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Cello Sheet Music
"... don't be afraid to screw up !... one of the key issues to learning is making mistakes ... if you're not making mistakes, you're probably not having a very good time" Robben Ford - Guitar Yellow Jackets, James Cotton Blues Band, Solo
Yiruma
Yiruma (born February 15 1978, Seoul, Korea) is a South Korean piano music composer. He is married to Son Hye-im.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Celine Dion
Céline Marie Claudette Dion (born March 30, 1968 in Charlemagne, Quebec) is a Canadian singer, and occasional songwriter and actress.
Dion had first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest.
Dion's music has been influenced by genres ranging from rock and R&B to gospel and classical, and while her releases have often received mixed critical reception, she is renowned for her technically skilled and powerful vocals.
Dion had first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest.
Dion's music has been influenced by genres ranging from rock and R&B to gospel and classical, and while her releases have often received mixed critical reception, she is renowned for her technically skilled and powerful vocals.
Anton Webern
Anton Webern (3 December 1883 – 15 September 1945) was an Austrian composer and conductor. He was a member of the Second Viennese School. As a student and significant follower of Arnold Schoenberg, he became one of the best-known exponents of the twelve-tone technique; in addition, his innovations regarding schematic organization of pitch, rhythm and dynamics were formative in the musical technique later known as total serialism.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Jean Baptiste Breval
Jean-Baptiste Sebastien Bréval was a French cellist and composer. He wrote mostly pieces for his own instrument, and performed many world premières of his own pieces.
Led Zeppelin
Led Zeppelin were an English rock band formed in 1968 by Jimmy Page (guitar), Robert Plant (vocals), John Paul Jones (bass guitar, keyboards) and John Bonham (drums). With their heavy, guitar-driven sound, Led Zeppelin are regarded as one of the first heavy metal bands. However, the band's individualistic style draws from many sources and transcends any one genre. Their rock-infused interpretation of the blues and folk genres also incorporated rockabilly, reggae, soul, funk, classical, Celtic, Indian, Arabic, pop, Latin and country. The band did not release the popular songs from their albums as singles in the UK, as they preferred to develop the concept of album-oriented rock.
Close to 30 years after disbanding following Bonham's death in 1980, the band continues to be held in high regard for their artistic achievements, commercial success and broad influence. The band have sold more than 300 million albums worldwide, including 111.5 million sales in the United States and they have had all of their original studio albums reach the U.S. Billboard Top 10, with six reaching the number one spot. Led Zeppelin are ranked No. 1 on VH1's 100 Greatest Artists of Hard Rock. Rolling Stone magazine has described Led Zeppelin as "the heaviest band of all time" and "the biggest band of the 70s".
On 10 December 2007 the surviving members of Led Zeppelin reunited (along with deceased drummer John Bonham's son Jason) for the Ahmet Ertegün Tribute Concert at The O2 in London.
Close to 30 years after disbanding following Bonham's death in 1980, the band continues to be held in high regard for their artistic achievements, commercial success and broad influence. The band have sold more than 300 million albums worldwide, including 111.5 million sales in the United States and they have had all of their original studio albums reach the U.S. Billboard Top 10, with six reaching the number one spot. Led Zeppelin are ranked No. 1 on VH1's 100 Greatest Artists of Hard Rock. Rolling Stone magazine has described Led Zeppelin as "the heaviest band of all time" and "the biggest band of the 70s".
On 10 December 2007 the surviving members of Led Zeppelin reunited (along with deceased drummer John Bonham's son Jason) for the Ahmet Ertegün Tribute Concert at The O2 in London.
Apocalyptica
Apocalyptica is a Finnish cello metal band, composed of classically trained cellists and, since 2005, a drummer. Three of the cellists are graduates of the Sibelius Academy in Helsinki, Finland. Their music features elements from classical music, neo-classical metal, thrash metal, and symphonic metal.
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Gabriel Faure
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist, and teacher. He was the foremost French composer of his generation, and his musical style influenced many 20th century composers. His harmonic and melodic language affected how harmony was later taught.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Karl Jenkins
Karl William Pamp Jenkins, CBE (born 17 February 1944) is a Welsh musician and composer.
Jimmy Page & Robbert Plant
Jimmy Page and Robert Plant, both formerly of the English rock band Led Zeppelin, recorded and toured in the mid-1990s under the title Page and Plant. The pair re-united in 1994 and, after recording a live acoustic album, they embarked on a world tour. They then recorded a second full studio album of original songs, followed by another world tour, before disbanding at the end of 1998. They later briefly reunited in 2001.
Michael Kamen
Michael Arnold Kamen was born in New York City, United States, the second of four sons. His father, Saul Kamen, was a dentist, and his mother, Helen, was a teacher. He was of Jewish heritage.
While attending The High School of Music & Art in New York City, Michael Kamen became friends with Martin Fulterman (later known as Mark Snow, who composed the theme music for The X-Files among other projects). While studying the oboe, he formed a rock-classical fusion band called New York Rock & Roll Ensemble, together with classmates Fulterman and Dorian Rudnytsky along with Clifton Nivison and Brian Corrigan of Toms River, New Jersey. The group released five albums from 1968 to 1972 (Self-Titled, Reflections, Faithful Friends, Roll Over & Freedomburger). The group performed in white tie (not tuxedos), as typically worn by classical musicians. In the middle of the concert, Fulterman and Kamen would play an oboe duet. The group backed up friend and classmate Janis Ian in a concert at Alice Tully Hall in late 1967.
After graduating from high school, Kamen attended The Juilliard School, in Manhattan, New York City.
While attending The High School of Music & Art in New York City, Michael Kamen became friends with Martin Fulterman (later known as Mark Snow, who composed the theme music for The X-Files among other projects). While studying the oboe, he formed a rock-classical fusion band called New York Rock & Roll Ensemble, together with classmates Fulterman and Dorian Rudnytsky along with Clifton Nivison and Brian Corrigan of Toms River, New Jersey. The group released five albums from 1968 to 1972 (Self-Titled, Reflections, Faithful Friends, Roll Over & Freedomburger). The group performed in white tie (not tuxedos), as typically worn by classical musicians. In the middle of the concert, Fulterman and Kamen would play an oboe duet. The group backed up friend and classmate Janis Ian in a concert at Alice Tully Hall in late 1967.
After graduating from high school, Kamen attended The Juilliard School, in Manhattan, New York City.
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Louis Caix d'Hervelois
Louis de Caix d'Hervelois was a composer of chamber music. Date of birth: 1677, Amiens, France Date and place of death: 18 October 1759, Paris, France Genre: Classical music
Ennio Morricone
Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
Hans Zimmer
Hans Florian Zimmer (born September 12, 1957) is a German film score composer and music producer. He has composed music for over 100 films, including Hollywood blockbusters such as the Pirates of the Caribbean series, Gladiator, The Lion King, The Da Vinci Code and The Dark Knight.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Gustav Mahler
Gustav Mahler was an Austrian late-Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Giovanni Battista Pergolesi
Giovanni Battista Pergolesi (4 January 1710 – 16 to 17 March 1736) was an Italian composer, violinist and organist.
Born at Jesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others. He spent most of his brief life working for aristocratic patrons like the Colonna principe di Stigliano, and duca Marzio IV Maddaloni Carafa.
Pergolesi was one of the most important early composers of opera buffa (comic opera). His opera seria, Il prigionier superbo, contained the two act buffa intermezzo, La Serva Padrona (The Servant Mistress, August 28, 1733), which became a very popular work in its own right. When it was performed in Paris in 1752, it prompted the so-called Querelle des Bouffons ("quarrel of the comedians") between supporters of serious French opera by the likes of Jean-Baptiste Lully and Jean-Philippe Rameau and supporters of new Italian comic opera. Pergolesi was held up as a model of the Italian style during this quarrel, which divided Paris's musical community for two years.
Born at Jesi, Pergolesi studied music there under a local musician, Francesco Santini, before going to Naples in 1725, where he studied under Gaetano Greco and Francesco Feo among others. He spent most of his brief life working for aristocratic patrons like the Colonna principe di Stigliano, and duca Marzio IV Maddaloni Carafa.
Pergolesi was one of the most important early composers of opera buffa (comic opera). His opera seria, Il prigionier superbo, contained the two act buffa intermezzo, La Serva Padrona (The Servant Mistress, August 28, 1733), which became a very popular work in its own right. When it was performed in Paris in 1752, it prompted the so-called Querelle des Bouffons ("quarrel of the comedians") between supporters of serious French opera by the likes of Jean-Baptiste Lully and Jean-Philippe Rameau and supporters of new Italian comic opera. Pergolesi was held up as a model of the Italian style during this quarrel, which divided Paris's musical community for two years.
Relient K
Relient K is an American rock band formed in Canton, Ohio in 1998 by Matthew Thiessen on guitar and piano, Brian Pittman on bass, and Matt Hoopes on guitar between the band's junior year in high school and their time at Malone College in Canton, Ohio. The band is named after guitarist Matt Hoopes' Plymouth Reliant K car, with the spelling intentionally altered to avoid trademark infringement over the Reliant name.
The group is associated with the Contemporary Christian Music culture, most notably the Christian rock and Christian punk scene. Despite being a Christian band the group has performed alongside secular artists, and has had critical success with mainstream pop punk. The band's sound incorporates piano rock and acoustic elements; and the lyrical content often refers to God, Jesus, and the terms "you" and "Him" are used in reference to The Divine. Since its formation, Relient K has released a discography consisting of five studio albums, seven EPs, two Christmas albums, and one collection of rarities. The band has received numerous awards including a Grammy Award nomination in 2003 for Best Rock Gospel Album and two Dove Awards.
Relient K is best known commercially for their two studio albums which peaked in the top 15 of the US Billboard 200 chart. After signing with Capitol Records, they broke into the mainstream in 2004 with the release of Mmhmm, which debuted at #15 on the Billboard 200. In 2007, their fifth album brought the most success for Relient K, Five Score and Seven Years Ago debuted at #6 on the US Billboard 200 and sold 60,000 records in its debut week. The band has sold over 2 million records, with three albums being given Gold certification by the RIAA. The band is also highly successful throughout the Christian Albums and Contemporary Christian Music charts.
The group is associated with the Contemporary Christian Music culture, most notably the Christian rock and Christian punk scene. Despite being a Christian band the group has performed alongside secular artists, and has had critical success with mainstream pop punk. The band's sound incorporates piano rock and acoustic elements; and the lyrical content often refers to God, Jesus, and the terms "you" and "Him" are used in reference to The Divine. Since its formation, Relient K has released a discography consisting of five studio albums, seven EPs, two Christmas albums, and one collection of rarities. The band has received numerous awards including a Grammy Award nomination in 2003 for Best Rock Gospel Album and two Dove Awards.
Relient K is best known commercially for their two studio albums which peaked in the top 15 of the US Billboard 200 chart. After signing with Capitol Records, they broke into the mainstream in 2004 with the release of Mmhmm, which debuted at #15 on the Billboard 200. In 2007, their fifth album brought the most success for Relient K, Five Score and Seven Years Ago debuted at #6 on the US Billboard 200 and sold 60,000 records in its debut week. The band has sold over 2 million records, with three albums being given Gold certification by the RIAA. The band is also highly successful throughout the Christian Albums and Contemporary Christian Music charts.
W.A. Mozart
Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Samuel Barber
Samuel Osborne Barber II (March 9, 1910 – January 23, 1981) was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century: music critic Donal Henahan stated that "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim."
His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was awarded the Pulitzer Prize for Music twice: for his opera Vanessa (1956–57) and for the Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a setting for soprano and orchestra of a prose text by James Agee. At the time of his death, nearly all of his compositions had been recorded.
His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was awarded the Pulitzer Prize for Music twice: for his opera Vanessa (1956–57) and for the Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a setting for soprano and orchestra of a prose text by James Agee. At the time of his death, nearly all of his compositions had been recorded.
Modest Mussorgsky
Modest Petrovich Mussorgsky (Russian: Модест Петрович Мусоргский, tr. Modést Petróvich Músorgskiy, IPA: ; 21 March 1839 – 28 March 1881) was a Russian composer, one of the group known as "The Five". He was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music.
Theodore Dubois
François-Clément Théodore Dubois (24 August 1837 – 11 June 1924) was a French composer, organist, and music teacher.Théodore Dubois was born in Rosnay in Marne. He studied first under Louis Fanart (the choirmaster at Reims Cathedral) and later at the Paris Conservatoire under Ambroise Thomas. He won the Prix de Rome in 1861. In 1868, he became choirmaster at the Church of the Madeleine, and in 1871 took over from César Franck as choirmaster at the Basilica of Sainte-Clotilde.
Rossini
Gioachino Antonio Rossini (February 29, 1792 – November 13, 1868) was a popular Italian composer who created 39 operas as well as sacred music and chamber music. His best known works include Il barbiere di Siviglia (The Barber of Seville), La Cenerentola and Guillaume Tell (William Tell).
Rossini's most famous opera was produced on February 20, 1816 at the Teatro Argentina in Rome. The libretto by Cesare Sterbini, a version of Pierre Beaumarchais' infamous stage play Le Barbier de Séville, was the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how fast Rossini's opera was written, scholarship generally agreeing upon two weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello’s admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Rossini's most famous opera was produced on February 20, 1816 at the Teatro Argentina in Rome. The libretto by Cesare Sterbini, a version of Pierre Beaumarchais' infamous stage play Le Barbier de Séville, was the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how fast Rossini's opera was written, scholarship generally agreeing upon two weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello’s admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Marcos Portugal
Marcos António da Fonseca Portugal, known as Marcos Portugal, or Marco Portogallo, was a Portuguese classical composer, who achieved great international fame for his operas.
The Beatles
The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
Haydn
Franz Joseph Haydn (March 31, 1732 – May 31, 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
Saint Saens
Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor, and pianist, known especially for The Carnival of the Animals, Danse Macabre, Samson and Delilah, Havanaise, Introduction and Rondo capriccioso, and his Symphony No. 3 (Organ Symphony).
Arcangelo Corelli
Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of Baroque music.
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Handel
George Frideric Handel (Friday, 23 February 1685 - Saturday, 14 April 1759) was a German-born Baroque composer who is famous for his operas, oratorios and concerti grossi. Born as Georg Friedrich Handel in Halle, he spent most of his adult life in England, becoming a subject of the British crown on 22 January 1727. His most famous works are Messiah, an oratorio set to texts from the King James Bible; Water Music; and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell, his music was known to many significant composers who came after him, including Haydn, Mozart, and Beethoven.
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Jerry Goldsmith
Jerrald King "Jerry" Goldsmith (February 10, 1929 – July 21, 2004) was an American composer and conductor most known for his work in film and television scoring.
He composed scores for such noteworthy films as The Sand Pebbles, Planet of the Apes, Patton, Chinatown, The Wind and the Lion, The Omen, The Boys from Brazil, Alien, Poltergeist, Gremlins, Hoosiers, Total Recall, Basic Instinct, Rudy, Air Force One, L.A. Confidential, Mulan, The Mummy, three Rambo films, and five Star Trek films. He was nominated for six Grammy Awards, nine Golden Globes, four BAFTAs, and seventeen Academy Awards. In 1977 he was awarded an Oscar for The Omen.
He collaborated with some of the most prolific directors in film history, including Robert Wise (The Sand Pebbles, Star Trek: The Motion Picture), Howard Hawks (Rio Lobo), Otto Preminger (In Harm's Way), Joe Dante (Gremlins, The 'Burbs, Small Soldiers), Roman Polanski (Chinatown), Ridley Scott (Alien, Legend), Steven Spielberg (Poltergeist, Twilight Zone: The Movie), and Paul Verhoeven (Total Recall, Basic Instinct). However, his most notable collaboration was arguably that with Franklin J. Schaffner, for whom Goldsmith scored such films as Planet of the Apes, Patton, Papillon, and The Boys from Brazil.
He composed scores for such noteworthy films as The Sand Pebbles, Planet of the Apes, Patton, Chinatown, The Wind and the Lion, The Omen, The Boys from Brazil, Alien, Poltergeist, Gremlins, Hoosiers, Total Recall, Basic Instinct, Rudy, Air Force One, L.A. Confidential, Mulan, The Mummy, three Rambo films, and five Star Trek films. He was nominated for six Grammy Awards, nine Golden Globes, four BAFTAs, and seventeen Academy Awards. In 1977 he was awarded an Oscar for The Omen.
He collaborated with some of the most prolific directors in film history, including Robert Wise (The Sand Pebbles, Star Trek: The Motion Picture), Howard Hawks (Rio Lobo), Otto Preminger (In Harm's Way), Joe Dante (Gremlins, The 'Burbs, Small Soldiers), Roman Polanski (Chinatown), Ridley Scott (Alien, Legend), Steven Spielberg (Poltergeist, Twilight Zone: The Movie), and Paul Verhoeven (Total Recall, Basic Instinct). However, his most notable collaboration was arguably that with Franklin J. Schaffner, for whom Goldsmith scored such films as Planet of the Apes, Patton, Papillon, and The Boys from Brazil.
Elvis Presley
Elvis Aaron Presley (January 8, 1935–August 16, 1977, middle name sometimes written Aron)a was an American singer, musician and actor. A cultural icon, he is commonly referred to as the "The King of Rock 'n' Roll" or "The King".
In 1954, Presley began his career as the first performer of rockabilly, an uptempo fusion of country and rhythm and blues with a strong back beat. His novel versions of existing songs, mixing "black" and "white" sounds, made him popular—and controversial—as did his uninhibited stage and television performances. He recorded songs in the rock and roll genre, with tracks like "Hound Dog" and "Jailhouse Rock" later embodying the style. Presley had a versatile voice and had unusually wide success encompassing other genres, including gospel, blues, ballads and pop. To date, he has been inducted into four music halls of fame.
In the 1960s, Presley made the majority of his thirty-one movies—mainly poorly reviewed, but financially successful, musicals. In 1968, he returned with acclaim to live music in a television special, and thereafter performed across the U.S., notably in Las Vegas. Throughout his career, he set records for concert attendance, television ratings and recordings sales. He is one of the best-selling and most influential artists in the history of popular music. Health problems, drug dependency and other factors led to his premature death at age 42.
In 1954, Presley began his career as the first performer of rockabilly, an uptempo fusion of country and rhythm and blues with a strong back beat. His novel versions of existing songs, mixing "black" and "white" sounds, made him popular—and controversial—as did his uninhibited stage and television performances. He recorded songs in the rock and roll genre, with tracks like "Hound Dog" and "Jailhouse Rock" later embodying the style. Presley had a versatile voice and had unusually wide success encompassing other genres, including gospel, blues, ballads and pop. To date, he has been inducted into four music halls of fame.
In the 1960s, Presley made the majority of his thirty-one movies—mainly poorly reviewed, but financially successful, musicals. In 1968, he returned with acclaim to live music in a television special, and thereafter performed across the U.S., notably in Las Vegas. Throughout his career, he set records for concert attendance, television ratings and recordings sales. He is one of the best-selling and most influential artists in the history of popular music. Health problems, drug dependency and other factors led to his premature death at age 42.
Franz Schubert
Franz Peter Schubert (German pronunciation: ; January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.