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Accordion Sheet Music
"I always like the studio best, once I got the hang of it and the control. I like it because it's complete control" John Lennon / Beatles
Jo Privat
Jo Privat was a French accordionist and composer. Privat was born at Ménilmontant, Paris. He played for many years at Balajo, a musette club in Paris where he worked with Django Reinhardt, the Ferret Brothers, Didier Roussin and Patrick Saussois.
Jaroslav Jezek
Jaroslav Jezek (September 25, 1906 - January 1, 1942) was a Czech composer, pianist and conductor, author of jazz, classical, incidental and film music.Ježek was born in the Prague quarter of Žižkov to the family of a tailor. He was almost blind from a young age. He studied composition at the Prague Conservatory as a pupil of Karel Boleslav Jirák (1924–1927), at the master school of composition with Josef Suk (1927–1930)
La oreja de Van Gogh
La Oreja de Van Gogh (English: Van Gogh's Ear) is a Latin Grammy winning and Grammy nominated Spanish pop band from Donostia-San Sebastian. The name of the band references the famous post-impressionist painter Vincent van Gogh who cut off the lobe of his own ear. Their characteristically poetic songs (both lyrics and music) are written mainly by band members Pablo Benegas, Xabi San Martín and Amaia Montero. The themes of their songs usually include love, friendship, relationships. Since their debut, they have sold more than 6 million copies worldwide of their four albums. In November 2007, lead singer Amaia Montero announced that she would be leaving the group to begin a solo career. Her replacement, Leire Martínez, was announced in July 2008, along with the band's first single "El Último Vals" from their album titled A las cinco en el Astoria which was released on September 2 2008. Leire was discovered on the Spanish reality show Factor X.
Roland Cedermark
Roland Cedermark, was a Swedish musician. He was born in Älvros and made his solo debut in 1976. He sold over 2 million records in Sweden. Amongst his hits were "Vandra varsamt" in 2010, "Någon behöver dej" in 1997 and "Whispering" in 1977
Andrea Ferrente
Andrea Ferrante is an Italian composer whose music is performed throughout Europe, Asia and the Americas and published by Videoradio and Rai Trade Labels, Edizioni Carrara and Edizioni Simeoli.
Alfons Holzschuh
Solo and chamber music pieces; Alfons Holzschuh (1904–1983) ...
Traditional
Derbenko Yevgeny
evgeny Petrovich Derbenko was born on March 17, 1949 in Pavlovsky Posad (Moscow Region). In 1973 he graduated from Gnesins' State Musical Pedagogical Institute (accordeon department lead by Honoured Artist of the Russian Federation A. N. Gus) Ever since then he is a composer, pedagogue, performer and Honoured Artist of the Russian Federation in Orel and Orel Region.Since 1974 he works as a teacher at the Orel Music College. Yevgeni Derbenko is the author of more than 1500 pieces, which he mostly writes for Russian folk instruments.
His works are concertos for accordeon, concertina, domra and balalaika with orchestra, concertos for two accordeons with symphonic orchestra, opera "The great deputation", sonatas, suites, miniatures, music for performances.
His works are concertos for accordeon, concertina, domra and balalaika with orchestra, concertos for two accordeons with symphonic orchestra, opera "The great deputation", sonatas, suites, miniatures, music for performances.
Jo Knümann
Jo Knümann Composer Born: February 11, 1895, Gelsenkirchen, Germany Died: December 25, 1952
Carlo Venturi
Italian accordionist and composer. b. June 12, 1943 in Castiglione dei Pepoli, Italy d. Dec. 16, 1986 in Bologna, Italy. Aliases:Born: June 12, 1943, Castiglione dei Pepoli, Italy Died: December 16, 1986, Bologna, Italy Songs Allegra fisarmonica Da giovane, Vol. 5 (Da giovane) Indiavolata L'orchestra, dall'estero, la classe, Vols. 13, 14 & 15 Accordion Tangos L'interprete, Vol. 3
Egberto Gismonti
Egberto Amin Gismonti (born December 5, 1947 in Carmo, state of Rio de Janeiro) is a Brazilian composer, guitarist and pianist.Gismonti was born in the small city of Carmo, state of Rio de Janeiro, Brazil, into a musical family. His mother was from Sicily and his father was from Beirut, Lebanon. At the age of six, he started studying the piano at the Brazilian Conservatory of Music. After studying the classical repertoire in Brazil for fifteen years, he went to Paris to delve into modern music. He studied with Nadia Boulanger (1887–1979), after acceptance as a student by the composer Jean Barraqué, a student of Anton Webern and Schoenberg. Boulanger encouraged Gismonti to write the collective Brazilian experience into his music.
Alberico Spatola
Spatola, Alberico Salvador. Trumpeter, pianist, bandleader and composer. (15 April 1885 - 7 July 1941). Place of birth: Montevideo Uruguay.
Aurelie Tomazolli
As a child, I started playing the accordion in Saône-et-Loire, where I had the chance to play in an orchestra. Later, looking again to play with other musicians, on an amateur basis, I noticed the poverty of the set directory. I then enrolled in the conservatory, in writing class, until I obtained 2005 the current equivalent of the harmony medal (class of D. Magnon – conservatory of Lyon), then of counterpoint (class of G. Aloy – 2009), and analysis (class of D. Gaudet then J.P. Guye – 2011). I write for accordion alone (bass standards) and for small chamber music ensembles.
M. TOPO
Topo Azul is Greg's dusty and rollicking desert rock project where he puts all the musical tools in his arsenal to good use. The resulting songs sound just ...
Frank Sinatra
Francis Albert "Frank" Sinatra (December 12, 1915 â May 14, 1998) was an American singer and actor.
Beginning his musical career in the swing era with Harry James and Tommy Dorsey, Sinatra became a solo artist with great success in the early to mid-1940s, being the idol of the "bobby soxers". His professional career had stalled by the 1950s, but it was reborn in 1954 after he won the Academy Award for Best Supporting Actor.
He signed with Capitol Records and released several critically lauded albums (such as In the Wee Small Hours, Songs for Swingin' Lovers, Come Fly with Me, Only the Lonely and Nice 'n' Easy). Sinatra left Capitol to found his own record label, Reprise Records (finding success with albums such as Ring-A-Ding-Ding, Sinatra at the Sands and Francis Albert Sinatra & Antonio Carlos Jobim), toured internationally, and fraternized with the Rat Pack and President John F. Kennedy in the early 1960s. Sinatra turned 50 in 1965, recorded the retrospective September of My Years, starred in the Emmy-winning television special Frank Sinatra: A Man and His Music, and scored hits with "Strangers in the Night" and "My Way".
Sinatra attempted to weather the changing tastes in popular music, but with dwindling album sales and after appearing in several poorly received films, he retired in 1971. Coming out of retirement in 1973, he recorded several albums, scoring a hit with "(Theme From) New York, New York" in 1980, and toured both within the United States and internationally until a few years before his death in 1998.
Sinatra also forged a career as a dramatic actor, winning the Academy Award for Best Supporting Actor for his performance in From Here to Eternity, and he was nominated for the Academy Award for Best Actor for The Man with the Golden Arm. His also starred in such musicals as High Society, Pal Joey, Guys and Dolls and On the Town. Sinatra was honored with the Kennedy Center Honors in 1983 and awarded the Presidential Medal of Freedom by Ronald Reagan in 1985 and the Congressional Gold Medal in 1997. Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award.
Beginning his musical career in the swing era with Harry James and Tommy Dorsey, Sinatra became a solo artist with great success in the early to mid-1940s, being the idol of the "bobby soxers". His professional career had stalled by the 1950s, but it was reborn in 1954 after he won the Academy Award for Best Supporting Actor.
He signed with Capitol Records and released several critically lauded albums (such as In the Wee Small Hours, Songs for Swingin' Lovers, Come Fly with Me, Only the Lonely and Nice 'n' Easy). Sinatra left Capitol to found his own record label, Reprise Records (finding success with albums such as Ring-A-Ding-Ding, Sinatra at the Sands and Francis Albert Sinatra & Antonio Carlos Jobim), toured internationally, and fraternized with the Rat Pack and President John F. Kennedy in the early 1960s. Sinatra turned 50 in 1965, recorded the retrospective September of My Years, starred in the Emmy-winning television special Frank Sinatra: A Man and His Music, and scored hits with "Strangers in the Night" and "My Way".
Sinatra attempted to weather the changing tastes in popular music, but with dwindling album sales and after appearing in several poorly received films, he retired in 1971. Coming out of retirement in 1973, he recorded several albums, scoring a hit with "(Theme From) New York, New York" in 1980, and toured both within the United States and internationally until a few years before his death in 1998.
Sinatra also forged a career as a dramatic actor, winning the Academy Award for Best Supporting Actor for his performance in From Here to Eternity, and he was nominated for the Academy Award for Best Actor for The Man with the Golden Arm. His also starred in such musicals as High Society, Pal Joey, Guys and Dolls and On the Town. Sinatra was honored with the Kennedy Center Honors in 1983 and awarded the Presidential Medal of Freedom by Ronald Reagan in 1985 and the Congressional Gold Medal in 1997. Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award.
Pietro Gori
Pietro Gori was an Italian lawyer, journalist, intellectual and anarchist poet. He is known for his political activities, and as author of some of the most famous anarchist songs of the late 19th century, including Addio a Lugano, Stornelli d'esilio, Ballata per Sante Caserio, Inno del Primo Maggio.
Giovanni Tornambene
Giovanni Tornambene Musical artist Genre: Alternative/Indie Record labels: Soundiva, Giovanni Tornambene, SIAE
EPs: Canalizzare gli Angeli, Tutto Ciò Che Sei, MORE Songs Like a Cup of Wine Christmas Jazz Night 2021 (Best X-Mas Jazz Music) · 2021 Suoni che Danno Fastidio ai Cani Suoni che Danno Fastidio · 2021 Musica Demoniaca Che Strana Musica · 2020
EPs: Canalizzare gli Angeli, Tutto Ciò Che Sei, MORE Songs Like a Cup of Wine Christmas Jazz Night 2021 (Best X-Mas Jazz Music) · 2021 Suoni che Danno Fastidio ai Cani Suoni che Danno Fastidio · 2021 Musica Demoniaca Che Strana Musica · 2020
Modest Tabachnikov
He collaborated with the most famous performers of the Soviet Union. The first success of the then beginning composer was the song “Mama” written in 1937 by the poet Gridov. She gladly undertook to perform the prima of the Soviet stage, Klavdia Shulzhenko.Jan 13, 2021
Ramon Sixto Rio
Ramón Sixto Ríos, (1913-1995), was a musician and guitarist from Argentina, known for having composed the song "Merceditas", one of the most popular in the history of Argentine folk music. Ríos also composed other songs such as "Qué linda estabas", "María Elvira", etc.
Paul Mulcahy
Paul Mulcahy Musical artist Songs Techno Princess Asterisk · 2007 Grieg 1 ICONS · 2003 For a Figure Skater in D
ICONS · 2003
ICONS · 2003
Aram Khachaturyan
Aram Ilyich Khachaturian was a Soviet Armenian composer and conductor. He is considered one of the leading Soviet composers. Born and raised in Tbilisi, the multicultural capital of Georgia, Khachaturian moved to Moscow in 1921 following the Sovietization of the Caucasus.
Richard Abel
Richard Abel is a Canadian instrumental musician and pianist. He is one of the best selling Canadian instrumental artists of all time. He has been nominated for a Juno award three times.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Michael A Schmid
Mike Schmid is an American singer/songwriter, as well as the keyboard player and backing vocalist for The Chainsmokers, Miley Cyrus, Troye Sivan and many other pop acts.
Pietro Frosini
Pietro Frosini (9 August 1885 – 2 September 1951) was one of the first famous "stars of the accordion." He was born in Catania, Sicily, in 1885 and began to play the chromatic button accordion at the age of six. In 1905 he emigrated to San Francisco and was discovered by a talent scout for the Orpheum Vaudeville Circuit.Frosini made one of the first accordion recordings on a cylinder record for Edison in 1907 and made his first Victor recording in 1908. He traveled extensively on the vaudeville circuit in America and abroad and even performed for the King of England.
Nikolai Ryskov
Nikolai Ryskov is a Russian Accordion-Bayan player and living now permanently in the UK.He graduated at
the Russian Academy of Music of Gnessin in 1994 in Moscow. He is arranging any kind of music for Accordion Solo.
He is very fond of Astor Piazzolla music and is arranging it for Accordion Solo and Duo Accordions.
the Russian Academy of Music of Gnessin in 1994 in Moscow. He is arranging any kind of music for Accordion Solo.
He is very fond of Astor Piazzolla music and is arranging it for Accordion Solo and Duo Accordions.
Grigoras Dinicu
Grigoraș Ionică Dinicu was a Romanian violin virtuoso and composer of Roma ethnicity. He is most famous for his often-played virtuoso violin showpiece "Hora staccato" and for making popular the tune Ciocârlia, composed by his grandfather Angheluș Dinicu for "nai".
Gus Viseur
Gus Viseur, born Gustave-Joseph Viseur (15 May 1915 – 25 August 1974) was a Belgian/French button accordionist.
Gus Viseur was a virtuoso in the musette genre, during the swing era in the 1930s. He is the only jazz accordionist who is a member of the famous Hot Club de France, conducted by Charles Delaunay.
Gus Viseur was a virtuoso in the musette genre, during the swing era in the 1930s. He is the only jazz accordionist who is a member of the famous Hot Club de France, conducted by Charles Delaunay.
Johann Strauss
Johann Strauss I (March 14, 1804 – September 25, 1849; German: Johann Baptist Strauß, Johann Strauss (Vater); also Johann Baptist Strauss, Johann Strauss, Sr., the Elder, the Father), born in Vienna, was an Austrian Romantic composer famous for his waltzes, and for popularizing them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. His most famous piece is probably the Radetzky March (named after Joseph Radetzky von Radetz), while his most famous waltz is probably the Lorelei Rheinklänge, Op. 154.
Hermeto Pascoal
Hermeto Pascoal (born June 22, 1936) is a Brazilian composer and multi-instrumentalist. He was born in Lagoa da Canoa, Alagoas, Brazil. Pascoal is a significant figure in the history of Brazilian music, mainly known for his abilities in orchestration and improvisation, as well as being a record producer and contributor to many Brazilian and international albums.
Andy Cutting
Andy Cutting is an English folk musician and composer. He plays melodeon and is best known for writing and performing traditional English folk and his own original compositions which combine English and French traditions with wider influences.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
John Fjeldbu
John Fjeldbu Musical artist Songs Hilsen til Eidskog - vals Trickspæll - 2 · 1975 Villkatten, konsertmasurka Norske trekkspillsolister · 2018 Bågskytten - vals .
Ben Cramer
Ben Cramer (born Bernardus Kramer; 17 February 1947) is a Dutch singer who represented the Netherlands in the 1973 Eurovision Song Contest.Cramer was born in Amsterdam. He made his television debut in 1966 with his backing group the Spaklings, and was spotted by singer Annie de Reuver, who helped him obtain a record deal. In 1967, his first single, "Zai zai zai", became a hit, reaching No. 7 on the Dutch chart. The follow-up "Dans met mij" also peaked at No. 7, and he would have a string of successful records in the late 1960s and early 1970s. His most fondly-remembered record is "De Clown" from 1971.
James Pierpont
"Jingle Bells", also known as "One Horse Open Sleigh", is one of the best known and commonly sung secular Christmas songs in the world. The song has been translated into many languages. It was written by James Lord Pierpont (1822–1893) and copyrighted under the title 'One Horse Open Sleigh' on September 16, 1857. He was born in Massachusetts, and died in Winter Haven, Florida. He is buried at Laurel Grove Cemetery in Savannah, Georgia. He was inducted into the Songwriters Hall of Fame in 1970.
Albert Vossen
Albert Vossen Composer Born: May 22, 1910 Died: August 10, 1971, Cologne, Germany Songs Fliegende Blätter
Karo Sieben Flick-Flack
Karo Sieben Flick-Flack
F. DE DIEGO
Spanish composer and singer, born in 1958. Founder of "Raquel": in 1981 they recorded just one single. Later he released two solo albums. In Groups:.
Dominique Perczak
Pleasant moment of relaxation, a few lines on a sheet of paper, key to happiness, a round, a
quarter note, an eighth note, a quarter note are placed, a sigh, a melody is created, the instrument discovers for the
great pleasure of the Musician ... and of the Listener ...
quarter note, an eighth note, a quarter note are placed, a sigh, a melody is created, the instrument discovers for the
great pleasure of the Musician ... and of the Listener ...
Martin Weyde
Martin Weyde for amateur or professional musicians. ... Martin Weyde. The information about this artist has not been added yet.
Taito Vainio
Actor | Composer | Soundtrack. Taito Vainio was born on April 1, 1935 in Mäntsälä, Finland. He was an actor and composer, known ... Born: April 1, 1935. Died: October 6, 2001 (age 66)
Repnikov Albin
Repnikov Albin (1932 - 2007) Repnikov was born on December 29th 1932 in the Perm Region. In 1953 he finished his studies at the Music School in Irkutsk and in ...
Viacheslav Semyonov
Viatcheslav Semionov was born in 1946 in the ancient city of Trubchevsk, Bryansk. He is an accordionist, composer, bayan player, teacher and artist.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.