for Mabel Mercer, Johnny Mathis and Eartha Kitt, among others.
"Fly Me To the Moon" was first sung in 1954 by Felicia Sanders at the "Blue Angel" club in Manhattan where the composer became M.C. and accompanist in 1951. The song received wide exposure when Peggy Lee sang it on The Ed Sullivan Show several years later. Bart Howard "lived off" this song for the rest of his life, although he had 49 other songs to his credit.
He died, aged 88, in Carmel, New York. He was survived by a sister Dorothy Lind of Burlington, Iowa and by his companion of 58 years, Thomas Fowler.