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Accordion Sheet Music
"Beautiful music is the art of the prophets that can calm the agitations of the soul; it is one of the most magnificent and delightful presents God has given us." Martin Luther
Bert Kaempfert
Bert Kaempfert (born Berthold Heinrich Kämpfert, 16 October 1923 – 21 June 1980) was a German orchestra leader, multi-instrumentalist, music producer, arranger, and composer. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples".
Anatoly Novikov
Anatoli Grigoriévitch Novikov (Russian: Анато́лий Григо́рьевич Но́виков; 30 October 1896 – 24 September 1984) was a Soviet composer, a choral conductor and a political activist.Novikov was awarded two Stalin Prizes, in 1946 and 1948. In 1970 he was bestowed the title of People's Artist of the USSR, and in 1976 was awarded the title of Hero of Socialist Labour, and the Order of Lenin. He composed such widely popular songs as "Vasya-vasilyok" (1941), "Smuglyanka" (1943), "Rossiya" (1946), "Dorogi"/"Roads" (1946), "The Hymn of Democratic Youth of the World" (1947).
Domenico Scarlatti
Giuseppe Domencio Scarlatti, Madrid, Spain. An Italian composer who has spent most of his life in Spain and Portugal. Although he lived in the Baroque period, his music mostly influenced the classical period.
Alessandro Morelli
Alessandro Morelli. It was published in 1950 in Paris by Beuscher Arpège in the name of «Alexandro Morelli», for the piano and with the subtitle Sentimental Waltz. The cover also bore the caption "A worldwide success".
Shenderev Georgi
Shenderev Georgi (1937 - 1984) Shenderev was a composer and bayanist, born in Navoi Uzbekh on July 18, 1937. In 1958 he graduated from the Music Player School ..
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Will Tura
Arthur Achiel Albert, Knight Blanckaert (born 2 August 1940 in Veurne), known by his stage name Will Tura, is a Belgian artist famous in Flanders and the Netherlands. Tura is a singer, musician (he plays the piano, guitar, drums, accordion and harmonica), composer and songwriter. He is married to Jenny Swinnen, with whom he has a son David (born 16 October 1974) and a daughter Sandy Tura (born 21 November 1975).
Gennaro Ruffolo
Maestro Gennaro Ruffolo was born in Cosenza in 1977 and, from an early age, at the age of seven he began studying the accordion first with Maestro Giacomo Carrisi and then with Maestro Paolo Gallina. Later he perfected himself with Maestro Carmine Di Marco, World Oscar of Composition in Los Angeles. He graduated in Classical Accordion with full marks under the guidance of Maestro Alessandro Mugnoz at the "G.B.Pergolesi" conservatory in Ancona. At the age of seventeen he received the silver lion at the Tommaso Coccione composition prize of Poggio Fiorito (CH) with the piece "MUSETTE A 'PARIS" published by Bèrben of Ancona. On 23 April 2013 he won 1st place overall at the International Festival unpublished pieces "Music without Words" held in Castelfidardo in the famous and renowned TEATRO ASTRA, with one of his songs entitled PIZZITANA.
The Allman Brothers Band
The Allman Brothers Band were an American rock band formed in Jacksonville, Florida in 1969 by brothers Duane Allman (founder, slide guitar and lead guitar) and Gregg Allman (vocals, keyboards, songwriting), as well as Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass guitar), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). Subsequently, based in Macon, Georgia, the band incorporated elements of blues, jazz, and country music, and their live shows featured jam band-style improvisation and instrumentals.
Teddy Fregoso
Teddy Fregoso Writer Born: December 25, 1925 Died: January 11, 2015.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Lalo Schifrin
Lalo Schifrin (born June 21, 1932) is an Argentine composer, pianist and conductor. He is best known for his film and TV scores, such as the Mission: Impossible theme. He has received four Grammy Awards and six Oscar nominations.
One of Schifrin's most recognizable and enduring compositions is the theme music for the long-running TV series Mission: Impossible. It is a famously distinctive tune written in an uncommon 5/4 time signature.
In 1970, he composed the Paramount Television (which by then had taken over production of Mission: Impossible) logo jingle "Color I.D." It was an 8-note jingle featuring horns, woodwinds and timpani. This music would have a long run in Paramount's TV production logos through 1987.
Schifrin's "Tar Sequence" from his Cool Hand Luke score (also written in 5/4) was the longtime theme for the Eyewitness News broadcasts on New York station WABC-TV and other ABC affiliates, as well as National Nine News in Australia. CBS Television used part of the theme of his St. Ives soundtrack for its golf broadcasts in the 1970s and early 1980s.
Schifrin's score for Coogan's Bluff in 1968 was the beginning of a long association with Clint Eastwood. Schifrin's strong jazz blues riffs were evident in Dirty Harry and, although similar to Bullitt and Coogan's Bluff, the score for Dirty Harry stood out for the sheer fear it generated when released.
Schifrin's working score for 1973's The Exorcist was rejected by the film's director William Friedkin. Schifrin had written six minutes of difficult and heavy music for the initial film trailer but audiences were reportedly too scared by the combination of sights and sounds. Warner Bros. executives told Friedkin to instruct Schifrin to tone it down with softer music, but Friedkin did not relay the message. Schifrin's final score was thrown out into the parking lot. Schifrin reported in an interview that working with Friedkin was the one of the most unpleasant experiences in his life.
In the 1998 film Tango, Schifrin returned to the tango music he had grown familiar with while working as Astor Piazzolla's pianist in the mid-1950s. He brought traditional tango songs to the film as well as introducing compositions of his own in which tango is fused with jazz elements.
In 1997, Aleph Records was founded by the composer.
He also wrote the songs for Splinter Cell: Pandora Tomorrow.
One of Schifrin's most recognizable and enduring compositions is the theme music for the long-running TV series Mission: Impossible. It is a famously distinctive tune written in an uncommon 5/4 time signature.
In 1970, he composed the Paramount Television (which by then had taken over production of Mission: Impossible) logo jingle "Color I.D." It was an 8-note jingle featuring horns, woodwinds and timpani. This music would have a long run in Paramount's TV production logos through 1987.
Schifrin's "Tar Sequence" from his Cool Hand Luke score (also written in 5/4) was the longtime theme for the Eyewitness News broadcasts on New York station WABC-TV and other ABC affiliates, as well as National Nine News in Australia. CBS Television used part of the theme of his St. Ives soundtrack for its golf broadcasts in the 1970s and early 1980s.
Schifrin's score for Coogan's Bluff in 1968 was the beginning of a long association with Clint Eastwood. Schifrin's strong jazz blues riffs were evident in Dirty Harry and, although similar to Bullitt and Coogan's Bluff, the score for Dirty Harry stood out for the sheer fear it generated when released.
Schifrin's working score for 1973's The Exorcist was rejected by the film's director William Friedkin. Schifrin had written six minutes of difficult and heavy music for the initial film trailer but audiences were reportedly too scared by the combination of sights and sounds. Warner Bros. executives told Friedkin to instruct Schifrin to tone it down with softer music, but Friedkin did not relay the message. Schifrin's final score was thrown out into the parking lot. Schifrin reported in an interview that working with Friedkin was the one of the most unpleasant experiences in his life.
In the 1998 film Tango, Schifrin returned to the tango music he had grown familiar with while working as Astor Piazzolla's pianist in the mid-1950s. He brought traditional tango songs to the film as well as introducing compositions of his own in which tango is fused with jazz elements.
In 1997, Aleph Records was founded by the composer.
He also wrote the songs for Splinter Cell: Pandora Tomorrow.
Traditional
Jukka Tienssu
Tiensuu was born in Helsinki. After extensive musical studies (piano, harpsichord, conducting, composing, historically informed performance, electroacoustic and computer music a.o.t.) at the Sibelius Academy, Helsinki (1967–1972), the Juilliard School, New York (1972–1973), Hochschule für Musik Freiburg (1974–1976), IRCAM, Paris (1978–1982) and other institutes Jukka Tiensuu toured three continents giving numerous concerts with a wide repertoire ranging from the Renaissance to the latest avant-garde and performing both classical and free improvisations. He has received numerous prizes for his compositional work as well as for his recordings and performances. In 2020, he won the Wihuri Sibelius Prize. According to the jury report his "compositions emanate a deep spirituality, and his unwavering adherence to artistic goals is impressive".
Lojze slak
Lojze Slak was a Slovenian musician. Slak was one of the pioneers of Slovene popular folk music, based on diatonic button accordion and author of several evergreen songs, performed by his Lojzeta Slaka Ansamble.
Nikolai Ryskov
Nikolai Ryskov is a Russian Accordion-Bayan player and living now permanently in the UK.He graduated at
the Russian Academy of Music of Gnessin in 1994 in Moscow. He is arranging any kind of music for Accordion Solo.
He is very fond of Astor Piazzolla music and is arranging it for Accordion Solo and Duo Accordions.
the Russian Academy of Music of Gnessin in 1994 in Moscow. He is arranging any kind of music for Accordion Solo.
He is very fond of Astor Piazzolla music and is arranging it for Accordion Solo and Duo Accordions.
Louie Madrid Calleja
Born and raised in the Republic of the Philippines, he came to Canada in 1988. He studied music at York University and received his Bachelor of ...
Sergei Banevich
Sergei Banevich (born 1941), Honored Artist of the Russian Federation, Laureate of the St. Petersburg Government Prize in Literature, Art and Architecture, holder of The State Friendship Medal (2002), initiator and Artistic Director of the annual International Children's Music Festival in St. Petersburg.
W.A. Mozart
Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Tito Marcos
Tito Marcos (1954 - ). Spain, Coruña.... Tito Marcos ... Accordion player
Gus Viseur
Gus Viseur, born Gustave-Joseph Viseur (15 May 1915 – 25 August 1974) was a Belgian/French button accordionist.
Gus Viseur was a virtuoso in the musette genre, during the swing era in the 1930s. He is the only jazz accordionist who is a member of the famous Hot Club de France, conducted by Charles Delaunay.
Gus Viseur was a virtuoso in the musette genre, during the swing era in the 1930s. He is the only jazz accordionist who is a member of the famous Hot Club de France, conducted by Charles Delaunay.
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
Rocco Granata
Rocco Granata is an Italian-Belgian singer, songwriter, and accordionist. Granata was born in Figline Vegliaturo, Calabria, southern Italy; but his parents immigrated to Belgium when he was aged ten. Rocco's father was a coal miner, but Granata pursued music instead.
Giovanni Tornambene
Giovanni Tornambene Musical artist Genre: Alternative/Indie Record labels: Soundiva, Giovanni Tornambene, SIAE
EPs: Canalizzare gli Angeli, Tutto Ciò Che Sei, MORE Songs Like a Cup of Wine Christmas Jazz Night 2021 (Best X-Mas Jazz Music) · 2021 Suoni che Danno Fastidio ai Cani Suoni che Danno Fastidio · 2021 Musica Demoniaca Che Strana Musica · 2020
EPs: Canalizzare gli Angeli, Tutto Ciò Che Sei, MORE Songs Like a Cup of Wine Christmas Jazz Night 2021 (Best X-Mas Jazz Music) · 2021 Suoni che Danno Fastidio ai Cani Suoni che Danno Fastidio · 2021 Musica Demoniaca Che Strana Musica · 2020
Vladimir Zubitsky
Vladimir Zubitsky is a well known composer of original accordion music. His more famous compositions include Children Suite No. 1, Karpatskaya Suite, Partite Concertata in Mode Jazz-Improvisazione, which are perform
kal dompan
Swedish musician and composer. Born September 3, 1874 in Stockholm, Sweden — died October 12, 1931 in Spånga, Sweden. Aliases: Karl Lundin ...
Calle Jularbo
Carl Jularbo, well known as Calle Jularbo and born as Karl Karlsson (6 June 1893, Jularbo, Avesta Municipality, Dalarna County, Sweden - 13 February 1966, Nacka Municipality, Stockholm County, Sweden) was the most famous Swedish accordionist of his time. He had a very distinct personal style, that has played a significant part in forming the Swedish accordion tradition. He was extremely productive, recording 1577 tunes and he won 158 accordion competitions. He maintained a large repertoire without being able to read music. His best known tune is Livet i Finnskogarna (roughly "Life in the Finn forests"), recorded in 1915. This song was the basis for the Les Paul and Mary Ford hit of 1951, "Mockin' Bird Hill".
P. Bagnasco
P. Bagnasco Musical artist Songs Salta e balla Caro sax (Liscio compilation) · 2014 La trottola Caro sax (Liscio compilation) · 2014 La scatenata Caro sax (Liscio compilation) · 2014
ALLEN TOUSSAINT
Allen Toussaint (/ˈtuːsɑːnt/; January 14, 1938 – November 10, 2015) was an American musician, songwriter, arranger and record producer, who was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as "one of popular music's great backroom figures". Many musicians recorded Toussaint's compositions, including "Whipped Cream", "Java", "Mother-in-Law", "I Like It Like That", "Fortune Teller", "Ride Your Pony", "Get Out of My Life, Woman", "Working in the Coal Mine", "Everything I Do Gonna Be Funky", "Freedom For the Stallion", "Here Come the Girls", "Yes We Can Can", "Play Something Sweet", and "Southern Nights". He was a producer for hundreds of recordings, among the best known of which are "Right Place, Wrong Time", by his longtime friend Dr. John ("Mac" Rebennack), and "Lady Marmalade" by Labelle.
George Gershwin
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Ian O'Regan
Ian O'Regan is an Irish multi-instrumentalist singer, songwriter, and producer, with over 30 years experience of rock, blues, folk and country music.
Branimir Đokić
Branimir Đokić is a Serbian folk accordionist. He has had his own ensemble band since the early 1970s and has also been known to have played for some major artists: Šaban Šaulić, Mitar Mirić, Šerif Konjević, Kemal Malovčić, Zorica Brunclik and others. Đokić attended the high music school "Stanković" in Belgrade.
Sergey Simakov
Sergey Simakov is a russian conductor currently living in Germany.
Evert Taube
Axel Evert Taube was a Swedish author, artist, composer and singer. He is widely regarded as one of Sweden's most respected musicians and the foremost troubadour of the Swedish ballad tradition in the 20th century.
Ivan Mladek
Ivan Mládek (born 7 February 1942) is a Czech recording artist, composer, and comedian.Mládek is credited with designing the Guitariano, a guitar-shaped synthesizer. In place of strings, keys are arranged on the fretboard of the instrument, their pitch corresponding to the pitch of a string depressed at the same fret, and there are controls for automatic accompaniment on the body of the instrument.
Arnstein Johansen
Arnstein Johansen (June 19, 1925 – September 26, 2013) was a Norwegian accordionist that played jazz and old-fashioned dances. He became well-known through his recordings and his international collaboration. He studied under Ottar E. Akre, Thorleif Ekren, and Gunnar Sønstevold, and also at the Norwegian Academy of Music. After the Second World War, he played in a duet with Rolf Andersen, and then spent time in the United States, playing with Pietro Frosini, Guido Deiro, and Anthony Galla-Rini.He released a number of albums as a solo artist and with the Arnstein Johansen Quartet (Arnstein Johansen kvartett), later quintet: Gammeldans (Old-Fashioned Dances), Hæla i taket (Party Hardy), A.J.'s freskeste (A. J.'s Freshest), I ring og feiende sving (In Ring and Sweeping Swing), Evergreens (Golden Oldies), Tea for Two, Crazy Rhythm, Out of Nowhere, and Too Late Now. He also played with Sverre Cornelius Lund and participated in releases with Alf Prøysen and others.
Pietro Frosini
Pietro Frosini (9 August 1885 – 2 September 1951) was one of the first famous "stars of the accordion." He was born in Catania, Sicily, in 1885 and began to play the chromatic button accordion at the age of six. In 1905 he emigrated to San Francisco and was discovered by a talent scout for the Orpheum Vaudeville Circuit.Frosini made one of the first accordion recordings on a cylinder record for Edison in 1907 and made his first Victor recording in 1908. He traveled extensively on the vaudeville circuit in America and abroad and even performed for the King of England.
Albin Repnikov
Repnikov was born on December 29th 1932 in the Perm Region.In 1953 he finished his studies at the Music School in Irkutsk and in 1958 he graduated from the conservatorium of Leningrad, at the theoretical composition faculty.
In 1947 - 1949 and in 1951 - 1952 he was accompanist in a club of accordeonists in the Amur Region and Irkutsk.
In 1959 he became teacher in the children accordeon music school of the Lenin District in Leningrad. From 1960 to 1970 he was teacher in the accordeon class at the Leningrad Institute of Culture.
From 1971 to 1974 he was teacher on bayan, accordeon and instrumentation course at the Leningrad Music School M.P. Mussorgsky. Since 1974 he was lecturer composition. From 1982 he was associate professor at the Leningrad Conservatory in Petrozavodsk.
In 1947 - 1949 and in 1951 - 1952 he was accompanist in a club of accordeonists in the Amur Region and Irkutsk.
In 1959 he became teacher in the children accordeon music school of the Lenin District in Leningrad. From 1960 to 1970 he was teacher in the accordeon class at the Leningrad Institute of Culture.
From 1971 to 1974 he was teacher on bayan, accordeon and instrumentation course at the Leningrad Music School M.P. Mussorgsky. Since 1974 he was lecturer composition. From 1982 he was associate professor at the Leningrad Conservatory in Petrozavodsk.
Jozsef Bloch
József Bloch (Buda, January 5, 1862 - Budapest, May 6, 1922) is a Hungarian violinist, music teacher and composer. He was a teacher of the first generation of the violin school under the auspices of the Academy of Music, one of the founding masters of Hungarian violin teaching. His first teachers were Alajos Gobbi, Károly Huber and Róbert Volkman
After his trip to Paris, in 1889 he became a member of the then world-famous Hubay-Popper string quartet, in which he was a chamber partner of Jenő Hubay between 1889 and 1992. In the same year, 1889, he began his violin teaching at the Academy of Music at about the same time as Jenő Hubay, first as an extraordinary teacher from 1889 and as an ordinary teacher from 1898. From 1890 to 1900 he was also a teacher of the National Music, and from 1904 he taught as the head of the violin teacher training at the Academy of Music. As a preparatory teacher for students at the Hubay Master School, he raised a whole generation of violinists.
After his trip to Paris, in 1889 he became a member of the then world-famous Hubay-Popper string quartet, in which he was a chamber partner of Jenő Hubay between 1889 and 1992. In the same year, 1889, he began his violin teaching at the Academy of Music at about the same time as Jenő Hubay, first as an extraordinary teacher from 1889 and as an ordinary teacher from 1898. From 1890 to 1900 he was also a teacher of the National Music, and from 1904 he taught as the head of the violin teacher training at the Academy of Music. As a preparatory teacher for students at the Hubay Master School, he raised a whole generation of violinists.
Loreena McKennitt
Loreena Isabel Irene McKennitt, CM, OM, (born February 17, 1957) is a Canadian singer, composer, harpist, accordionist and pianist who writes, records and performs world music with Celtic and Middle Eastern themes. McKennitt is known for her refined, warbling soprano vocals. She has sold more than 14 million records worldwide.
Evgeny Derbenko
Evgeny Derbenko (born 17 March 1949) is a russian composer, teacher, accordionist, winner of international competitions and Honored Artist of Russia.
Jose Belmonte
José Luis Belmonte Composer Songs Selva Devorador de corazones · 1993 A Través De Tus Ojos Rio · 2005 10000 km
10000km · 2003.
10000km · 2003.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.